The 七月、影法師、藍色、ロッカー by n-buna guitar tone is built on a Fractal Audio Axe-Fx III, dialed in at gain 5/10, bass 5.5, mid 6.5, treble 7, presence 6 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 540 rock tones in our researched catalog: Gain 5 sits right around the rock average (4.8); mids at 6.5 are right around average (6.2).
Guitar: Fender Telecaster (exact model unknown, but Telecaster confirmed for Yorushika/n-buna studio recordings of this era) · Amp: Fractal Audio Axe-Fx III (amp modeling, studio use, specific amp model within Axe-Fx III not specified)
Bridge pickup
Fender Telecaster (exact model unknown, but Telecaster confirmed for Yorushika/n-buna studio recordings of this era) → Mad Professor Forest Green Compressor → Orange Kongpressor → Vemuram Galea → Walrus Audio Mayflower → Mad Professor Sweet Honey Overdrive Deluxe → Fulltone OCD → ProCo RAT2 → Xotic EP Booster → ISP Decimator II → Fractal Audio Axe-Fx III (amp modeling, studio use, specific amp model within Axe-Fx III not specified)
compression, overdrive, distortion, boost, noise gate, digital reverb
expressive crunch, rich mids, subtle compression, clear and articulate attack, vintage-inspired warmth, emotional intensity, tight and percussive rhythm, slightly compressed dynamics, present upper mids, cuts through mix without harshness
studio
straight, medium tempo, medium dynamics · edge distortion. This shapes how hard the amp is pushed and where the EQ sits for the 七月、影法師、藍色、ロッカー sound.
3.5/5
The riff requires intermediate-level rhythmic precision, dynamic picking, and articulation to maintain clarity and emotional intensity, but does not involve advanced techniques or extreme speed.
Set your amp to roughly: gain 5, bass 5.5, mid 6.5, treble 7, presence 6, reverb 3.5. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Fender Telecaster (exact model unknown, but Telecaster confirmed for Yorushika/n-buna studio recordings of this era) · Amp: Fractal Audio Axe-Fx III (amp modeling, studio use, specific amp model within Axe-Fx III not specified); compression, overdrive, distortion, boost, noise gate, digital reverb.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Bridge pickup, the amp EQ above (gain 5, bass 5.5, mid 6.5, treble 7, presence 6, reverb 3.5), and compression, overdrive, distortion, boost, noise gate, digital reverb. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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