There Is a Light That Never Goes Out (Riff · Clean) — Guitar Tone
by The Smiths · riff
The There Is a Light That Never Goes Out by The Smiths guitar tone is built on a Fender Twin Reverb + Roland JC-120, dialed in at gain 2/10, bass 4.5, mid 6.5, treble 7, presence 5.5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
pristine clean, jangly distortion. This shapes how hard the amp is pushed and where the EQ sits for the There Is a Light That Never Goes Out sound.
What makes the There Is a Light That Never Goes Out part tricky
layered open-chord arpeggios, capo & open strings, chorus/effects setup. GuitarToneAdapt gets the tone right so you can focus on the playing.
Note: There Is a Light is warmer, arpeggiated jangle — clean Tele with chorus and a touch of delay, mids up so the chord melody rings., Johnny Marr's Smiths sound is a bright, jangly, chorus-soaked CLEAN — built on a Fender Telecaster into a Fender Twin Reverb and a Roland JC-120 run together (the Twin carries the low-mids and reverb, the JC-120 the chimey top), with a Boss CE-2 Chorus essential to the lush shimmer, plus an EHX Memory Man delay and an MXR Dyna Comp., The recipe is almost no gain: keep it clean (gain ~2), bass low (~4), mids up (6-7), treble high (7-8) for the jangle, and lean on a chorus + a little reverb/delay. The magic is in the bright Tele + chorus + layered open-chord arpeggios, not amp gain., Settings are community-researched starting points, not official recall sheets — a chorus pedal is the single most important piece for this tone.