The Earrings by Malcolm Todd guitar tone is built on a Unknown, dialed in at gain 3.5/10, bass 5.5, mid 6, treble 7, presence 5.5 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 1310 tones in our researched catalog: Gain 3.5 sits below the catalog average (5.3) — cleaner and more dynamic than typical catalog; mids at 6 are right around average (5.9).
Guitar: Fender Jaguar Classic Player · Amp: Unknown (not specified in sources)
Bridge pickup
Fender Jaguar Classic Player → Boss DS-1 Distortion → Unknown (not specified in sources)
distortion, reverb
bright and articulate, slightly gritty edge, clear note separation, percussive attack, dynamic response, jangly single-coil sound, tight and funky rhythm, no heavy saturation, modern indie/neo-soul flavor, subtle breakup on harder strums
studio
straight, medium tempo, medium dynamics · edge distortion. This shapes how hard the amp is pushed and where the EQ sits for the Earrings sound.
2.5/5
The riff requires tight, syncopated rhythm and dynamic picking to achieve the percussive, articulate sound, but does not involve advanced techniques or fast passages.
Set your amp to roughly: gain 3.5, bass 5.5, mid 6, treble 7, presence 5.5, reverb 3.5. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Fender Jaguar Classic Player · Amp: Unknown (not specified in sources); distortion, reverb.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Bridge pickup, the amp EQ above (gain 3.5, bass 5.5, mid 6, treble 7, presence 5.5, reverb 3.5), and distortion, reverb. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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