🎸 Blues · 1980s

Pride and Joy by Stevie Ray Vaughan & Double Trouble (Riff · Distorted) — Guitar Tone

by Stevie Ray Vaughan & Double Trouble · riff

The Pride and Joy by Stevie Ray Vaughan & Double Trouble guitar tone is built on a Fender Vibroverb, dialed in at gain 4/10, bass 7, mid 7, treble 6, presence 5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.

🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →

Amp settings (0–10)

GAIN

BASS

MID

TREBLE

PRESENCE

REVERB

Community-researched baseline. Your rig is different — GuitarToneAdapt re-dials every knob for your specific guitar, amp and pickups.

How these settings compare

Measured against the 54 blues tones in our researched catalog: Gain 4 sits right around the blues average (4.6); mids at 7 are right around average (6.5).

Guitar controls

8-9

VOLUME

6-7

TONE

Original gear

Guitar: 1963 Fender Stratocaster 'Number One' · Amp: Fender Vibroverb (Blackface, 1964) and Dumble Dumbleland Special (studio recording, only one Vibroverb miked for main riff)

Studio recording, 1983, Texas Flood sessions at Jackson Browne’s Down Town Studio. Only one Vibroverb was miked for the main riff; Dumble Dumbleland Special also used for its tight, big clean tones. No overdubs, live in studio. Ibanez Tube Screamer TS9 only used for solos, not riff.

Gear used on this tone

🎚️ Fender Stratocaster songs & tones →🎚️ single-coil guitars songs & tones →🎚️ Tube Screamer songs & tones →🎚️ Ibanez RG songs & tones →🎚️ Dumble Overdrive Special songs & tones →

Don’t own this gear? GuitarToneAdapt re-creates the sound on the rig you actually have.

Pickups

Position 4 (neck + middle)

Signal chain

1963 Fender Stratocaster 'Number One' → Fender Vibroverb (Blackface, 1964) and Dumble Dumbleland Special (studio recording, only one Vibroverb miked for main riff)

Effects

reverb

Amp effects: Reverb (spring, level 2)

Tone character

fat, droning Eb notes, warm and smooth, touch-sensitive, Texas shuffle feel, edge-of-breakup crunch, percussive attack, dynamic and responsive, bright but not harsh, full-bodied, thick single-coil sound, articulate with strong note separation

Recording context

studio

How it’s played

shuffle, medium tempo, loud dynamics · edge distortion. This shapes how hard the amp is pushed and where the EQ sits for the Pride and Joy sound.

Difficulty

4/5 · Riff

The riff requires advanced right-hand shuffle technique, strong left-hand muting, and control over heavy-gauge strings in Eb tuning, making it challenging for most players.

Worth knowing

No official amp knob settings for the exact studio session found; settings estimated based on typical Fender Vibroverb and Dumble usage for Texas blues in the 1980s and multiple source descriptions.
Ibanez Tube Screamer TS9 was used for solos only, not for the main riff section.
Roland Dimension D chorus was added only to solos during mixing, not present on the riff.
Pickup position inferred from multiple forum and gear discussions and the characteristic tone; some sources suggest neck or neck+middle.
Presence and reverb settings are estimated based on typical Vibroverb usage and genre/era.
Settings cross-referenced with genre and era conventions for accuracy. SRV's 'Pride and Joy' riff uses a Fender amp (likely a Vibroverb or Super Reverb) set just at the edge of breakup, with strong mids and bass for warmth and punch, moderate treble to avoid harshness, and subtle spring reverb for space. These settings reflect his typical live and studio approach for Texas blues.

⚡ Same tone, YOUR gear — re-dials the gain & EQ for your amp and pickups, free →

🎧 Can you guess the tone?

Recognise famous songs from just the amp dials — a quick 10-round game. Beat your friends. Play free →

🎸 Which guitar legend is your tone twin? Take the quiz & share your result →

Pride and Joy guitar tone — FAQ

What amp settings do I need for the Pride and Joy guitar tone?

Set your amp to roughly: gain 4, bass 7, mid 7, treble 6, presence 5, reverb 3. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.

What gear was used for the Pride and Joy tone?

Original gear/effects: Guitar: 1963 Fender Stratocaster 'Number One' · Amp: Fender Vibroverb (Blackface, 1964) and Dumble Dumbleland Special (studio recording, only one Vibroverb miked for main riff); reverb.

Can I get the Pride and Joy tone on a different guitar or amp?

Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.

How do I sound like Stevie Ray Vaughan & Double Trouble on Pride and Joy — what gear and pedals?

Start with Position 4 (neck + middle), the amp EQ above (gain 4, bass 7, mid 7, treble 6, presence 5, reverb 3), and reverb. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.

Share this tone

Sources

Free practice tools

🎤 Online guitar tuner → · 🎶 Guitar chords → · 🎸 Guitar tunings → · 🎚️ Tuning chart → · 🎼 Guitar scales → · 🎚️ Chord transposer & capo → · 🥁 Metronome → · 🎶 Song chords → · 🎧 Guess the Tone game → · 🎸 Tone Legend quiz → · 📊 Tone data report →

🔥 The most famous guitar tones of all time → · 🎯 Easy guitar songs to play (with settings) → · 🗂️ Browse tone collections (by genre & language) →

More like this

🎸 How to get Stevie Ray Vaughan & Double Trouble’s guitar tone → · 🎸 more Blues guitar tones → · 🎛️ best blues amp settings → · 🎸 more iconic guitar riffs → · 🎯 more percussive tones → · 📖 New to amp settings? What every knob does →

Settings are community-researched estimates, not official. GuitarToneAdapt adapts them to your gear. guitartoneadapt.com