The Some Might Say by Oasis guitar tone is built on a Marshall stack, dialed in at gain 6.5/10, bass 6, mid 7, treble 7, presence 6 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 540 rock tones in our researched catalog: Gain 6.5 sits above the rock average (4.8) — a hotter, more saturated take than most rock tones; mids at 7 are right around average (6.2).
Guitar: Epiphone Les Paul Standard (early 1990s, likely Korean-made) · Amp: Marshall stack (likely JCM900 or similar, as used by Noel Gallagher for early Oasis studio recordings)
Bridge pickup
Epiphone Les Paul Standard (early 1990s, likely Korean-made) → Marshall stack (likely JCM900 or similar, as used by Noel Gallagher for early Oasis studio recordings)
Epiphone Les Paul Standard → Marshall stack (cranked, slight spring reverb)
big, open, crunchy rhythm sound, classic British rock crunch, bright and biting top end, full-bodied midrange, slightly compressed attack, punchy power chords, dynamic, not overly saturated, clear note separation, aggressive strumming, raw, unpolished drive
studio
straight, medium tempo, loud dynamics · crunch distortion. This shapes how hard the amp is pushed and where the EQ sits for the Some Might Say sound.
2.5/5
The riff requires confident, aggressive strumming and tight power chord changes, but does not involve advanced techniques or fast tempo, making it accessible to intermediate players.
Set your amp to roughly: gain 6.5, bass 6, mid 7, treble 7, presence 6, reverb 2.5. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Epiphone Les Paul Standard (early 1990s, likely Korean-made) · Amp: Marshall stack (likely JCM900 or similar, as used by Noel Gallagher for early Oasis studio recordings); Epiphone Les Paul Standard → Marshall stack (cranked, slight spring reverb).
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Bridge pickup, the amp EQ above (gain 6.5, bass 6, mid 7, treble 7, presence 6, reverb 2.5), and Epiphone Les Paul Standard → Marshall stack (cranked, slight spring reverb). Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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