The Rock 'N' Roll Damnation by AC/DC guitar tone is built on a Marshall Super Lead 1959 100-watt head with Marshall 4x12 cabinet, dialed in at gain 6/10, bass 6, mid 7, treble 7, presence 6.5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 540 rock tones in our researched catalog: Gain 6 sits above the rock average (4.8) — a hotter, more saturated take than most rock tones; mids at 7 are right around average (6.2).
Guitar: Gibson SG Standard (circa mid-1970s, likely 1968-1971 model) · Amp: Marshall Super Lead 1959 100-watt head with Marshall 4x12 cabinet (likely G12-65 Celestion speakers)
Bridge pickup
Gibson SG Standard (circa mid-1970s, likely 1968-1971 model) → Schaffer-Vega Diversity System (preamp/boost coloration, possibly replicated by Solodallas Schaffer Replica) → Marshall Super Lead 1959 100-watt head with Marshall 4x12 cabinet (likely G12-65 Celestion speakers)
Gibson SG Standard → Schaffer-Vega Diversity System (preamp/boost) → Marshall Super Lead 1959 → Marshall 4x12 cab
tight and percussive, bright and articulate, raw, open chords, dynamic pick attack, midrange-forward, classic Marshall crunch, minimal compression, immediate, punchy response, slight natural amp breakup, no audible effects
studio
straight, medium tempo, loud dynamics · crunch distortion. This shapes how hard the amp is pushed and where the EQ sits for the Rock 'N' Roll Damnation sound.
2.5/5
The riff requires solid timing, dynamic picking, and tight muting, but uses straightforward open chords and rhythm patterns typical of classic rock.
Set your amp to roughly: gain 6, bass 6, mid 7, treble 7, presence 6.5, reverb 0. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Gibson SG Standard (circa mid-1970s, likely 1968-1971 model) · Amp: Marshall Super Lead 1959 100-watt head with Marshall 4x12 cabinet (likely G12-65 Celestion speakers); Gibson SG Standard → Schaffer-Vega Diversity System (preamp/boost) → Marshall Super Lead 1959 → Marshall 4x12 cab.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Bridge pickup, the amp EQ above (gain 6, bass 6, mid 7, treble 7, presence 6.5, reverb 0), and Gibson SG Standard → Schaffer-Vega Diversity System (preamp/boost) → Marshall Super Lead 1959 → Marshall 4x12 cab. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
🎤 Online guitar tuner → · 🎶 Guitar chords → · 🎸 Guitar tunings → · 🎚️ Tuning chart → · 🎼 Guitar scales → · 🎚️ Chord transposer & capo → · 🥁 Metronome → · 🎶 Song chords → · 🎧 Guess the Tone game → · 🎸 Tone Legend quiz → · 📊 Tone data report →
🔥 The most famous guitar tones of all time → · 🎯 Easy guitar songs to play (with settings) → · 🗂️ Browse tone collections (by genre & language) →
🎸 How to get AC/DC’s guitar tone → · 🎸 more Rock guitar tones → · 🎚️ Marshall Plexi settings → · 🎛️ best rock amp settings → · 🎸 more iconic guitar riffs → · 🎚️ Boost tone guide → · 🎯 more percussive tones → · 📖 New to amp settings? What every knob does →