The Still Loving You by Scorpions guitar tone is built on a Marshall JCM800 2203, dialed in at gain 6.5/10, bass 6, mid 6.5, treble 7, presence 6.5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 540 rock tones in our researched catalog: Gain 6.5 sits above the rock average (4.8) — a hotter, more saturated take than most rock tones; mids at 6.5 are right around average (6.2).
Guitar: Gibson Flying V (likely 1970s/early 1980s model, Rudolf Schenker's main guitar for this era and album) · Amp: Marshall JCM800 2203 (vintage 1980s, as used on 'Love at First Sting' album sessions)
Bridge pickup
Gibson Flying V (likely 1970s/early 1980s model, Rudolf Schenker's main guitar for this era and album) → Chorus pedal (model unknown) → Delay pedal (model unknown) → Marshall JCM800 2203 (vintage 1980s, as used on 'Love at First Sting' album sessions)
chorus, delay, reverb
classic Marshall crunch, tight palm-muted chugs, warm and sustaining rhythm, articulate midrange, slightly saturated but not high-gain, 80s hard rock rhythm, clear note separation, not overly scooped, full-bodied riff tone
studio
straight, slow tempo, medium dynamics · crunch distortion. This shapes how hard the amp is pushed and where the EQ sits for the Still Loving You sound.
3/5
The riff requires intermediate-level control of palm muting, alternate picking, and dynamic sensitivity to maintain clarity and sustain with modulation effects.
Set your amp to roughly: gain 6.5, bass 6, mid 6.5, treble 7, presence 6.5, reverb 3.5. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Gibson Flying V (likely 1970s/early 1980s model, Rudolf Schenker's main guitar for this era and album) · Amp: Marshall JCM800 2203 (vintage 1980s, as used on 'Love at First Sting' album sessions); chorus, delay, reverb.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Bridge pickup, the amp EQ above (gain 6.5, bass 6, mid 6.5, treble 7, presence 6.5, reverb 3.5), and chorus, delay, reverb. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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