The This Is the One (Remastered 2009) by The Stone Roses guitar tone is built on a Marshall amplifier, dialed in at gain 4.5/10, bass 6, mid 7, treble 7, presence 5.5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 540 rock tones in our researched catalog: Gain 4.5 sits right around the rock average (4.8); mids at 7 are right around average (6.2).
Guitar: 1960 Fender Stratocaster (pink, likely studio-owned or hired for the session) · Amp: Marshall amplifier (exact model not specified, likely JCM800 or similar era-appropriate model)
Position 4 (neck + middle)
1960 Fender Stratocaster (pink, likely studio-owned or hired for the session) → Chorus pedal (model unknown) → Marshall amplifier (exact model not specified, likely JCM800 or similar era-appropriate model)
chorus, reverb
jangly and bright, articulate single-coil clarity, subtle chorus shimmer, open and dynamic, slight edge-of-breakup crunch, clean with mild grit, modulation adds width, not compressed or saturated, classic indie chime, present upper mids
studio
straight, medium tempo, medium dynamics · edge distortion. This shapes how hard the amp is pushed and where the EQ sits for the This Is the One (Remastered 2009) sound.
2.5/5
The riff requires tight, syncopated strumming and clean articulation with subtle modulation, but does not involve advanced techniques or high speed.
Set your amp to roughly: gain 4.5, bass 6, mid 7, treble 7, presence 5.5, reverb 3. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: 1960 Fender Stratocaster (pink, likely studio-owned or hired for the session) · Amp: Marshall amplifier (exact model not specified, likely JCM800 or similar era-appropriate model); chorus, reverb.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Position 4 (neck + middle), the amp EQ above (gain 4.5, bass 6, mid 7, treble 7, presence 5.5, reverb 3), and chorus, reverb. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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