The Number of the Beast (2015 Remaster) by Iron Maiden guitar tone is built on a Marshall JMP 2203/2204, dialed in at gain 7/10, bass 5.5, mid 7, treble 7, presence 6.5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 284 metal tones in our researched catalog: Gain 7 sits right around the metal average (7.3); mids at 7 are above average (5.2) — mid-forward, built to cut through a mix.
Guitar: Fender Stratocaster (Dave Murray signature or late-70s/early-80s model, likely with DiMarzio Super Distortion bridge pickup for riff section) · Amp: Marshall JMP 2203/2204 (Master Lead 100w/50w head, late 1970s/early 1980s, through Marshall 1960B 4x12 cabinet)
Bridge pickup
Fender Stratocaster (Dave Murray signature or late-70s/early-80s model, likely with DiMarzio Super Distortion bridge pickup for riff section) → Marshall JMP 2203/2204 (Master Lead 100w/50w head, late 1970s/early 1980s, through Marshall 1960B 4x12 cabinet)
Guitar → Marshall JMP 2203/2204 head → Marshall 1960B 4x12 cabinet (amp spring reverb at low level)
tight and percussive, crunchy, overdriven British amp sound, midrange-forward, articulate and defined attack, slightly scooped bass, aggressive palm muting, harmonic richness, fast, precise rhythm, layered dual-guitar sound, clear note separation
studio
straight, fast tempo, loud dynamics · high-gain distortion. This shapes how hard the amp is pushed and where the EQ sits for the The Number of the Beast (2015 Remaster) sound.
3.5/5
The riff requires fast, accurate alternate picking and tight palm muting at a high tempo, with precise timing and rhythm changes typical of classic Iron Maiden. While not as technically demanding as the solos, the speed and tightness needed make it challenging for intermediate players.
Set your amp to roughly: gain 7, bass 5.5, mid 7, treble 7, presence 6.5, reverb 1.5. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Fender Stratocaster (Dave Murray signature or late-70s/early-80s model, likely with DiMarzio Super Distortion bridge pickup for riff section) · Amp: Marshall JMP 2203/2204 (Master Lead 100w/50w head, late 1970s/early 1980s, through Marshall 1960B 4x12 cabinet); Guitar → Marshall JMP 2203/2204 head → Marshall 1960B 4x12 cabinet (amp spring reverb at low level).
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Bridge pickup, the amp EQ above (gain 7, bass 5.5, mid 7, treble 7, presence 6.5, reverb 1.5), and Guitar → Marshall JMP 2203/2204 head → Marshall 1960B 4x12 cabinet (amp spring reverb at low level). Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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