Flying High Again by Ozzy Osbourne (Riff · Distorted) — Guitar Tone

The Flying High Again by Ozzy Osbourne guitar tone is built on a Marshall 1959 Super Lead, dialed in at gain 7/10, bass 3.5, mid 6, treble 6.5, presence 5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.

Amp settings (0–10)

Community-researched baseline. Your rig is different — GuitarToneAdapt re-dials every knob for your specific guitar, amp and pickups.

How these settings compare

Measured against the 284 metal tones in our researched catalog: Gain 7 sits right around the metal average (7.3); mids at 6 are right around average (5.2).

Guitar controls

Original gear

Amp: Marshall 1959 Super Lead (Non-Master 100W Plexi)

Gibson Les Paul Custom / polka-dot Flying V; MXR Distortion+, MXR 10-band EQ (mid boost), MXR Stereo Chorus on cleans. Bass set very low.

Gear used on this tone

Don’t own this gear? GuitarToneAdapt re-creates the sound on the rig you actually have.

Pickups

bridge humbucker

Effects / signal chain

distortion, eq, chorus

Tone character

mid-forward, articulate, singing lead, tight low end

Recording context

studio

How it’s played

mid-forward Plexi + Distortion+ overdrive distortion. This shapes how hard the amp is pushed and where the EQ sits for the Flying High Again sound.

Difficulty

8/10 · Riff

Technically demanding lead work; the tone is a cranked Plexi, a Distortion+ and a mid boost — but the sound is mostly in Randy’s hands.

Level: Expert-level — see more the hardest guitar songs →

Worth knowing

• Flying High Again is upbeat and riff-driven — same Plexi + Distortion+ recipe, low bass, mids present, let the pick attack and the harmonic-minor runs do the talking.
• Randy Rhoads' Ozzy-era tone is a Marshall 1959 Super Lead (Non-Master 100W Plexi) pushed by an MXR Distortion+ for the extra gain, with a Gibson Les Paul Custom (and the famous polka-dot Flying V live). It's a mid-forward, articulate, classically-influenced hard-rock/metal tone — not a modern scooped high-gain.
• His documented Plexi settings are unusual: Presence ~5, Bass VERY LOW (~2), Middle ~5.5-6, Treble ~6.5-7 — the low bass keeps the fast riffs and harmonic-minor runs tight and clear. An MXR 10-band EQ (after the drive) boosts the mids (500Hz/1k); an MXR Stereo Chorus livens the clean sections.
• Settings are community-researched starting points, not official recall sheets — keep the bass low and the mids present, and remember most of Randy's sound was his pick attack and note choices.

Flying High Again guitar tone — FAQ

Share this tone

Sources

• Randy Rhoads Amp Settings & Gear — MusicStrive
• Sound Like Randy Rhoads — KillerRig
• Randy Rhoads Iconic Rig — zZounds

Free practice tools

🎤 Online guitar tuner →  ·  🎶 Guitar chords →  ·  🎸 Guitar tunings →  ·  🎚️ Tuning chart →  ·  🎼 Guitar scales →  ·  🎚️ Chord transposer & capo →  ·  🥁 Metronome →  ·  🎶 Song chords →  ·  🎧 Guess the Tone game →  ·  🎸 Tone Legend quiz →  ·  📊 Tone data report →

🔥 The most famous guitar tones of all time →  ·  🗂️ Browse tone collections (by genre & language) →

Songs by level: 🎯 Easy  ·  🎸 Intermediate  ·  🔥 Hardest — each with the amp settings.

More like this

🎸 How to get Ozzy Osbourne’s guitar tone →  ·  🎸 more Heavy Metal guitar tones →  ·  🎚️ Marshall Plexi settings →  ·  🎛️ best metal amp settings →  ·  🎸 more iconic guitar riffs →  ·  🎚️ Chorus tone guide →  ·  🎚️ Distortion tone guide →  ·  🎯 more mid forward tones →  ·  📖 New to amp settings? What every knob does →

Related tones