The Boys Are Back in Town by Thin Lizzy guitar tone is built on a Marshall JMP 1959 Super Lead — articulate overdrive, dialed in at gain 6/10, bass 6, mid 7, treble 6, presence 5.5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 540 rock tones in our researched catalog: Gain 6 sits above the rock average (4.8) — a hotter, more saturated take than most rock tones; mids at 7 are right around average (6.2).
Amp: Marshall JMP 1959 Super Lead — articulate overdrive
bridge/neck (Les Paul humbucker)
distortion
articulate mid-forward crunch, twin-guitar harmony, melodic, warm Les Paul
studio
articulate mid-forward Marshall crunch distortion. This shapes how hard the amp is pushed and where the EQ sits for the The Boys Are Back in Town sound.
4/5
Playing (or layering) the harmony in 3rds is the work; the tone is an articulate, mid-forward Marshall crunch on a Les Paul — keep gain moderate.
Set your amp to roughly: gain 6, bass 6, mid 7, treble 6, presence 5.5, reverb 2.5. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Amp: Marshall JMP 1959 Super Lead — articulate overdrive; distortion.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with bridge/neck (Les Paul humbucker), the amp EQ above (gain 6, bass 6, mid 7, treble 6, presence 5.5, reverb 2.5), and distortion. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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