The Freezing Moon by Mayhem guitar tone is built on a Marshall JMP 1987 Mk II Super Lead 50w Head, dialed in at gain 8.5/10, bass 5.5, mid 4.5, treble 7, presence 6.5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 284 metal tones in our researched catalog: Gain 8.5 sits above the metal average (7.3) — a hotter, more saturated take than most metal tones; mids at 4.5 are right around average (5.2).
Guitar: Gibson Les Paul Standard (sunburst, late 1970s/early 1980s, as seen in studio photos) · Amp: Marshall JMP 1987 Mk II Super Lead 50w Head (1976-77, with master volume mod) into Marshall 1960BX 4x12 cabinet (Celestion G12M Blackback speakers)
Bridge pickup
Gibson Les Paul Standard (sunburst, late 1970s/early 1980s, as seen in studio photos) → Arion SMM-1 Metal Master → Ibanez TS9 Tube Screamer → Marshall JMP 1987 Mk II Super Lead 50w Head (1976-77, with master volume mod) into Marshall 1960BX 4x12 cabinet (Celestion G12M Blackback speakers)
distortion, overdrive
razor-sharp attack, cold and brittle, scooped, harsh mids, tight and percussive, lo-fi, abrasive texture, buzzsaw-like saturation, minimal warmth, dry, uncompressed sound, aggressive palm muting, raw, unpolished character
studio
straight, medium tempo, loud dynamics · high-gain distortion. This shapes how hard the amp is pushed and where the EQ sits for the Freezing Moon sound.
3.5/5
The riff requires consistent fast alternate picking and tight palm muting at a medium tempo, with little room for error due to the dry, exposed tone and tempo changes.
Set your amp to roughly: gain 8.5, bass 5.5, mid 4.5, treble 7, presence 6.5, reverb 0. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Gibson Les Paul Standard (sunburst, late 1970s/early 1980s, as seen in studio photos) · Amp: Marshall JMP 1987 Mk II Super Lead 50w Head (1976-77, with master volume mod) into Marshall 1960BX 4x12 cabinet (Celestion G12M Blackback speakers); distortion, overdrive.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Bridge pickup, the amp EQ above (gain 8.5, bass 5.5, mid 4.5, treble 7, presence 6.5, reverb 0), and distortion, overdrive. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
🎤 Online guitar tuner → · 🎶 Guitar chords → · 🎸 Guitar tunings → · 🎚️ Tuning chart → · 🎼 Guitar scales → · 🎚️ Chord transposer & capo → · 🥁 Metronome → · 🎶 Song chords → · 🎧 Guess the Tone game → · 🎸 Tone Legend quiz → · 📊 Tone data report →
🔥 The most famous guitar tones of all time → · 🎯 Easy guitar songs to play (with settings) → · 🗂️ Browse tone collections (by genre & language) →
🎸 more Metal guitar tones → · 🎚️ Marshall Plexi settings → · 🎛️ best metal amp settings → · 🎸 more iconic guitar riffs → · 🎚️ Overdrive tone guide → · 🎯 more scooped mids tones → · 📖 New to amp settings? What every knob does →