The Devil In I by Slipknot guitar tone is built on a Orange Rockerverb 100 MKII, dialed in at gain 9/10, bass 6, mid 4.5, treble 7, presence 6.5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 284 metal tones in our researched catalog: Gain 9 sits above the metal average (7.3) — a hotter, more saturated take than most metal tones; mids at 4.5 are right around average (5.2).
Guitar: Fender Jim Root Telecaster (2014 studio recording), Ibanez MTM1 (Mick Thomson, 2014 studio recording) · Amp: Orange Rockerverb 100 MKII (Jim Root), Rivera KR7 (Mick Thomson), Marshall JCM800 (blended, Mick Thomson)
Bridge pickup
Fender Jim Root Telecaster (2014 studio recording), Ibanez MTM1 (Mick Thomson, 2014 studio recording) → Maxon OD820 Overdrive Pro → Boss NS-2 Noise Suppressor → Orange Rockerverb 100 MKII (Jim Root), Rivera KR7 (Mick Thomson), Marshall JCM800 (blended, Mick Thomson)
overdrive, noise_gate
tight and percussive, scooped mids, aggressive palm muting, high-gain saturation, articulate low end, compressed and focused, modern metal clarity, minimal ambience, crushing rhythm attack, razor-sharp definition
studio
straight, medium tempo, loud dynamics · high-gain distortion. This shapes how hard the amp is pushed and where the EQ sits for the The Devil In I sound.
3.5/5
The riff requires intermediate to advanced palm muting technique, tight rhythm accuracy, and control of high-gain noise, but does not involve complex lead work or advanced chord shapes.
Set your amp to roughly: gain 9, bass 6, mid 4.5, treble 7, presence 6.5, reverb 0. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Fender Jim Root Telecaster (2014 studio recording), Ibanez MTM1 (Mick Thomson, 2014 studio recording) · Amp: Orange Rockerverb 100 MKII (Jim Root), Rivera KR7 (Mick Thomson), Marshall JCM800 (blended, Mick Thomson); overdrive, noise_gate.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Bridge pickup, the amp EQ above (gain 9, bass 6, mid 4.5, treble 7, presence 6.5, reverb 0), and overdrive, noise_gate. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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