The Aerials by System of a Down guitar tone is built on a Mesa/Boogie Triple Rectifier, dialed in at gain 7.5/10, bass 6, mid 5.5, treble 6.5, presence 6 (community-researched baseline). Full breakdown below — then adapt every knob to your exact guitar and amp, free.
🎛️ These settings are for the original rig — re-dial them for YOUR amp in 10 seconds. Free, no signup →Measured against the 284 metal tones in our researched catalog: Gain 7.5 sits right around the metal average (7.3); mids at 5.5 are right around average (5.2).
Guitar: Ibanez Iceman IC300 · Amp: Mesa/Boogie Triple Rectifier
Bridge pickup
Ibanez Iceman IC300 → Mesa/Boogie Triple Rectifier
Ibanez Iceman IC300 → Mesa/Boogie Triple Rectifier (high-gain channel, spring reverb low)
tight and percussive, saturated high-gain, chunky low end, slightly scooped mids, articulate attack, modern metal clarity, aggressive pick attack, focused and dry, minimal ambience, no audible modulation or delay
studio
straight, medium tempo, loud dynamics · high-gain distortion. This shapes how hard the amp is pushed and where the EQ sits for the Aerials sound.
3/5
The riff requires tight palm muting, precise alternate picking, and rhythmic accuracy to achieve the percussive, articulate sound. While not technically advanced, the tone and timing demand intermediate-level control.
Set your amp to roughly: gain 7.5, bass 6, mid 5.5, treble 6.5, presence 6, reverb 1.5. These are community-researched baselines — GuitarToneAdapt re-dials them for your exact guitar and amp.
Original gear/effects: Guitar: Ibanez Iceman IC300 · Amp: Mesa/Boogie Triple Rectifier; Ibanez Iceman IC300 → Mesa/Boogie Triple Rectifier (high-gain channel, spring reverb low).
Yes. Different guitars and amps need different knob positions to sound the same. GuitarToneAdapt models pickup output and wood brightness, then compensates so you match the record on your own rig.
Start with Bridge pickup, the amp EQ above (gain 7.5, bass 6, mid 5.5, treble 6.5, presence 6, reverb 1.5), and Ibanez Iceman IC300 → Mesa/Boogie Triple Rectifier (high-gain channel, spring reverb low). Then let GuitarToneAdapt compensate for the guitar, amp and pedals you actually own so it sits like the record.
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