The So Far Away by Sultans Of Swing (dire Straits Sound-a-like) guitar tone is built on a Fender Vibrolux Reverb, dialed in at gain 2.5/10, bass 6, mid 6, treble 7, presence 5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 540 rock tones in our researched catalog: Gain 2.5 sits well below the rock average (4.8) — cleaner and more dynamic than typical rock; mids at 6 are right around average (6.2).
Guitar: Fender Stratocaster (1977-1979, maple neck, stock single coils) · Amp: Fender Vibrolux Reverb (silverface, late 1970s)
Position 2 (bridge + middle, Stratocaster 'quack' setting)
Fender Stratocaster (1977-1979, maple neck, stock single coils) → Dan Armstrong Orange Squeezer → MXR Analog Delay → Fender Vibrolux Reverb (silverface, late 1970s)
compression, delay, reverb
clean and glassy, bright and articulate, slightly compressed, dynamic and touch-sensitive, percussive attack, warm with clear highs, fat but not muddy, distinct Stratocaster 'quack', responsive to fingerstyle, no audible distortion
studio
straight, medium tempo, medium dynamics · clean distortion. This shapes how hard the amp is pushed and where the EQ sits for the So Far Away sound.
4/5
The riff requires advanced fingerstyle technique, syncopated picking, and dynamic control to achieve the signature clean and articulate tone, making it challenging for most intermediate players.
Set your amp to roughly: gain 2.5, bass 6, mid 6, treble 7, presence 5, reverb 3. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Fender Stratocaster (1977-1979, maple neck, stock single coils) · Amp: Fender Vibrolux Reverb (silverface, late 1970s); compression, delay, reverb.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Position 2 (bridge + middle, Stratocaster 'quack' setting), the amp EQ above (gain 2.5, bass 6, mid 6, treble 7, presence 5, reverb 3), and compression, delay, reverb. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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