The Breaking the Law by Judas Priest guitar tone is built on a Marshall Super Lead, dialed in at gain 7/10, bass 6, mid 4.5, treble 6.5, presence 6 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 284 metal tones in our researched catalog: Gain 7 sits right around the metal average (7.3); mids at 4.5 are right around average (5.2).
Amp: Marshall Super Lead (high gain, tight)
bridge (DiMarzio Super Distortion)
distortion
tight high-gain metal, aggressive & articulate, hot humbucker, British
studio
tight high-gain British metal distortion. This shapes how hard the amp is pushed and where the EQ sits for the Breaking the Law sound.
2/5
The riff is simple power chords; the tone is a tight high-gain Marshall with a hot bridge humbucker — mids slightly scooped, bass kept tight.
Set your amp to roughly: gain 7, bass 6, mid 4.5, treble 6.5, presence 6, reverb 1.5. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Amp: Marshall Super Lead (high gain, tight); distortion.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with bridge (DiMarzio Super Distortion), the amp EQ above (gain 7, bass 6, mid 4.5, treble 6.5, presence 6, reverb 1.5), and distortion. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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