The Blood Eagle by Periphery guitar tone is built on a Fractal Audio Axe-Fx III, dialed in at gain 9/10, bass 6, mid 4.5, treble 7, presence 7 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 284 metal tones in our researched catalog: Gain 9 sits above the metal average (7.3) — a hotter, more saturated take than most metal tones; mids at 4.5 are right around average (5.2).
Guitar: Jackson Misha Mansoor Signature 7-string (likely Juggernaut HT7 or Pro Series, used in studio tracking, drop G tuning) · Amp: Fractal Audio Axe-Fx III (using ML Sound Lab proprietary cabs, high-gain amp model, likely modeled after Peavey 5150 II or similar)
Bridge pickup
Jackson Misha Mansoor Signature 7-string (likely Juggernaut HT7 or Pro Series, used in studio tracking, drop G tuning) → Noise gate (model unknown) → Fractal Audio Axe-Fx III (using ML Sound Lab proprietary cabs, high-gain amp model, likely modeled after Peavey 5150 II or similar)
noise_gate, reverb (minimal)
tight and percussive, ultra-aggressive djent rhythm, articulate high-gain clarity, crushing and dissonant, modern metal saturation, focused low-end punch, dry with minimal ambience, precise note separation, extended low tuning, very little reverb
studio
straight, fast tempo, aggressive dynamics · high-gain distortion. This shapes how hard the amp is pushed and where the EQ sits for the Blood Eagle sound.
4.5/5
The riff section of 'Blood Eagle' is extremely challenging due to its fast tempo, intricate rhythm patterns, aggressive palm muting, and technical demands of extended range guitar in a very low tuning.
Set your amp to roughly: gain 9, bass 6, mid 4.5, treble 7, presence 7, reverb 0.5. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Jackson Misha Mansoor Signature 7-string (likely Juggernaut HT7 or Pro Series, used in studio tracking, drop G tuning) · Amp: Fractal Audio Axe-Fx III (using ML Sound Lab proprietary cabs, high-gain amp model, likely modeled after Peavey 5150 II or similar); noise_gate, reverb (minimal).
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Bridge pickup, the amp EQ above (gain 9, bass 6, mid 4.5, treble 7, presence 7, reverb 0.5), and noise_gate, reverb (minimal). Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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