What amp settings do I need for the The Boys Are Back in Town guitar tone?

Set your amp to roughly: gain 6, bass 6, mid 7, treble 6, presence 5.5, reverb 2.5. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.

What gear was used for the The Boys Are Back in Town tone?

Original gear/effects: Amp: Marshall JMP 1959 Super Lead — articulate overdrive; distortion.

Can I get the The Boys Are Back in Town tone on a different guitar or amp?

Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.

🎸 Hard-Rock · 1970s

The Boys Are Back in Town (Riff · Distorted) — Guitar Tone

by Thin Lizzy · riff

The Boys Are Back in Town by Thin Lizzy guitar tone is built on a Marshall JMP 1959 Super Lead — articulate overdrive, dialed in at gain 6/10, bass 6, mid 7, treble 6, presence 5.5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.

🎛️ Adapt this tone to YOUR guitar & amp — free →

Amp settings (0–10)

GAIN

BASS

MID

TREBLE

5.5

PRESENCE

2.5

REVERB

Community-researched baseline. Your rig is different — GuitarToneAdapt re-dials every knob for your specific guitar, amp and pickups.

Original gear

Amp: Marshall JMP 1959 Super Lead — articulate overdrive

Pickups

bridge/neck (Les Paul humbucker)

Effects / signal chain

distortion

Tone character

articulate mid-forward crunch, twin-guitar harmony, melodic, warm Les Paul

Recording context

studio

How it’s played

articulate mid-forward Marshall crunch distortion. This shapes how hard the amp is pushed and where the EQ sits for the The Boys Are Back in Town sound.

What makes the The Boys Are Back in Town part tricky

twin-guitar harmony, 3rds above melody, articulate picking. GuitarToneAdapt gets the tone right so you can focus on the playing.

Note: The Boys Are Back in Town is an articulate, MID-forward Marshall crunch (Les Paul into a Super Lead) — gain ~6, mids up (~7), don’t over-gain the front end. The signature is the twin-guitar harmony (a 3rd above the melody); layer two parts if you can., Use a humbucker into a moderate Marshall crunch, push the mids, keep gain controlled, and layer/harmonise the lead in 3rds., Settings are community-researched starting points, not official recall sheets.

Get these exact settings for your rig →

🎧 Can you guess the tone?

Recognise famous songs from just the amp dials — a quick 10-round game. Beat your friends. Play free →

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