The Blood and Thunder by Mastodon guitar tone is built on a Marshall JMP Mark II Lead / Diezel VH4 into Orange PPC412 cabs, dialed in at gain 7.5/10, bass 6.5, mid 4.5, treble 6.5, presence 6 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 19 djent / progressive metal tones in our researched catalog: Gain 7.5 sits right around the djent / progressive metal average (6.8); mids at 4.5 are below average (5.6).
Amp: Marshall JMP Mark II Lead / Diezel VH4 into Orange PPC412 cabs
Humbuckers in D standard for a thick, sludgy, mid-present tone
High-gain amp: Marshall JMP Mark II Lead / Diezel VH4 (Brent Hinds); Friedman JJ Cantrell (Bill Kelliher) into Orange cabs, Mids dialed in (mid ~4.5-5, not scooped) so the guitar cuts, Light reverb; the saturation is amp gain, no boost needed
sludgy, mid-present, thick, galloping, saturated, tight low end
Sludge / progressive metal, 2004; D-standard humbuckers into cranked Marshall/Diezel with mids dialed in
galloping, sludgy prog-metal assault — relentless main riff with a wild solo, fast, driving tempo, pummeling and dense dynamics · high-gain distortion. This shapes how hard the amp is pushed and where the EQ sits for the Blood and Thunder sound.
3.5/5
A stamina and tone challenge — the galloping riff and dense, mid-forward sludge tone define it more than flashy technique (until the solo).
Set your amp to roughly: gain 7.5, bass 6.5, mid 4.5, treble 6.5, presence 6, reverb 1. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Amp: Marshall JMP Mark II Lead / Diezel VH4 into Orange PPC412 cabs; High-gain amp: Marshall JMP Mark II Lead / Diezel VH4 (Brent Hinds); Friedman JJ Cantrell (Bill Kelliher) into Orange cabs, Mids dialed in (mid ~4.5-5, not scooped) so the guitar cuts, Light reverb; the saturation is amp gain, no boost needed.
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Humbuckers in D standard for a thick, sludgy, mid-present tone, the amp EQ above (gain 7.5, bass 6.5, mid 4.5, treble 6.5, presence 6, reverb 1), and High-gain amp: Marshall JMP Mark II Lead / Diezel VH4 (Brent Hinds); Friedman JJ Cantrell (Bill Kelliher) into Orange cabs, Mids dialed in (mid ~4.5-5, not scooped) so the guitar cuts, Light reverb; the saturation is amp gain, no boost needed. Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
🎤 Online guitar tuner → · 🎶 Guitar chords → · 🎸 Guitar tunings → · 🎚️ Tuning chart → · 🎼 Guitar scales → · 🎚️ Chord transposer & capo → · 🥁 Metronome → · 🎶 Song chords → · 🎧 Guess the Tone game → · 🎸 Tone Legend quiz → · 📊 Tone data report →
🔥 The most famous guitar tones of all time → · 🗂️ Browse tone collections (by genre & language) →
Songs by level: 🎯 Easy · 🎸 Intermediate · 🔥 Hardest — each with the amp settings.
🎸 more Progressive Metal guitar tones → · 🎚️ Mesa Mark settings → · 🎛️ best djent / progressive metal amp settings → · 🎸 more iconic guitar riffs → · 🎚️ Distortion tone guide → · 🎚️ Boost tone guide → · 🎚️ Reverb tone guide → · 🎯 more high gain tones → · 📖 New to amp settings? What every knob does →