The Misery Business by Paramore guitar tone is built on a Marshall JCM 2000 DSL 100W head with Mesa/Boogie 4x12 cab, dialed in at gain 6/10, bass 5.5, mid 7, treble 6.5, presence 6 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 540 rock tones in our researched catalog: Gain 6 sits above the rock average (4.8) — a hotter, more saturated take than most rock tones; mids at 7 are right around average (6.2).
Guitar: Gibson Les Paul Custom (likely 2000s, used by Josh Farro in studio) · Amp: Marshall JCM 2000 DSL 100W head with Mesa/Boogie 4x12 cab
Bridge pickup
Gibson Les Paul Custom (likely 2000s, used by Josh Farro in studio) → Boss DD-20 Giga Delay → Marshall JCM 2000 DSL 100W head with Mesa/Boogie 4x12 cab
delay, reverb
mid-forward and punchy, tight and articulate attack, singing sustain on lead lines, slightly compressed mids, clear note separation, moderate gain, not overly saturated, bright but not harsh, controlled feedback on sustained notes, dynamic response to picking, focused, modern alternative rock lead sound
studio
straight, fast tempo, loud dynamics · crunch distortion. This shapes how hard the amp is pushed and where the EQ sits for the Misery Business sound.
2.5/5
The solo is accessible to intermediate players, featuring straightforward melodic lines and moderate speed, but requires good timing and articulation for clarity.
Set your amp to roughly: gain 6, bass 5.5, mid 7, treble 6.5, presence 6, reverb 2. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Gibson Les Paul Custom (likely 2000s, used by Josh Farro in studio) · Amp: Marshall JCM 2000 DSL 100W head with Mesa/Boogie 4x12 cab; delay, reverb.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Bridge pickup, the amp EQ above (gain 6, bass 5.5, mid 7, treble 6.5, presence 6, reverb 2), and delay, reverb. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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