The Plump by Hole guitar tone is built on a Marshall JCM900, dialed in at gain 7.5/10, bass 6, mid 7, treble 6.5, presence 6 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 540 rock tones in our researched catalog: Gain 7.5 sits well above the rock average (4.8) — a hotter, more saturated take than most rock tones; mids at 7 are right around average (6.2).
Guitar: Fender Stratocaster (likely 1970s or early 1990s Japanese or American, as used by Courtney Love in this era) · Amp: Marshall JCM900 (most commonly used by Courtney Love in the studio and live for 'Live Through This' era, including 'Plump')
Bridge pickup
Fender Stratocaster (likely 1970s or early 1990s Japanese or American, as used by Courtney Love in this era) → Marshall JCM900 (most commonly used by Courtney Love in the studio and live for 'Live Through This' era, including 'Plump')
Fender Stratocaster → Marshall JCM900 (amp gain, spring reverb low)
thick and saturated, aggressive and crunchy, tight and percussive, mid-heavy punch, raw grunge texture, articulate pick attack, minimal ambience, no modulation or delay, slightly scooped but not thin, classic 90s alternative distortion
studio
straight, fast tempo, loud dynamics · high-gain distortion. This shapes how hard the amp is pushed and where the EQ sits for the Plump sound.
2.5/5
The riff requires fast, accurate power chord changes and tight palm muting, but uses straightforward rhythm and no advanced techniques.
Set your amp to roughly: gain 7.5, bass 6, mid 7, treble 6.5, presence 6, reverb 1.5. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Fender Stratocaster (likely 1970s or early 1990s Japanese or American, as used by Courtney Love in this era) · Amp: Marshall JCM900 (most commonly used by Courtney Love in the studio and live for 'Live Through This' era, including 'Plump'); Fender Stratocaster → Marshall JCM900 (amp gain, spring reverb low).
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Bridge pickup, the amp EQ above (gain 7.5, bass 6, mid 7, treble 6.5, presence 6, reverb 1.5), and Fender Stratocaster → Marshall JCM900 (amp gain, spring reverb low). Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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🎸 How to get Hole’s guitar tone → · 🎸 more Rock guitar tones → · 🎛️ best rock amp settings → · 🎸 more iconic guitar riffs → · 🎚️ Distortion tone guide → · 🎚️ Reverb tone guide → · 🎯 more scooped mids tones → · 📖 New to amp settings? What every knob does →