The Inside Out by XYZ guitar tone is built on a Marshall JCM800 2203 head, dialed in at gain 7/10, bass 6, mid 6, treble 7, presence 6 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 540 rock tones in our researched catalog: Gain 7 sits well above the rock average (4.8) — a hotter, more saturated take than most rock tones; mids at 6 are right around average (6.2).
Guitar: Kramer Baretta (likely 1987-1989, Floyd Rose, single humbucker, maple neck) · Amp: Marshall JCM800 2203 head (likely through 4x12 cabinet, 1980s model)
Bridge pickup
Kramer Baretta (likely 1987-1989, Floyd Rose, single humbucker, maple neck) → Marshall JCM800 2203 head (likely through 4x12 cabinet, 1980s model)
reverb
tight and percussive, saturated and crunchy, articulate pick attack, bright and cutting, punchy low end, compressed and focused, minimal ambience, scooped but present mids, aggressive rhythm, crisp power chord definition
studio
straight, medium tempo, loud dynamics · high-gain distortion. This shapes how hard the amp is pushed and where the EQ sits for the Inside Out sound.
3/5
The riff requires tight palm muting, accurate alternate picking, and quick power chord transitions typical of 80s hard rock, making it moderately challenging for intermediate players.
Set your amp to roughly: gain 7, bass 6, mid 6, treble 7, presence 6, reverb 2. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Kramer Baretta (likely 1987-1989, Floyd Rose, single humbucker, maple neck) · Amp: Marshall JCM800 2203 head (likely through 4x12 cabinet, 1980s model); reverb.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Bridge pickup, the amp EQ above (gain 7, bass 6, mid 6, treble 7, presence 6, reverb 2), and reverb. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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