The Cemetary Gates by Pantera guitar tone is built on a Randall RG100ES solid-state head, dialed in at gain 0/10, bass 5.5, mid 4.5, treble 7, presence 6 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 284 metal tones in our researched catalog: Gain 0 sits well below the metal average (7.3) — cleaner and more dynamic than typical metal; mids at 4.5 are right around average (5.2).
Guitar: Dean ML (likely 1980s/early 1990s, Bill Lawrence L-500XL bridge pickup, Seymour Duncan '59 neck pickup, Floyd Rose tremolo) · Amp: Randall RG100ES solid-state head
Neck pickup
Dean ML (likely 1980s/early 1990s, Bill Lawrence L-500XL bridge pickup, Seymour Duncan '59 neck pickup, Floyd Rose tremolo) → Furman PQ-3 Parametric EQ → MXR 6-Band EQ → Randall RG100ES solid-state head
reverb, eq
glassy and bell-like, warm and rounded, articulate note separation, slight reverb ambience, dynamic and touch-sensitive, no breakup or crunch, percussive attack, studio-polished clean, no modulation swirl, clear low end
studio
straight, medium tempo, soft dynamics · clean distortion. This shapes how hard the amp is pushed and where the EQ sits for the Cemetary Gates sound.
3.5/5
The clean riff requires accurate picking, string skipping, and dynamic control to maintain clarity and avoid unwanted noise, making it moderately challenging for intermediate players.
Set your amp to roughly: gain 0, bass 5.5, mid 4.5, treble 7, presence 6, reverb 1.5. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Dean ML (likely 1980s/early 1990s, Bill Lawrence L-500XL bridge pickup, Seymour Duncan '59 neck pickup, Floyd Rose tremolo) · Amp: Randall RG100ES solid-state head; reverb, eq.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Neck pickup, the amp EQ above (gain 0, bass 5.5, mid 4.5, treble 7, presence 6, reverb 1.5), and reverb, eq. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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