The Hey You by Pink Floyd guitar tone is built on a Hiwatt DR103 Custom 100 Head into WEM Super Starfinder 4x12 cabinet, dialed in at gain 0/10, bass 6, mid 7, treble 6.5, presence 6 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 540 rock tones in our researched catalog: Gain 0 sits well below the rock average (4.8) — cleaner and more dynamic than typical rock; mids at 7 are right around average (6.2).
Guitar: Fender Stratocaster (Black Strat, late 1960s/early 1970s, maple neck, stock single-coil pickups) · Amp: Hiwatt DR103 Custom 100 Head into WEM Super Starfinder 4x12 cabinet
Position 4 (neck + middle)
Fender Stratocaster (Black Strat, late 1960s/early 1970s, maple neck, stock single-coil pickups) → Yamaha RA-200 Rotary Speaker → Hiwatt DR103 Custom 100 Head into WEM Super Starfinder 4x12 cabinet
modulation, reverb
crystal clear, lush and three-dimensional, slightly scooped mids, chiming, bell-like highs, full-bodied low end, soft attack, no breakup, modulation shimmer, dynamic and touch-sensitive, warm, glassy character
studio
straight, medium tempo, soft dynamics · clean distortion. This shapes how hard the amp is pushed and where the EQ sits for the Hey You sound.
2.5/5
The riff requires precise arpeggiated picking and dynamic control to maintain a clean, lush sound with modulation. While not technically advanced, the tone and timing are critical for authenticity.
🎸 All Hey You guitar tones — every part & section →
Set your amp to roughly: gain 0, bass 6, mid 7, treble 6.5, presence 6, reverb 3. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Fender Stratocaster (Black Strat, late 1960s/early 1970s, maple neck, stock single-coil pickups) · Amp: Hiwatt DR103 Custom 100 Head into WEM Super Starfinder 4x12 cabinet; modulation, reverb.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Position 4 (neck + middle), the amp EQ above (gain 0, bass 6, mid 7, treble 6.5, presence 6, reverb 3), and modulation, reverb. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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