The En la Ciudad de la Furia by Soda Stereo guitar tone is built on a Unknown, dialed in at gain 4/10, bass 6, mid 6, treble 6.5, presence 5.5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 540 rock tones in our researched catalog: Gain 4 sits right around the rock average (4.8); mids at 6 are right around average (6.2).
Guitar: Fender Electric XII 12-String · Amp: Unknown (likely Roland JC-120 or similar clean solid-state amp, but not confirmed for studio recording)
Neck + Middle (Electric XII 12-string, both pickups on)
Fender Electric XII 12-String → Chorus pedal (model unknown) → Delay pedal (model unknown) → Unknown (likely Roland JC-120 or similar clean solid-state amp, but not confirmed for studio recording)
chorus, delay, reverb
chiming and lush 12-string sound, bright and shimmery highs, clear, articulate note separation, rich, modulated clean tone, ambient, spatial delay repeats, ethereal, atmospheric quality, tight, percussive attack, stereo width from chorus/detune, no audible overdrive or fuzz, full-bodied, layered texture
studio
straight, medium tempo, medium dynamics · clean distortion. This shapes how hard the amp is pushed and where the EQ sits for the En la Ciudad de la Furia sound.
2.5/5
The riff requires accurate picking and timing to maintain clarity with the 12-string and effects, but does not involve complex chord shapes or advanced techniques.
Set your amp to roughly: gain 4, bass 6, mid 6, treble 6.5, presence 5.5, reverb 3.5. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Fender Electric XII 12-String · Amp: Unknown (likely Roland JC-120 or similar clean solid-state amp, but not confirmed for studio recording); chorus, delay, reverb.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Neck + Middle (Electric XII 12-string, both pickups on), the amp EQ above (gain 4, bass 6, mid 6, treble 6.5, presence 5.5, reverb 3.5), and chorus, delay, reverb. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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