# GuitarToneAdapt — full tone catalog (1252 entries)
# Each: song — artist | original gear | tone type | amp settings | URL
# amp settings = researched original knob positions (0–10 scale): gain · bass · mid · treble · presence · reverb
# App (free): https://guitartoneadapt.com/app/

Master of Puppets — Metallica | ESP MX220 (custom, aka 'Eet Fuk'); Mesa/Boogie Mark IIC+ (preamp) into Marshall JCM800 (power amp section), Mesa 4x12 cabinet | distorted | gain 9 · bass 6 · mid 3 · treble 7.5 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/master-of-puppets--metallica--riff--distorted--guitar/
Enter Sandman — Metallica | ESP MX-220 (black finish); Mesa/Boogie Mark IIC++ | distorted | gain 8 · bass 5.5 · mid 4.5 · treble 7 · presence 4.5 · reverb 0 | https://guitartoneadapt.com/tone/enter-sandman--metallica--riff--distorted--guitar/
Sweet Child O' Mine — Guns N' Roses | Mid-'80s Kris Derrig '59 Les Paul Standard replica; 1977 Marshall Super Lead 100-watt model 1959 (SIR #39, 'Superkill' mod by Frank Levi & Glenn Buckley) | distorted | gain 8 · bass 5.5 · mid 7.5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/sweet-child-o-mine--guns-n-roses--riff--distorted--guitar/
My Own Summer (Shove It) — Deftones | ESP Stef B-7 (custom 7-string, early version, likely with Seymour Duncan JB bridge pickup); Mesa/Boogie Dual Rectifier (Rackmount, Rev F or G, late 1990s… | distorted | gain 8 · bass 6.5 · mid 3.5 · treble 6 · presence 5.5 · reverb 0 | https://guitartoneadapt.com/tone/my-own-summer-shove-it--deftones--riff--distorted--guitar/
Hotel California — Eagles | Fender Telecaster (circa 1953-59, maple neck, bridge pickup, as used by Joe Walsh for the solo); Fender 'Black Panel' Deluxe Amp (1963-1966, studio recording… | distorted | gain 5 · bass 5.5 · mid 7 · treble 6.5 · presence 6.5 · reverb 4.5 | https://guitartoneadapt.com/tone/hotel-california--eagles--solo--distorted--guitar/
Creeping Death — Metallica | ESP MX220 (custom Explorer-style, white finish, 1984); Mesa/Boogie Mark IIC+ head into Marshall 4x12 cabinet (studio, 1984) | distorted | gain 8 · bass 5.5 · mid 3 · treble 7 · presence 6 · reverb 0.5 | https://guitartoneadapt.com/tone/creeping-death--metallica--riff--distorted--guitar/
Floods — Pantera | Washburn Dime 333 (Dimebolt finish, as used in studio for The Great Southern Trendkill era); Randall RG-100ES solid-state head | distorted | gain 7.5 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 3 | https://guitartoneadapt.com/tone/floods--pantera--solo--distorted--guitar/
Ain't Talkin' 'Bout Love — Van Halen | Frankenstrat (homemade Strat-style guitar, maple neck, single humbucker, Floyd Rose prototype or vintage tremolo); Marshall Super Lead 1959 100-watt (plexi… | distorted | gain 7.5 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 0.5 | https://guitartoneadapt.com/tone/ain-t-talkin-bout-love--van-halen--riff--distorted--guitar/
Unholy Confessions — Avenged Sevenfold | Gibson Les Paul Custom; Bogner Uberschall 120-Watt Tube Guitar Amp Head | distorted | gain 8.5 · bass 6 · mid 6.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/unholy-confessions--avenged-sevenfold--riff--distorted--guitar/
Sweet Child O' Mine — Guns N' Roses | Mid-'80s Kris Derrig '59 Les Paul Standard replica; 1977 Marshall Super Lead model 1959 (modded 'Superkill') | distorted | gain 8.5 · bass 5.5 · mid 7.5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/sweet-child-o-mine--guns-n-roses--solo--distorted--guitar/
Seek & Destroy — Metallica | 1981 Gibson Flying V; Marshall JMP 2203 (modified, 100W head) | distorted | gain 8.5 · bass 7 · mid 2.5 · treble 8 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/seek-destroy--metallica--riff--distorted--guitar/
Cowboys from Hell — Pantera | Washburn 333 Dimebag Darrell Signature (aka 'Dime Slime'); Randall RG100ES (solid-state head, 1980s/early 1990s rackmount version) | distorted | gain 8.5 · bass 6 · mid 4 · treble 7.5 · presence 7 · reverb 0 | https://guitartoneadapt.com/tone/cowboys-from-hell--pantera--solo--distorted--guitar/
Everlong — Foo Fighters | Gibson Explorer (black, late 90s model, as used by Dave Grohl on 'The Colour and the Shape'); Mesa/Boogie Dual Rectifier Solo Head (100W, 3-channel, as used in… | distorted | gain 7 · bass 6 · mid 6 · treble 7.5 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/everlong--foo-fighters--riff--distorted--guitar/
Smells Like Teen Spirit — Nirvana | Early-'90s Japanese Fender Stratocaster (rosewood neck, Seymour Duncan JB bridge humbucker); Mesa/Boogie Studio Preamp (Rhythm channel) into Crown Power Base 2… | distorted | gain 7 · bass 4.5 · mid 6.5 · treble 6.5 · presence 3 · reverb 0 | https://guitartoneadapt.com/tone/smells-like-teen-spirit--nirvana--riff--distorted--guitar/
One — Metallica | ESP MX-220 (black finish, custom, 1987-1988 era); Mesa/Boogie Mark IIC+ (main rhythm amp for '...And Justice for All' era) | distorted | gain 8.5 · bass 5.5 · mid 3.5 · treble 7 · presence 4.5 · reverb 1 | https://guitartoneadapt.com/tone/one--metallica--riff--distorted--guitar/
Comfortably Numb — Pink Floyd | 1969 Fender Stratocaster (alder body, late-'70s Charvel birdseye maple neck); Hiwatt DR103 100-watt head (studio, parallel with Yamaha RA-200 rotating speaker… | distorted | gain 5 · bass 6.5 · mid 7.5 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/comfortably-numb--pink-floyd--solo--distorted--guitar/
Fade to Black — Metallica | Gibson Flying V (black, 1979 model, stock pickups); Marshall JCM800 (likely 2203 or 2204 head, 1980s, with 4x12 cab) | distorted | gain 8 · bass 6.5 · mid 5 · treble 7.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/fade-to-black--metallica--solo--distorted--guitar/
Aerials — System of a Down | Ibanez Iceman IC300; Mesa/Boogie Triple Rectifier | distorted | gain 7.5 · bass 6 · mid 5.5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/aerials--system-of-a-down--riff--distorted--guitar/
Layla — Derek & The Dominos | 1960 Fender Stratocaster 'Brownie'; Fender Champ (1957, tweed), possibly Vibro Champ or Princeton in some sessions | distorted | gain 6 · bass 6 · mid 6.5 · treble 7.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/layla--derek-the-dominos--riff--distorted--guitar/
November Rain — Guns N' Roses | Kris Derrig '59 Les Paul Standard replica; Marshall Silver Jubilee 2555 100W Head (studio), Marshall 1960 4x12 with Celestion Vintage 30 speakers | distorted | gain 7.5 · bass 5.5 · mid 8 · treble 7 · presence 8 · reverb 2.5 | https://guitartoneadapt.com/tone/november-rain--guns-n-roses--solo--distorted--guitar/
Somewhere I Belong — LINKIN PARK | PRS Custom 24 Hybrid Theory Soldier; Mesa/Boogie Dual Rectifier | distorted | gain 8 · bass 6 · mid 5 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/somewhere-i-belong--linkin-park--riff--distorted--guitar/
Paranoid — Black Sabbath | 1964 Gibson SG Special (aka 'Monkey'); Laney Supergroup MK1 LA100BL (100-watt head) with Laney 4x12 cabinet (Celestion G12-25M speakers likely) | distorted | gain 7.5 · bass 3 · mid 8.5 · treble 8 · presence 7.5 · reverb 0 | https://guitartoneadapt.com/tone/paranoid--black-sabbath--riff--distorted--guitar/
Every Breath You Take (Remastered 2003) — The Police | Fender Telecaster (customized, Andy Summers' main Telecaster); Roland JC-120 Jazz Chorus | clean | gain 0 · bass 5 · mid 7 · treble 7.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/every-breath-you-take-remastered-2003--the-police--riff--clean--guitar/
Welcome To The Jungle — Guns N' Roses | Kris Derrig '59 Les Paul Standard replica; 1977 Marshall Super Lead model 1959 (S.I.R. #39, 'Superkill' mod by Frank Levi/Glenn Buckley) | distorted | gain 8.5 · bass 5.5 · mid 8 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/welcome-to-the-jungle--guns-n-roses--riff--distorted--guitar/
Time — Pink Floyd | 1969 Fender Stratocaster (alder body) with late-'70s Charvel birdseye maple neck; Hiwatt DR103 100-watt head into WEM Super Starfinder 4x12 cabinet, parallel… | distorted | gain 5.5 · bass 6.5 · mid 7 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/time--pink-floyd--solo--distorted--guitar/
Basket Case — Green Day | Fender Stratocaster 'Blue' heavily modified (replica of Fernandes Strat, Seymour Duncan SH-4 JB humbucker in bridge); Marshall 1959 SLP Super Lead (modded by… | distorted | gain 7.5 · bass 5.5 · mid 7.5 · treble 8.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/basket-case--green-day--riff--distorted--guitar/
Sultans of Swing — Dire Straits | 1978 Fender Stratocaster; Fender Silverface Vibrolux Reverb | clean | gain 0 · bass 6 · mid 4.5 · treble 7.5 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/sultans-of-swing--dire-straits--solo--clean--guitar/
Floods — Pantera | Washburn Dime 333; Randall RG-100ES solid-state head | distorted | gain 8.5 · bass 6 · mid 4 · treble 7.5 · presence 7 · reverb 0 | https://guitartoneadapt.com/tone/floods--pantera--riff--distorted--guitar/
When I Come Around — Green Day | Fender Stratocaster 'Blue' (Fernandes Strat-style, Seymour Duncan JB in bridge, Bill Lawrence L-500XL in neck, DiMarzio Super Distortion in middle, but bridge… | distorted | gain 7 · bass 5.5 · mid 7 · treble 7.5 · presence 5.5 · reverb 0.5 | https://guitartoneadapt.com/tone/when-i-come-around--green-day--riff--distorted--guitar/
Diamond Eyes — Deftones | ESP LTD SC-608B Stephen Carpenter Signature 8-string Baritone; Fractal Audio Axe-Fx II (tone-matched to studio amps, likely Marshall JMP-1 preamp + Marshall… | distorted | gain 8 · bass 6 · mid 5 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/diamond-eyes--deftones--riff--distorted--guitar/
Mayonaise — The Smashing Pumpkins | Fender Stratocaster (likely 1970s, as used by James Iha on Siamese Dream); Marshall JCM800 (studio recording, Siamese Dream era) | distorted | gain 7.5 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/mayonaise--the-smashing-pumpkins--riff--distorted--guitar/
Hosanna — Hillsong UNITED & Brooke Ligertwood | Fender Telecaster (likely American Standard or similar, as referenced for rhythm/riff work on United We Stand era); Unknown clean amp (likely Fender Hot Rod… | clean | gain 3.5 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 5 | https://guitartoneadapt.com/tone/hosanna--hillsong-united-brooke-ligertwood--riff--clean--guitar/
Money for Nothing — Dire Straits | 1958 Gibson Les Paul Standard; Laney amplifier (exact model not confirmed, but cited as used in studio); some sources mention Ampeg SVT-VR or Marshall JTM45… | distorted | gain 4.5 · bass 6.5 · mid 6 · treble 6 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/money-for-nothing--dire-straits--riff--distorted--guitar/
Purple Rain — Prince & The Revolution | Hohner HG-490 Madcat (Telecaster-style); Mesa/Boogie Mark IIC+ Head | distorted | gain 6 · bass 5.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 4 | https://guitartoneadapt.com/tone/purple-rain--prince-the-revolution--solo--distorted--guitar/
Nothing Else Matters — Metallica | ESP KH-2 (Kirk Hammett Signature, 1991 era); Mesa/Boogie Mark IIC+ (studio recording, 1991) | distorted | gain 6.5 · bass 5.5 · mid 5.5 · treble 7.5 · presence 6.5 · reverb 2.5 | https://guitartoneadapt.com/tone/nothing-else-matters--metallica--solo--distorted--guitar/
Creep — Radiohead | Fender Telecaster (Jonny Greenwood's main guitar on 'Creep'); Mesa/Boogie Dual Rectifier Trem-O-Verb Combo Amp | distorted | gain 7 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/creep--radiohead--riff--distorted--guitar/
Toxicity — System of a Down | Ibanez Iceman IC300; Mesa/Boogie Dual Rectifier | distorted | gain 8.5 · bass 6.5 · mid 4.5 · treble 6.5 · presence 7 · reverb 0 | https://guitartoneadapt.com/tone/toxicity--system-of-a-down--riff--distorted--guitar/
Beat It — Michael Jackson | Charvel 'Frankie' Strat-style (Eddie Van Halen's custom guitar, likely with Floyd Rose tremolo); Marshall 1959 Super Lead 100W (Jose Arredondo modded, with… | distorted | gain 8 · bass 6 · mid 5.5 · treble 7.5 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/beat-it--michael-jackson--solo--distorted--guitar/
Bohemian Rhapsody — Queen | Brian May Red Special; Vox AC30 (1970s, likely Top Boost model, studio recording) | distorted | gain 6.5 · bass 6 · mid 8 · treble 6 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/bohemian-rhapsody--queen--solo--distorted--guitar/
Breathe (In the Air) — Pink Floyd | Fender Stratocaster (1969, alder body, maple neck); Hiwatt DR103 100-watt head into WEM Super Starfinder 4x12 cabinet | clean | gain 3 · bass 7 · mid 7 · treble 6.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/breathe-in-the-air--pink-floyd--riff--clean--guitar/
Holy Diver — Dio | Gibson Les Paul (Vivian Campbell's original, maple top, mahogany body, brass nut, DiMarzio X2N bridge pickup); Marshall JCM800 2203 (likely 100W head, 1982-83… | distorted | gain 7.5 · bass 6 · mid 6 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/holy-diver--dio--riff--distorted--guitar/
Free Bird — Lynyrd Skynyrd | 1958 Gibson Explorer; Marshall 1959T Super Tremolo (Plexi) | distorted | gain 6.5 · bass 6 · mid 7 · treble 7.5 · presence 6.5 · reverb 2.5 | https://guitartoneadapt.com/tone/free-bird--lynyrd-skynyrd--solo--distorted--guitar/
For Whom the Bell Tolls — Metallica | Mesa/Boogie D‑180 dual‑head setup (one clean, one distorted) with Mesa cabinets (4×12 and 1×15) | distorted | gain 8 · bass 5 · mid 7 · treble 7 · presence 7 | https://guitartoneadapt.com/tone/for-whom-the-bell-tolls--metallica--distorted--distorted--bass/
Come As You Are — Nirvana | 1991-1992 Japanese Fender Kurt Cobain Jaguar (stock pickups, modded with DiMarzio DP103 PAF 36th Anniversary neck and DiMarzio DP100 Super Distortion bridge… | clean | gain 4.5 · bass 5.5 · mid 5.5 · treble 6.5 · presence 5 · reverb 1.5 | https://guitartoneadapt.com/tone/come-as-you-are--nirvana--riff--clean--guitar/
Ride the Lightning — Metallica | Gibson Flying V (early 80s, likely 1981-1982 model, used by James Hetfield for rhythm on studio recording); Marshall JCM800 2203 (borrowed European model… | distorted | gain 7.5 · bass 5.5 · mid 3.5 · treble 7.5 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/ride-the-lightning--metallica--riff--distorted--guitar/
Dead! — My Chemical Romance | Gibson Les Paul Standard (Ray Toro, studio recording, 2006); Marshall JCM800 2210 (studio recording, 2006) | distorted | gain 7.5 · bass 5.5 · mid 5.5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/dead--my-chemical-romance--solo--distorted--guitar/
Animal I Have Become — Three Days Grace | Ibanez SZ320; Diezel VH4 (likely, based on era and artist's known studio/live use) | distorted | gain 7.5 · bass 4 · mid 3.5 · treble 8.5 · presence 6.5 · reverb 0.5 | https://guitartoneadapt.com/tone/animal-i-have-become--three-days-grace--riff--distorted--guitar/
Dammit — blink-182 | Gibson Les Paul Standard (studio recording, 1997); Marshall JCM900 (clean channel, gain at 10) blended with Mesa Boogie Dual Rectifier (dirty channel, gain at… | distorted | gain 8.5 · bass 5.5 · mid 6.5 · treble 7 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/dammit--blink-182--riff--distorted--guitar/
Symphony of Destruction — Megadeth | Jackson King V (likely custom shop, 1992 era, with Seymour Duncan JB bridge pickup); Marshall JMP-1 Tube MIDI Preamp into Marshall 9200 MonoBlock Power Amp… | distorted | gain 7.5 · bass 6.5 · mid 4 · treble 7 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/symphony-of-destruction--megadeth--riff--distorted--guitar/
Walk — Pantera | Dean ML (likely 1981 Dean ML Standard, as used by Dimebag Darrell on Vulgar Display of Power); Randall RG-100ES solid-state head into Randall 4x12 cabinet… | distorted | gain 8.5 · bass 6 · mid 3.5 · treble 7.5 · presence 7 · reverb 0 | https://guitartoneadapt.com/tone/walk--pantera--riff--distorted--guitar/
Supersonic — Oasis | Epiphone Les Paul Standard (early '90s, Cherry Sunburst); Watkins/WEM Dominator MK III combo (early '70s, Channel 2 input, Celestion G12H 30-watt 12-inch… | distorted | gain 8 · bass 5 · mid 6 · treble 6 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/supersonic--oasis--riff--distorted--guitar/
Chapter Four — Avenged Sevenfold | Schecter Synyster Gates Custom (likely for Synyster) or Schecter Zacky Vengeance Custom; Mesa/Boogie Dual Rectifier (highly likely for studio recording on… | distorted | gain 7.5 · bass 6.5 · mid 6.5 · treble 7 · presence 6 · reverb 0.5 | https://guitartoneadapt.com/tone/chapter-four--avenged-sevenfold--riff--distorted--guitar/
Head in the Ceiling Fan — Title Fight | Gibson Les Paul Custom; Marshall JCM800 2204 | distorted | gain 5.5 · bass 6 · mid 7 · treble 6.5 · presence 5.5 · reverb 4 | https://guitartoneadapt.com/tone/head-in-the-ceiling-fan--title-fight--riff--distorted--guitar/
Mr. Crowley — Ozzy Osbourne | 1974 Gibson Les Paul Custom; 1975-76 Marshall JMP 1959 Super Lead MKII 100-watt head into Marshall 1960A/B 4x12 cabinets with Altec 417-8H speakers | distorted | gain 6.5 · bass 4 · mid 5.5 · treble 7 · presence 5.5 · reverb 0.5 | https://guitartoneadapt.com/tone/mr-crowley--ozzy-osbourne--riff--distorted--guitar/
Sunami Style — Sunami | Gibson SG Floyd Rose; Mesa/Boogie Dual or Triple Rectifier (exact model not specified), Carvin V3 (dual amp setup) | distorted | gain 8.5 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/sunami-style--sunami--riff--distorted--guitar/
Dear Maria, Count Me In — All Time Low | Gibson SG Standard; Budda Superdrive Series II 30W Combo Amp | distorted | gain 7.5 · bass 6 · mid 6 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/dear-maria-count-me-in--all-time-low--riff--distorted--guitar/
Entombed — Deftones | ESP Stephen Carpenter Signature 7-string (Seymour Duncan JB bridge pickup, as used on 'Around the Fur'); Marshall JMP-1 MIDI Preamp into Marshall EL34 100/100… | distorted | gain 8 · bass 6 · mid 5 · treble 6.5 · presence 6 · reverb 0.5 | https://guitartoneadapt.com/tone/entombed--deftones--riff--distorted--guitar/
Iron Man — Black Sabbath | 1965 Gibson SG Special; Laney Supergroup MK 1 100-watt head with Laney 4x12 cabinet (Celestion G12-25M speakers likely) | distorted | gain 8 · bass 7.5 · mid 7.5 · treble 6 · presence 5.5 · reverb 0 | https://guitartoneadapt.com/tone/iron-man--black-sabbath--riff--distorted--guitar/
Man in TheBox — Alice in Chains | Gibson Les Paul Studio; Marshall JCM800 2203 (Bogner-modded), possibly blended with Bogner Fish preamp and Mesa/Boogie Dual Rectifier | distorted | gain 7 · bass 5 · mid 7.5 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/man-in-thebox--alice-in-chains--solo--distorted--guitar/
Echoes — Pink Floyd | Fender Stratocaster (early 1970s, black, maple neck, stock single-coil pickups); Hiwatt DR103 Custom 100 Head into WEM Super Starfinder 200 4x12 cabinet | distorted | gain 4.5 · bass 6.5 · mid 7 · treble 6.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/echoes--pink-floyd--riff--distorted--guitar/
Bound for the Floor — Local H | Gibson SG Standard (modified with additional bass pickup for lower strings); Matchless Superchief 120 Head into Marshall cabinets (guitar); Ampeg bass amp (for… | distorted | gain 7 · bass 6.5 · mid 7 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/bound-for-the-floor--local-h--riff--distorted--guitar/
Floods — Pantera | Washburn Dime 333 Dimebag Darrell Signature; Randall RG-100ES Solid State Head | clean | gain 0 · bass 5.5 · mid 5 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/floods--pantera--riff--clean--guitar/
In Dying Days — As Blood Runs Black | Kiesel Crescent 7; Marshall JVM410H | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/in-dying-days--as-blood-runs-black--riff--distorted--guitar/
Nutshell — Alice in Chains | Guild JF-55 acoustic; Likely direct-in or acoustic preamp (studio); no evidence of electric amp used for studio recording | clean | gain 0 · bass 5.5 · mid 5.5 · treble 6 · presence 5 · reverb 3.5 | https://guitartoneadapt.com/tone/nutshell--alice-in-chains--riff--clean--guitar/
Parisienne Walkways — Gary Moore | 1959 Gibson Les Paul Standard (ex-Peter Green, aka 'Greeny'); Marshall JTM45 head into Marshall 4x12 basketweave cabinet | distorted | gain 6.5 · bass 7 · mid 7.5 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/parisienne-walkways--gary-moore--solo--distorted--guitar/
Where Am I? — Title Fight | Gibson Les Paul Custom; Marshall JCM800 2204 | distorted | gain 7 · bass 8 · mid 5.5 · treble 7.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/where-am-i--title-fight--riff--distorted--guitar/
Push — Matchbox Twenty | Gibson Les Paul Custom; Fender Twin Reverb (likely studio amp for clean tone) | clean | gain 3.5 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/push--matchbox-twenty--riff--clean--guitar/
Digital Bath — Deftones | ESP Stef B-7 (Stephen Carpenter signature 7-string, likely used for main riff); Marshall JMP-1 Preamp into Marshall 9200 Power Amp (studio recording era setup) | distorted | gain 7 · bass 6 · mid 5.5 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/digital-bath--deftones--riff--distorted--guitar/
Planet Caravan — Pantera | Washburn Dime 333 Dimebag Darrell Signature; Randall Century 200 (C200) Solid State Head | clean | gain 0 · bass 6.5 · mid 6 · treble 6 · presence 5 · reverb 4.5 | https://guitartoneadapt.com/tone/planet-caravan--pantera--riff--clean--guitar/
Earrings — Malcolm Todd | Fender Jaguar Classic Player; Unknown (not specified in sources) | distorted | gain 3.5 · bass 5.5 · mid 6 · treble 7 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/earrings--malcolm-todd--riff--distorted--guitar/
Breed — Nirvana | Ampeg SVT (likely SVT-II or SVT Classic, era-correct for Nevermind sessions) | distorted | gain 7 · bass 6 · mid 6 · treble 6 · presence 6 | https://guitartoneadapt.com/tone/breed--nirvana--distorted--distorted--bass/
Still Loving You — Scorpions | Gibson Flying V (likely 1970s/early 1980s model, Rudolf Schenker's main guitar for this era and album); Marshall JCM800 2203 (vintage 1980s, as used on 'Love… | distorted | gain 6.5 · bass 6 · mid 6.5 · treble 7 · presence 6.5 · reverb 3.5 | https://guitartoneadapt.com/tone/still-loving-you--scorpions--riff--distorted--guitar/
Clairvoyant Disease — Avenged Sevenfold | Schecter Synyster Gates Custom (2003-2004, original model, likely with Seymour Duncan Invader bridge pickup); Mesa/Boogie Dual Rectifier (likely 2-Channel Rev… | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/clairvoyant-disease--avenged-sevenfold--solo--distorted--guitar/
Duality — Slipknot | Ibanez MTM1 (Mick Thomson signature) or Fender Jim Root Telecaster; Peavey 5150/6505 (Mick Thomson) and/or Mesa/Boogie Triple Rectifier (Jim Root) | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/duality--slipknot--riff--distorted--guitar/
Epidemic of Hate — Dying Fetus | ESP Eclipse (early 2000s, likely custom or Standard Series); Peavey 5150 (block letter, original version, studio recording) | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/epidemic-of-hate--dying-fetus--riff--distorted--guitar/
Given Up — LINKIN PARK | Ampeg SVT-CL head through Ampeg 8x10 cabinets | distorted | gain 7.5 · bass 5.5 · mid 6.5 · treble 7 · presence 6.5 | https://guitartoneadapt.com/tone/given-up--linkin-park--distorted--distorted--bass/
Today — The Smashing Pumpkins | 1988 Fender American Standard Stratocaster (nicknamed 'Bat Strat'); Mesa/Boogie Mark IIC+ (studio recording, Siamese Dream era) | distorted | gain 8 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/today--the-smashing-pumpkins--riff--distorted--guitar/
Jane! — The Long Faces | Unknown single-coil guitar (likely Fender-style, exact model not confirmed); Unknown high-wattage amp (likely clean platform, exact model not confirmed) | distorted | gain 4.5 · bass 6 · mid 6.5 · treble 6.5 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/jane--the-long-faces--riff--distorted--guitar/
Flutter — julie | Fender Jazzmaster (likely 2008 Thin Skin, as used by julie in this era); Vintage Fender Silverface Bassman 50 (Amp Head) into Vintage Fender 2x12 Cabinet | distorted | gain 6.5 · bass 6 · mid 5.5 · treble 6.5 · presence 5 · reverb 3.5 | https://guitartoneadapt.com/tone/flutter--julie--riff--distorted--guitar/
In My Darkest Hour — Megadeth | Jackson King V Doubleneck (likely standard King V for studio recording); Marshall JCM800 2203 head with Marshall 4x12 cabinet (studio recording, 1987-1988) | distorted | gain 7.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/in-my-darkest-hour--megadeth--riff--distorted--guitar/
Pour Some Sugar On Me — Def Leppard | Jackson Soloist (silver and black crackle finish) for intro riff, Fender Stratocaster ('Felix', black 1978 with Ibanez Destroyer humbucker) for main riff; Tom… | distorted | gain 8 · bass 6 · mid 5.5 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/pour-some-sugar-on-me--def-leppard--riff--distorted--guitar/
Purple Haze — The Jimi Hendrix Experience | 1965 Fender Stratocaster; Marshall Super Lead 100 (model 1959, Plexi) | distorted | gain 6 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/purple-haze--the-jimi-hendrix-experience--riff--distorted--guitar/
Slow Dancing in a Burning Room — John Mayer | 2004 Fender Custom Shop Stratocaster; Dumble Overdrive Special (main), Two-Rock Custom Reverb Signature (possible blend), Fender Deluxe (possible overdub) | distorted | gain 3.5 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 4.5 | https://guitartoneadapt.com/tone/slow-dancing-in-a-burning-room--john-mayer--riff--distorted--guitar/
Tuesday's Gone — Lynyrd Skynyrd | Gibson Les Paul Standard (early 1970s, likely Gary Rossington's main guitar for studio recording); Marshall 100-watt Super Lead (Plexi, early 1970s, likely… | distorted | gain 3.5 · bass 6.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/tuesday-s-gone--lynyrd-skynyrd--riff--distorted--guitar/
Passenger — Deftones | ESP Stef B-7 (Stephen Carpenter signature 7-string, ca. 2000, likely with JB pickup); Marshall JMP-1 Preamp into Marshall power amp (studio, White Pony era) | distorted | gain 8.5 · bass 6 · mid 4.5 · treble 6.5 · presence 4.5 · reverb 0 | https://guitartoneadapt.com/tone/passenger--deftones--riff--distorted--guitar/
All She Wrote (2024 Remaster) — FireHouse | Gibson Les Paul Standard (likely 1980s/early 1990s, as used by Bill Leverty in FireHouse studio recordings); Marshall JCM800 2203 (studio recording, typical… | distorted | gain 7.5 · bass 6 · mid 5.5 · treble 7 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/all-she-wrote-2024-remaster--firehouse--riff--distorted--guitar/
Repulsive In It's Splendid Beauty — Crowbar | Unknown (Crowbar's Kirk Windstein is often associated with Gibson SG or Les Paul-style guitars, but no source confirms the exact model for this solo); Randall… | distorted | gain 8.5 · bass 7.5 · mid 5 · treble 6 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/repulsive-in-it-s-splendid-beauty--crowbar--solo--distorted--guitar/
Minerva — Deftones | ESP Stef B-7 (7-string, likely custom shop, used by Stephen Carpenter on 'Minerva'); Marshall JCM800 (hot-rodded, studio recording) | distorted | gain 8.5 · bass 6 · mid 6 · treble 6.5 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/minerva--deftones--riff--distorted--guitar/
Blind — Korn | Mesa/Boogie Basis M-2000 Head into Mesa/Boogie 4x10 cabinet | distorted | gain 7 · bass 5.5 · mid 6 · treble 7 · presence 7 | https://guitartoneadapt.com/tone/blind--korn--distorted--distorted--bass/
Another Brick In the Wall, Pt. 2 — Pink Floyd | Fender Stratocaster (Black Strat, 1970s, maple neck, stock single coils at time of recording); Hiwatt DR103 Custom 100 Head into WEM Super Starfinder 4x12… | distorted | gain 5.5 · bass 6.5 · mid 7 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/another-brick-in-the-wall-pt-2--pink-floyd--solo--distorted--guitar/
Knockin' On Heaven's Door — Guns N' Roses | 1959 Gibson Korina Flying V; Marshall JCM25/50 2555 Silver Jubilee 100W Head into Marshall 1960BV 4x12 cabinet | distorted | gain 6 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/knockin-on-heaven-s-door--guns-n-roses--riff--distorted--guitar/
Stairway to Heaven — Led Zeppelin | 1959 Fender Telecaster (painted 'Dragon' finish, rosewood neck, bridge pickup); Supro Coronado 1690T (12-inch Oxford speaker re-coned with Pulsonic cone… | distorted | gain 6 · bass 6.5 · mid 5 · treble 7 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/stairway-to-heaven--led-zeppelin--solo--distorted--guitar/
Cemetery Gates — Pantera | Dean ML (likely 1981 model, custom finish, Bill Lawrence L-500XL bridge pickup); Randall RG100ES (solid-state head) into Randall 412JB cabinet | distorted | gain 9 · bass 7 · mid 3 · treble 8.5 · presence 7 · reverb 1.5 | https://guitartoneadapt.com/tone/cemetery-gates--pantera--riff--distorted--guitar/
Wish You Were Here — Pink Floyd | Fender Stratocaster (1970s, black, maple neck, stock single-coil pickups); Hiwatt DR103 Custom 100 Head with WEM Super Starfinder 200 4x12 cabinet (Fane… | clean | gain 0 · bass 6 · mid 8 · treble 7 · presence 6 · reverb 5 | https://guitartoneadapt.com/tone/wish-you-were-here--pink-floyd--riff--clean--guitar/
Hey You — Pink Floyd | Fender Stratocaster (Black Strat, late 1960s/early 1970s, maple neck, stock single-coil pickups); Hiwatt DR103 Custom 100 Head into WEM Super Starfinder 4x12… | distorted | gain 4.5 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/hey-you--pink-floyd--riff--distorted--guitar/
Praise the Lord (Opium of the Masses) — Dying Fetus | ESP Eclipse (likely custom, as used by John Gallagher in this era); Peavey 5150 (original block letter, likely studio head) | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/praise-the-lord-opium-of-the-masses--dying-fetus--riff--distorted--guitar/
Dirty Little Secret — The All-American Rejects | Gibson Firebird V; Marshall (exact model unknown, likely JCM series or similar high-gain Marshall head) | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/dirty-little-secret--the-all-american-rejects--riff--distorted--guitar/
Sunshine of Your Love — Cream | 1964 Gibson SG Standard ('The Fool'); 1966 Marshall JTM45 head with Marshall 1960B 4x12 cabinet | distorted | gain 7.5 · bass 7 · mid 7.5 · treble 6.5 · presence 7.5 · reverb 0 | https://guitartoneadapt.com/tone/sunshine-of-your-love--cream--riff--distorted--guitar/
Comfortably Numb — Pink Floyd | Hiwatt DR103 (custom 100-watt head) into WEM Super Starfinder 200 4x12 cabinet | clean | gain 0 · bass 6 · mid 5 · treble 5 · presence 4.5 | https://guitartoneadapt.com/tone/comfortably-numb--pink-floyd--clean--clean--bass/
Hand Of Blood — Bullet for My Valentine | ESP LTD EC-1000; Marshall JCM2000 TSL 100 Triple Super Lead 3-Channel 100-Watt Guitar Amp Head | distorted | gain 8.5 · bass 6 · mid 5 · treble 7.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/hand-of-blood--bullet-for-my-valentine--riff--distorted--guitar/
浄土独唱 — Isiliel | Unknown (exact model not found for this recording); Unknown (exact model not found for this recording) | distorted | gain 8 · bass 5.5 · mid 5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/joudo-dokushou--isiliel--riff--distorted--guitar/
Dumb Summer — Helen 55 | n/a | distorted | gain 3.5 · bass 3 · mid 3 · treble 3.5 · presence 3 · reverb 1 | https://guitartoneadapt.com/tone/dumb-summer--helen-55--riff--distorted--guitar/
Rat Salad — Black Sabbath | 1965 Gibson SG Special ('Monkey'); Laney LA100BL (100-watt tube head, early model) | distorted | gain 7.5 · bass 7 · mid 7 · treble 6.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/rat-salad--black-sabbath--riff--distorted--guitar/
Heartbreaker — Led Zeppelin | Fender Telecaster 'Dragon' (1959, maple neck, hand-painted finish); Supro Coronado 1690T | distorted | gain 3.5 · bass 6 · mid 7.5 · treble 6.5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/heartbreaker--led-zeppelin--riff--distorted--guitar/
Dirt — Alice in Chains | G&L Rampage; Marshall JCM800 2203 (Bogner-modded), Mesa/Boogie Dual Rectifier (prototype), Bogner Fish Preamp (blended in studio) | distorted | gain 5.5 · bass 5 · mid 6.5 · treble 6.5 · presence 6 · reverb 0.5 | https://guitartoneadapt.com/tone/dirt--alice-in-chains--riff--distorted--guitar/
Decadence Dance — EXTREME | Washburn N3 (early Nuno Bettencourt signature, maple fretboard, as seen in 'Decadence Dance' video and confirmed by Nuno); Marshall 1959 Super Lead (Plexi… | distorted | gain 7.5 · bass 6 · mid 7 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/decadence-dance--extreme--riff--distorted--guitar/
ความรักทำให้คนตาบอด (ซนซน 40 ปี GMM GRAMMY) — Three Man Down | Unknown (likely Fender or Gibson style electric, model not confirmed for this recording); Unknown (no explicit amp model confirmed for this studio recording) | distorted | gain 6 · bass 6 · mid 6.5 · treble 6.5 · presence 6 · reverb 5 | https://guitartoneadapt.com/tone/40-gmm-grammy--three-man-down--solo--distorted--guitar/
In My Dreams — Dokken | ESP Kamikaze (custom shop, Dokken era, maple neck, poplar body, Floyd Rose, Seymour Duncan Distortion humbucker); Marshall JCM800 2203 (modded, 100-watt head… | distorted | gain 7.5 · bass 5 · mid 5 · treble 6 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/in-my-dreams--dokken--solo--distorted--guitar/
...And Justice for All — Metallica | ESP M-II (custom, early 80s, likely black finish, with EMG pickups); Mesa/Boogie Mark IIC+ head into Marshall 4x12 cabinet (studio recording, 1988) | distorted | gain 8.5 · bass 6 · mid 3.5 · treble 7.5 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/and-justice-for-all--metallica--solo--distorted--guitar/
Pride and Joy — Stevie Ray Vaughan & Double Trouble | 1963 Fender Stratocaster 'Number One'; Fender Vibroverb (Blackface, 1964) and Dumble Dumbleland Special (studio recording, only one Vibroverb miked for main… | distorted | gain 4 · bass 7 · mid 7 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/pride-and-joy--stevie-ray-vaughan-double-trouble--riff--distorted--guitar/
Change (In the House of Flies) — Deftones | ESP Viper VP-200; Vox AC30 Guitar Combo Amp | clean | gain 0 · bass 6 · mid 6 · treble 6.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/change-in-the-house-of-flies--deftones--riff--clean--guitar/
Second Heartbeat — Avenged Sevenfold | Schecter Synyster Gates Custom (likely early model, as used on Waking the Fallen); Mesa/Boogie Dual Rectifier Solo Head | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/second-heartbeat--avenged-sevenfold--riff--distorted--guitar/
Planet Telex — Radiohead | Fender Telecaster (likely Johnny Greenwood's main Telecaster, mid-90s, maple neck, single coils); Fender Eighty Five (solid-state combo, studio recording… | distorted | gain 5.5 · bass 6 · mid 6.5 · treble 7 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/planet-telex--radiohead--riff--distorted--guitar/
Sleep Walk — Deftones | ESP Stef B-8 8-string; Fractal Axe-Fx II (amp modeling), Engl Tube Poweramp E850/100, Orange 4x12 cabinets | distorted | gain 8.5 · bass 6.5 · mid 3 · treble 6 · presence 3.5 · reverb 0.5 | https://guitartoneadapt.com/tone/sleep-walk--deftones--riff--distorted--guitar/
Kashmir — Led Zeppelin | Fender Electric XII (12-string electric guitar); Hiwatt Custom 100 DR103 (likely, based on era and studio use; some sources suggest Marshall, but Hiwatt is… | distorted | gain 3 · bass 6 · mid 7 · treble 4.5 · presence 3.5 · reverb 2 | https://guitartoneadapt.com/tone/kashmir--led-zeppelin--riff--distorted--guitar/
In Too Deep — Sum 41 | Gibson Les Paul Standard (likely 1990s/early 2000s, used by Dave Baksh for solos on 'All Killer No Filler'); Marshall JCM Slash (1990s Silver Jubilee reissue… | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/in-too-deep--sum-41--solo--distorted--guitar/
Bckyrd — Hot Mulligan | Fender Jazzmaster (exact model unknown, typical for Hot Mulligan clean tones); Fender Hot Rod Deluxe (typical clean amp for Midwest emo/Hot Mulligan, no direct… | clean | gain 0 · bass 5.5 · mid 6 · treble 7 · presence 6 · reverb 4.5 | https://guitartoneadapt.com/tone/bckyrd--hot-mulligan--riff--clean--guitar/
Women In Love... — Van Halen | Custom-built 'Frankenstrat' (Boogie Bodies Strat-style ash body, maple neck, single humbucker, custom wiring); 1968 Marshall Super Lead 100-watt 'Plexi' (run… | clean | gain 0 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/women-in-love--van-halen--riff--clean--guitar/
Numb — LINKIN PARK | PRS Custom 24 (likely 2001-2002 model, used by Brad Delson in studio for 'Numb'); Mesa/Boogie Dual Rectifier (studio recording amp for 'Numb') | distorted | gain 8 · bass 6 · mid 4.5 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/numb--linkin-park--riff--distorted--guitar/
Shine On You Crazy Diamond, Pts. 1-5 — Pink Floyd | 1971 Fender Stratocaster (Black Strat, maple neck, stock single-coil pickups, with tremolo arm); Hiwatt DR103 Custom 100 Head into WEM Super Starfinder 200… | distorted | gain 3.5 · bass 7 · mid 7 · treble 6.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/shine-on-you-crazy-diamond-pts-1-5--pink-floyd--solo--distorted--guitar/
Inside Out — XYZ | Kramer Baretta (likely 1987-1989, Floyd Rose, single humbucker, maple neck); Marshall JCM800 2203 head (likely through 4x12 cabinet, 1980s model) | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/inside-out--xyz--riff--distorted--guitar/
The Best of Times — Dream Theater | Ernie Ball Music Man John Petrucci Signature (likely JP6 or JP7, 2009 spec); Mesa/Boogie Mark IV (studio recording era, 2009) | distorted | gain 7.5 · bass 6 · mid 6 · treble 7 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/the-best-of-times--dream-theater--solo--distorted--guitar/
Everybody Talks — Ax and the Hatchetmen | Fender Stratocaster Electric Guitar; Supro Keeley Custom 1x12 Combo | distorted | gain 5 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 4 | https://guitartoneadapt.com/tone/everybody-talks--ax-and-the-hatchetmen--riff--distorted--guitar/
Beauty and a Beat (feat. Nicki Minaj) — Justin Bieber | Unknown (likely session guitar, possibly Fender Stratocaster or similar HSS superstrat, but no direct evidence for exact model on studio recording); Unknown… | distorted | gain 4.5 · bass 5.5 · mid 5.5 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/beauty-and-a-beat-feat-nicki-minaj--justin-bieber--riff--distorted--guitar/
Down — 311 | PRS CE24 (early 90s, alder body, maple neck, rosewood board); Mesa/Boogie Dual Rectifier (early 90s, rackmount version) | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/down--311--riff--distorted--guitar/
End of Beginning — Djo | Gibson ES-335; Unknown model (no direct source for studio amp on this song) | distorted | gain 4.5 · bass 6 · mid 6.5 · treble 6.5 · presence 6 · reverb 4 | https://guitartoneadapt.com/tone/end-of-beginning--djo--riff--distorted--guitar/
Why You Wanna Treat Me So Bad? — Prince | Orr Guitar (custom solid body, late 1970s); Unknown (likely solid-state or tube combo amp, model not specified for this recording) | distorted | gain 5.5 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/why-you-wanna-treat-me-so-bad--prince--riff--distorted--guitar/
Stay Together for the Kids — blink-182 | Gibson ES-333 Tom DeLonge Signature; Mesa/Boogie Triple Rectifier | clean | gain 0 · bass 6 · mid 5.5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/stay-together-for-the-kids--blink-182--riff--clean--guitar/
Hangar 18 — Megadeth | Jackson Kelly KE1 (Marty Friedman signature, 1990, likely with DiMarzio Super Distortion bridge pickup); Marshall JCM800 2203 head (studio recording, 1990) | distorted | gain 7.5 · bass 6 · mid 4 · treble 7.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/hangar-18--megadeth--solo--distorted--guitar/
Say It Ain't So (2024 Remaster) — Weezer | Fender Jaguar (likely 1960s, used by Rivers Cuomo for studio rhythm on 'Say It Ain't So'); Fender Twin Reverb (studio recording, rhythm section) | clean | gain 0 · bass 6 · mid 7 · treble 6.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/say-it-ain-t-so-2024-remaster--weezer--riff--clean--guitar/
Hole In the Earth — Deftones | Fender Stratocaster (likely Japanese or American Standard, as seen in 'Hole In The Earth' music video); Orange Thunderverb 50 or Orange Dual Terror (both seen… | distorted | gain 8 · bass 6 · mid 5 · treble 6.5 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/hole-in-the-earth--deftones--riff--distorted--guitar/
En la Ciudad de la Furia — Soda Stereo | Fender Electric XII 12-String; Unknown (likely Roland JC-120 or similar clean solid-state amp, but not confirmed for studio recording) | clean | gain 4 · bass 6 · mid 6 · treble 6.5 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/en-la-ciudad-de-la-furia--soda-stereo--riff--clean--guitar/
5 Minutes Alone — Pantera | Dean ML (likely 1981 model, as used by Dimebag Darrell on 'Far Beyond Driven'); Randall RG-100ES solid-state head | distorted | gain 9 · bass 6 · mid 4.5 · treble 7.5 · presence 7 · reverb 0 | https://guitartoneadapt.com/tone/5-minutes-alone--pantera--riff--distorted--guitar/
Teenage Dirtbag — Wheatus | Unknown | clean | gain 0 · bass 6 · mid 5.5 · treble 5 · presence 4.5 | https://guitartoneadapt.com/tone/teenage-dirtbag--wheatus--clean--clean--bass/
Love, Hate, Love — Alice in Chains | G&L Rampage (Jerry Cantrell's original, maple neck, single humbucker); Bogner Fish preamp into a VHT Classic power amp (studio recording, 1990/1991, Facelift… | clean | gain 4 · bass 6 · mid 6.5 · treble 6.5 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/love-hate-love--alice-in-chains--riff--clean--guitar/
Lounge Act (Boombox Rehearsals) — Nirvana | Fender Jaguar (1966, modified with DiMarzio PAF and DiMarzio Super Distortion pickups, Tune-o-matic bridge); Vox AC30 | distorted | gain 6 · bass 6 · mid 6.5 · treble 6.5 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/lounge-act-boombox-rehearsals--nirvana--riff--distorted--guitar/
Sonne — Rammstein | ESP Eclipse I CTM (custom, likely with EMG pickups); Mesa/Boogie Dual Rectifier (likely Rev F or Rev G, studio era) | distorted | gain 7.5 · bass 6 · mid 5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/sonne--rammstein--solo--distorted--guitar/
For Whom the Bell Tolls — Metallica | Gibson Explorer (likely 1984 model, stock pickups at time of recording); Marshall JMP 2203 (modified, 100W head, used in studio for Ride the Lightning 1984) | distorted | gain 7.5 · bass 6 · mid 4.5 · treble 7 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/for-whom-the-bell-tolls--metallica--riff--distorted--guitar/
Say It Ain't So (2024 Remaster) — Weezer | Gibson Les Paul Standard; Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head | distorted | gain 7 · bass 6.5 · mid 7 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/say-it-ain-t-so-2024-remaster--weezer--solo--distorted--guitar/
七月、影法師、藍色、ロッカー — n-buna | Fender Telecaster (exact model unknown, but Telecaster confirmed for Yorushika/n-buna studio recordings of this era); Fractal Audio Axe-Fx III (amp modeling… | distorted | gain 5 · bass 5.5 · mid 6.5 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/shichigatsu-kageboushi-aiiro-rokka--n-buna--riff--distorted--guitar/
Meatplow — Stone Temple Pilots | Gibson Les Paul Standard; Marshall JCM800 head into Marshall 1960A 4x12 cabinet | distorted | gain 6 · bass 6 · mid 7 · treble 5.5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/meatplow--stone-temple-pilots--riff--distorted--guitar/
Decapitation Fornication — Infant Annihilator | Agile AL-627 Baritone Guitar or Schecter Omen-7 (7-string, extended range, exact model for this track not confirmed but both cited as used for album era)… | distorted | gain 9 · bass 5.5 · mid 4.5 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/decapitation-fornication--infant-annihilator--riff--distorted--guitar/
Never forget — kessoku band | Gibson Les Paul Standard (Cherry Sunburst, as seen in anime and official art); Marshall JCM 900 | distorted | gain 6.5 · bass 5.5 · mid 6.5 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/never-forget--kessoku-band--riff--distorted--guitar/
the great southern trendkill — Pantera | Washburn Dimebag Darrell Signature ML (Roswell Camo ML, likely with Bill Lawrence L-500XL bridge pickup); Randall RG-100ES (solid-state head) | distorted | gain 9 · bass 6 · mid 4 · treble 7.5 · presence 7 · reverb 0 | https://guitartoneadapt.com/tone/the-great-southern-trendkill--pantera--riff--distorted--guitar/
En la Ciudad de la Furia (Me Verás Volver Gira 2007) — Soda Stereo | Fender Electric XII 12-String; Bogner Shiva EL34 | distorted | gain 5.5 · bass 6 · mid 6.5 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/en-la-ciudad-de-la-furia-me-veras-volver-gira-2007--soda-stereo--riff--distorted--guitar/
Ah — Duman | Fender Standard Stratocaster 2-Knob (1983-1984); Peavey Classic 50 Head | distorted | gain 6 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/ah--duman--riff--distorted--guitar/
Engine No. 9 — Xiron Sharpens Ironx | n/a | distorted | gain 4.5 · bass 2.5 · mid 2.5 · treble 3.5 · presence 3.5 · reverb 0.5 | https://guitartoneadapt.com/tone/engine-no-9--xiron-sharpens-ironx--riff--distorted--guitar/
Santeria — Sublime | Fender Stratocaster (likely 1970s or early 1990s, sunburst, maple neck, as seen in studio photos and interviews); Fender Twin Reverb (Blackface, 1965 reissue… | clean | gain 0 · bass 6 · mid 6 · treble 6.5 · presence 5.5 · reverb 4 | https://guitartoneadapt.com/tone/santeria--sublime--riff--clean--guitar/
Not Good Enough for Truth in Cliche' — Escape the Fate | Jackson Pro Series RRT-3 Rhoads; Bogner Uberschall 120-Watt Tube Guitar Amp Head | distorted | gain 8.5 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/not-good-enough-for-truth-in-cliche--escape-the-fate--riff--distorted--guitar/
Kool Thing — Sonic Youth | Fender Jazzmaster (custom, alternate F#F#F#F#BE tuning); Peavey Roadmaster Amplifier (Thurston), Marshall Jubilee Bass Series head with Dietz 2x15 cab (Kim… | distorted | gain 6.5 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/kool-thing--sonic-youth--riff--distorted--guitar/
Hey Jude — The Beatles | 1962 Gibson J-160E; Direct Injection (DI) to EMI REDD.51 mixing console (no amp used for clean rhythm/riff section) | clean | gain 2 · bass 5.5 · mid 6 · treble 6.5 · presence 5 · reverb 2.5 | https://guitartoneadapt.com/tone/hey-jude--the-beatles--riff--clean--guitar/
I Hate It Too — Hum | Fender Jazzmaster (likely 1960s reissue or original, as used by Matt Talbott in studio); Orange OR120 head into Orange 4x12 cabinet (studio recording, 1995) | clean | gain 0 · bass 6 · mid 5.5 · treble 6.5 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/i-hate-it-too--hum--riff--clean--guitar/
Surreal — Flawed Mangoes | Unknown electric guitar (exact model not confirmed); Unknown (no explicit amp model found) | distorted | gain 6 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 5 | https://guitartoneadapt.com/tone/surreal--flawed-mangoes--solo--distorted--guitar/
Step on Me — The Cardigans | Unknown exact model (likely semi-hollow or solidbody electric, possibly Gibson ES-335 or Fender Telecaster based on Cardigans era and style, but not confirmed… | distorted | gain 4 · bass 6 · mid 7 · treble 7 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/step-on-me--the-cardigans--riff--distorted--guitar/
Stream of Consciousness — Dream Theater | Music Man John Petrucci Signature Model; Mesa/Boogie Mark II C+ | distorted | gain 8 · bass 6 · mid 5.5 · treble 7 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/stream-of-consciousness--dream-theater--riff--distorted--guitar/
Clown — Korn | Ibanez Universe UV7BK 7-string; Mesa/Boogie Dual Rectifier (early 1990s, studio recording) | distorted | gain 8.5 · bass 6 · mid 4.5 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/clown--korn--solo--distorted--guitar/
100 — Dean Blunt | Vintage V300 Folk (black, with red pickguard); Unknown (no direct source, likely clean solid-state or DI to interface/mixer) | clean | gain 2 · bass 5.5 · mid 6 · treble 6 · presence 5 · reverb 5 | https://guitartoneadapt.com/tone/100--dean-blunt--riff--clean--guitar/
Beast of Burden — The Rolling Stones | 1975 Fender Telecaster Custom; Ampeg VT-22 | distorted | gain 4 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/beast-of-burden--the-rolling-stones--riff--distorted--guitar/
Hey Barbara — IV OF SPADES | Fernandes FST-65T; Fender Champion 100 | clean | gain 2.5 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/hey-barbara--iv-of-spades--riff--clean--guitar/
One More Light — LINKIN PARK | Fender Custom Shop Cardboard Chaos Stratocaster; Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head (Multi-Watt) | distorted | gain 4 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/one-more-light--linkin-park--riff--distorted--guitar/
Take Me Away (from Freaky Friday) — Lash | Unknown model (likely mid-2000s import electric, possibly Yamaha Pacifica or Squier Strat-style, as used by Lash in era and film); Unknown (likely solid-state… | distorted | gain 7 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/take-me-away-from-freaky-friday--lash--solo--distorted--guitar/
When the Curtain Falls — Greta Van Fleet | Gibson Les Paul (SG) Standard with Sideways Vibrola 1961; Marshall 1962HW 30W 2x12 Handwired Tube Guitar Combo Amp | distorted | gain 6 · bass 6.5 · mid 7 · treble 7 · presence 6.5 · reverb 2.5 | https://guitartoneadapt.com/tone/when-the-curtain-falls--greta-van-fleet--riff--distorted--guitar/
Lithium — Nirvana | Fender Japanese Stratocaster (likely 1989-1991, black, with Seymour Duncan Hot Rails in bridge); Fender Bassman (studio recording, Nevermind sessions) | distorted | gain 7 · bass 6 · mid 6.5 · treble 6.5 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/lithium--nirvana--riff--distorted--guitar/
Do Ya Wanna Taste It — Wig Wam | Gibson Les Paul Standard (likely, based on genre, era, and Wig Wam's known gear for this song/era); Marshall JCM800 (likely, based on genre, era, and Wig Wam's… | distorted | gain 7.5 · bass 6 · mid 6.5 · treble 7 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/do-ya-wanna-taste-it--wig-wam--riff--distorted--guitar/
This Love — Pantera | Dean ML (likely 1981 model, as used by Dimebag Darrell in studio); Randall RG-100ES solid-state head | clean | gain 0 · bass 5.5 · mid 4 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/this-love--pantera--riff--clean--guitar/
Orion — Metallica | Mesa/Boogie D‑180 tube amplifier (bi‑amp setup: one head clean, one with effects) into Mesa cabinets (4×12" + 1×15") | clean | gain 0 · bass 5 · mid 4 · treble 6 · presence 5 | https://guitartoneadapt.com/tone/orion--metallica--clean--clean--bass/
The Emptiness Machine (Instrumental) — LINKIN PARK | PRS Custom 24 (likely, based on Linkin Park's studio choices for modern era solos); Hiwatt DR103 (likely, based on Mike Shinoda/Brad Delson's use on MTM/ATS… | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/the-emptiness-machine-instrumental--linkin-park--solo--distorted--guitar/
No More Tears — Ozzy Osbourne | 1981 Gibson Les Paul Custom; Marshall JCM800 2203 100-watt head (6550 tubes) into Marshall 1960B 4x12 cabinet with Celestion G12T-75 speakers | distorted | gain 8.5 · bass 7.5 · mid 4.5 · treble 8 · presence 4.5 · reverb 0.5 | https://guitartoneadapt.com/tone/no-more-tears--ozzy-osbourne--riff--distorted--guitar/
Bulls On Parade (Live In Mexico City, MX, 10/28/99) — Rage Against the Machine | Custom 'Arm The Homeless' Electric Guitar; Marshall JCM800 2205 50-Watt Head into Peavey 4x12 cabinet | distorted | gain 8 · bass 6 · mid 7 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/bulls-on-parade-live-in-mexico-city-mx-10-28-99--rage-against-the-machine--riff--distorted--guitar/
Paradise City — Guns N' Roses | 1986 Gibson Les Paul Standard; Marshall JCM800 2203 head (100W, likely with Marshall 4x12 cabinet, studio recording) | distorted | gain 7.5 · bass 5.5 · mid 6.5 · treble 7.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/paradise-city--guns-n-roses--riff--distorted--guitar/
Bleed It Out — LINKIN PARK | PRS Custom 24 (likely, as used by Brad Delson on Minutes to Midnight era studio recordings); Mesa/Boogie Dual Rectifier (studio recording, Minutes to Midnight… | distorted | gain 8 · bass 6 · mid 4 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/bleed-it-out--linkin-park--riff--distorted--guitar/
The Devil In I — Slipknot | Fender Jim Root Telecaster (2014 studio recording), Ibanez MTM1 (Mick Thomson, 2014 studio recording); Orange Rockerverb 100 MKII (Jim Root), Rivera KR7 (Mick… | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/the-devil-in-i--slipknot--riff--distorted--guitar/
Jessica — The Allman Brothers Band | Gibson Les Paul Standard (1957 Goldtop or early 1970s Standard, humbuckers); Marshall Plexi 1959SLP head into Marshall 4x12 cabinet with JBL D120F speakers | distorted | gain 4 · bass 6.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/jessica--the-allman-brothers-band--riff--distorted--guitar/
hail to the king — Avenged Sevenfold | Schecter Synyster Gates Custom; Bogner Uberschall 120-Watt Tube Guitar Amp Head | distorted | gain 7.5 · bass 6 · mid 5 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/hail-to-the-king--avenged-sevenfold--riff--distorted--guitar/
Let It Be — The Beatles | 1968 Fender Rosewood Telecaster; Fender Silverface Twin Reverb + Leslie 147RV rotating speaker cabinet | distorted | gain 4.5 · bass 6 · mid 7 · treble 7 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/let-it-be--the-beatles--solo--distorted--guitar/
In the End — LINKIN PARK | PRS Custom 24 (Mike Shinoda's main studio guitar for Hybrid Theory era); Mesa/Boogie Dual Rectifier (studio recording, Hybrid Theory era) | distorted | gain 8 · bass 5.5 · mid 4.5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/in-the-end--linkin-park--riff--distorted--guitar/
...And Justice for All — Metallica | ESP MX220 'EET FUK' Explorer; Mesa/Boogie Mark IIC+ Head | clean | gain 0 · bass 5.5 · mid 3 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/and-justice-for-all--metallica--riff--clean--guitar/
Hard Lines, Sunken Cheeks — Pantera | Dean ML (likely 1994-1995, custom shop, Bill Lawrence L-500XL bridge pickup); Randall RG100ES solid-state head | distorted | gain 8.5 · bass 6 · mid 4 · treble 7.5 · presence 7 · reverb 0 | https://guitartoneadapt.com/tone/hard-lines-sunken-cheeks--pantera--riff--distorted--guitar/
Pull Me Under — Dream Theater | Ernie Ball Music Man John Petrucci Signature (JP6, early 1990s version); Mesa/Boogie Mark IIC+ | distorted | gain 7.5 · bass 5.5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/pull-me-under--dream-theater--riff--distorted--guitar/
Comfortably Numb (Live at Pompeii 2016) — David Gilmour | Fender Custom Shop David Gilmour Signature Stratocaster (Black Strat); Hiwatt DR504 Custom 50 Head with WEM 4x12 cabinet (Live at Pompeii 2016) | distorted | gain 6 · bass 6.5 · mid 7.5 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/comfortably-numb-live-at-pompeii-2016--david-gilmour--solo--distorted--guitar/
Misery Business — Paramore | Gibson Les Paul Custom (likely 2000s, used by Josh Farro in studio); Marshall JCM 2000 DSL 100W head with Mesa/Boogie 4x12 cab | distorted | gain 6 · bass 5.5 · mid 7 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/misery-business--paramore--solo--distorted--guitar/
Layla — Eric Clapton | 1960 Fender Stratocaster 'Brownie'; Fender Champ (1957, tweed, combo, 5W tube amp) | distorted | gain 6.5 · bass 6 · mid 7 · treble 6.5 · presence 3 · reverb 1 | https://guitartoneadapt.com/tone/layla--eric-clapton--riff--distorted--guitar/
Demolition Lovers — My Chemical Romance | Gibson Les Paul Standard (Ray Toro, studio recording); Marshall JCM2000 TSL 100 Triple Super Lead 3-Channel 100-Watt Guitar Amp Head | distorted | gain 7.5 · bass 4.5 · mid 5 · treble 7.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/demolition-lovers--my-chemical-romance--riff--distorted--guitar/
Waking the Demon — Bullet for My Valentine | ESP LTD MH-350NT; Peavey 5150 (Block Letter) into Mesa Boogie Oversized Cab | distorted | gain 7.5 · bass 4.5 · mid 5.5 · treble 6.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/waking-the-demon--bullet-for-my-valentine--riff--distorted--guitar/
Can't Stop — Red Hot Chili Peppers | 1960 Fender Custom Telecaster; Marshall Major (studio recording, 2001/2002 era) | distorted | gain 4 · bass 6.5 · mid 5.5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/can-t-stop--red-hot-chili-peppers--riff--distorted--guitar/
Moonlight on the River — Mac DeMarco | Fender Stratocaster (likely Japanese Squier or Fender, as used by Mac DeMarco in this era); Fender '65 Deluxe Reverb Reissue 1x12 Combo Amplifier | clean | gain 0 · bass 6 · mid 5.5 · treble 6 · presence 5 · reverb 6 | https://guitartoneadapt.com/tone/moonlight-on-the-river--mac-demarco--riff--clean--guitar/
All I Did Was Dream of You (feat. The Marías) — beabadoobee | Squier J Mascis Jazzmaster; Unknown (likely Fender or similar clean amp, model not specified for this recording) | distorted | gain 4 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 5 | https://guitartoneadapt.com/tone/all-i-did-was-dream-of-you-feat-the-marias--beabadoobee--riff--distorted--guitar/
Knock Me Down — Red Hot Chili Peppers | Fender Stratocaster (likely late 60s/early 70s, rosewood board, stock single coils); Marshall Major (200W) head into Marshall 4x12 cabinet | distorted | gain 4.5 · bass 6 · mid 7 · treble 7 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/knock-me-down--red-hot-chili-peppers--riff--distorted--guitar/
Midnight Rendezvous — Casiopea | Yamaha SG2000; Roland JC-120 Jazz Chorus | distorted | gain 5 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/midnight-rendezvous--casiopea--solo--distorted--guitar/
My Curse — Killswitch Engage | Gibson Les Paul; Mesa/Boogie Dual Rectifier | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/my-curse--killswitch-engage--riff--distorted--guitar/
Спокойная ночь — Kino | Yamaha SG2000; Marshall JCM800 2203 | distorted | gain 6.5 · bass 6 · mid 7 · treble 7 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/spokoynaya-noch--kino--solo--distorted--guitar/
Santa Monica — Everclear | Gibson 1960 Les Paul Standard Reissue; Mesa/Boogie Dual Rectifier | distorted | gain 6.5 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/santa-monica--everclear--solo--distorted--guitar/
Flying Whales — Gojira | Gibson Les Paul Custom (likely 1980s-2000s, as used by Joe Duplantier on From Mars to Sirius); EVH 5150 III (red channel, no boost) | distorted | gain 9 · bass 6 · mid 4.5 · treble 6.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/flying-whales--gojira--riff--distorted--guitar/
Waterloo Sunset — The Kinks | Guild Starfire III; Fender Twin Reverb (blackface era) | clean | gain 0 · bass 6.5 · mid 6.5 · treble 7 · presence 5 · reverb 2.5 | https://guitartoneadapt.com/tone/waterloo-sunset--the-kinks--riff--clean--guitar/
Circus Envy (Remastered) — R.E.M. | Fender Jazzmaster; Roland JC-120 | distorted | gain 5 · bass 6 · mid 6.5 · treble 7 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/circus-envy-remastered--r-e-m--riff--distorted--guitar/
Summer Of '69 — Bryan Adams | 1960 Fender Stratocaster; Vox AC30 (paired with Marshall 4x12, studio recording) | distorted | gain 5.5 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/summer-of-69--bryan-adams--riff--distorted--guitar/
Peace Sells — Megadeth | Jackson Randy Rhoads Custom (Chris Poland's main guitar for Peace Sells era); Marshall JCM800 2203 (likely unmodded, possibly boosted) | distorted | gain 7.5 · bass 6 · mid 3.5 · treble 7.5 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/peace-sells--megadeth--solo--distorted--guitar/
Thank You for the Venom (2025 Mix) — My Chemical Romance | Gibson Les Paul Standard; Marshall JCM2000 DSL100 head with Marshall 4x12 cabinet | distorted | gain 7.5 · bass 6 · mid 6.5 · treble 7.5 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/thank-you-for-the-venom-2025-mix--my-chemical-romance--solo--distorted--guitar/
End of Beginning — Djo | Martin 000-10E; Unknown studio amp (likely direct input or clean amp, no evidence of specific model) | clean | gain 0 · bass 5.5 · mid 6 · treble 6.5 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/end-of-beginning--djo--riff--clean--guitar/
Lullaby of a Deadman — Kevin Sherwood, Corey Redgrift & Elena Siegman | Halo Custom Guitars Octavia; Demeter Amplification VTMP 2b preamp (studio recording, likely into power amp/cabinet or digital interface) | distorted | gain 7.5 · bass 6 · mid 5.5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/lullaby-of-a-deadman--kevin-sherwood-corey-redgrift-elena-siegman--riff--distorted--guitar/
*Sobs Quietly* — Mom Jeans. | Fender Telecaster (exact model unknown, likely American Standard or similar, based on era and genre conventions for Mom Jeans.); Fender Hot Rod Deluxe… | distorted | gain 4.5 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/sobs-quietly--mom-jeans--riff--distorted--guitar/
Flick of the Switch — AC/DC | Gretsch G6131MY Malcolm Young Signature (original '63 Jet Firebird modded, bridge pickup only, neck/middle removed); Marshall Super Bass 100 (model 1992, late… | distorted | gain 6 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/flick-of-the-switch--ac-dc--riff--distorted--guitar/
*Sobs Quietly* — Mom Jeans. | Fender Telecaster (exact model unknown, but Telecaster shape is visible in live photos from the era); Fender Hot Rod Deluxe (most commonly used by Eric Butler… | clean | gain 0 · bass 6 · mid 6.5 · treble 6.5 · presence 5 · reverb 3.5 | https://guitartoneadapt.com/tone/sobs-quietly--mom-jeans--riff--clean--guitar/
Ball and Biscuit — The White Stripes | 1964 JB Hutto Res-O-Glass Airline; Silvertone 1485 tube head with 6x10 Silvertone speaker cab | distorted | gain 6.5 · bass 6.5 · mid 7 · treble 6.5 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/ball-and-biscuit--the-white-stripes--riff--distorted--guitar/
Sunshine — Alice in Chains | Ampeg SVT2 (live/studio era) — exact model for 'Sunshine' unknown | clean | gain 0 · bass 6.5 · mid 5.5 · treble 5 · presence 4 | https://guitartoneadapt.com/tone/sunshine--alice-in-chains--clean--clean--bass/
One More Song (Imposter Syndrome) — Heart Attack Man | Unknown solidbody electric (exact model not confirmed for this recording); Unknown (no explicit source for amp model on this recording) | distorted | gain 7.5 · bass 6 · mid 5.5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/one-more-song-imposter-syndrome--heart-attack-man--riff--distorted--guitar/
Freak Scene (Live, Brixton Academy, London, 8 October 1994) — Dinosaur Jr. | Fender Jazzmaster (likely 1960s or early 1970s, as used by J Mascis live in the 1990s); Fender Twin Reverb (early 1970s Silverface, possibly with blackface mod) | distorted | gain 6.5 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/freak-scene-live-brixton-academy-london-8-october--dinosaur-jr--solo--distorted--guitar/
How Far Does A Goodbye Go — Jason Aldean | PRS Singlecut (likely PRS S2 Singlecut or PRS SE 245, as per Aldean band soloist Kurt Allison's studio/live rig for this era); EVH 5150 III 50-watt head into… | distorted | gain 5.5 · bass 5.5 · mid 6 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/how-far-does-a-goodbye-go--jason-aldean--solo--distorted--guitar/
Hells Bells — AC/DC | 1970 Gibson SG Standard; Late-’70s Marshall 2203 JMP 100-watt head with Marshall 4x12 cabinet loaded with Celestion G12M greenback speakers | distorted | gain 5.5 · bass 5.5 · mid 6.5 · treble 6 · presence 3 · reverb 1 | https://guitartoneadapt.com/tone/hells-bells--ac-dc--riff--distorted--guitar/
Gans Media Retro Games — Hot Mulligan | Reverend Chris Freeman Signature Guitar; Unknown tube amp (model not specified in sources) | distorted | gain 6 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/gans-media-retro-games--hot-mulligan--riff--distorted--guitar/
Battery — Metallica | ESP MX220 'Eet Fuk' (custom Explorer-style, 1984-1986); Mesa/Boogie Mark IIC+ (studio recording, 1985-1986) | distorted | gain 8.5 · bass 6 · mid 3.5 · treble 7.5 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/battery--metallica--riff--distorted--guitar/
Wondering Why — The Red Clay Strays | Fender Telecaster (exact model not specified, but confirmed as American-made 6-string in rig rundown for this era); Victory Amps MKX Lunchbox Head | distorted | gain 4.5 · bass 6 · mid 6.5 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/wondering-why--the-red-clay-strays--riff--distorted--guitar/
With You — LINKIN PARK | PRS Standard 24; Mesa/Boogie Dual Rectifier | distorted | gain 6 · bass 4.5 · mid 5 · treble 8.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/with-you--linkin-park--riff--distorted--guitar/
Sir This Is A Cutthroat Fashion — Her Words Kill | Unknown (exact model not found); Unknown (exact model not found) | distorted | gain 8.5 · bass 5.5 · mid 4.5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/sir-this-is-a-cutthroat-fashion--her-words-kill--riff--distorted--guitar/
All Along the Watchtower — The Jimi Hendrix Experience | 1968 Fender Stratocaster (Olympic White, maple neck, right-handed, strung lefty, used for rhythm/riff section); Fender Dual Showman (Silverface, 100-watt, with… | distorted | gain 5.5 · bass 6.5 · mid 7 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/all-along-the-watchtower--the-jimi-hendrix-experience--riff--distorted--guitar/
Спокойная ночь — Kino | Yamaha SG200 (assumed based on era and known Kino studio photos, but not confirmed for this exact track); Roland Jazz Chorus JC-120 (most commonly associated… | distorted | gain 4 · bass 6 · mid 6 · treble 6.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/spokoynaya-noch--kino--riff--distorted--guitar/
Psychosocial (Live) — Slipknot | Fender Jim Root Jazzmaster; Orange Rockerverb 100 MkIII (rackmounted, live) | distorted | gain 8.5 · bass 7.5 · mid 5.5 · treble 6.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/psychosocial-live--slipknot--riff--distorted--guitar/
Freezing Moon — Mayhem | Gibson Les Paul Standard (sunburst, late 1970s/early 1980s, as seen in studio photos); Marshall JMP 1987 Mk II Super Lead 50w Head (1976-77, with master volume… | distorted | gain 8.5 · bass 5.5 · mid 4.5 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/freezing-moon--mayhem--riff--distorted--guitar/
115 (Remastered) — Kevin Sherwood & Elena Siegman | Unknown (likely mid-2000s superstrat or Les Paul-style, exact model not confirmed for studio recording); Unknown (likely high-gain tube amp, possibly… | distorted | gain 8 · bass 5.5 · mid 4.5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/115-remastered--kevin-sherwood-elena-siegman--riff--distorted--guitar/
Deck Wine — Marietta | Unknown Fender-style solidbody (likely Squier or Fender Stratocaster or Telecaster, based on genre/era/scene); Unknown solid-state or tube combo amp (likely… | clean | gain 0 · bass 6 · mid 6 · treble 7 · presence 5.5 · reverb 4.5 | https://guitartoneadapt.com/tone/deck-wine--marietta--riff--clean--guitar/
Cambaz — mor ve ötesi | PRS S2 Singlecut; Marshall JCM2000 TSL 100 Triple Super Lead 3-Channel 100-Watt Guitar Amp Head | distorted | gain 6 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/cambaz--mor-ve-otesi--solo--distorted--guitar/
Teenage Dirtbag — Wheatus | Ovation Celebrity Electro-Acoustic (likely CC257 or similar, as used by Brendan B. Brown in studio); SansAmp PSA-1 (rackmount preamp, direct to board) | distorted | gain 6 · bass 6 · mid 7 · treble 7 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/teenage-dirtbag--wheatus--riff--distorted--guitar/
Santa Monica — Everclear | Gibson 1960 Les Paul Standard Reissue; Mesa/Boogie Dual Rectifier | distorted | gain 6.5 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/santa-monica--everclear--riff--distorted--guitar/
Safari Song — Greta Van Fleet | 1961 Gibson Les Paul SG Standard; Marshall DSL100H (studio version likely Marshall Astoria Custom CME Limited Edition 30W also used on album) | distorted | gain 6 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/safari-song--greta-van-fleet--riff--distorted--guitar/
Falling Away from Me — Korn | Ibanez K7 (Apex) 7-string; Peavey 5150 Mk I/II (studio), Diezel Herbert (possible layering) | distorted | gain 8.5 · bass 6 · mid 4.5 · treble 6.5 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/falling-away-from-me--korn--riff--distorted--guitar/
Wherever I May Roam — Metallica | ESP MX220 'Eet Fuk' (James Hetfield's main guitar for the Black Album sessions); Mesa/Boogie Mark IIC+ (studio recording amp for Black Album clean tones) | clean | gain 0 · bass 6 · mid 4 · treble 7 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/wherever-i-may-roam--metallica--riff--clean--guitar/
I Stay Away — Alice in Chains | G&L Rampage; Bogner Fish Preamp into power amp (likely VHT or Marshall), possibly layered with Mesa/Boogie Dual Rectifier | distorted | gain 6.5 · bass 5.5 · mid 7.5 · treble 7 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/i-stay-away--alice-in-chains--riff--distorted--guitar/
Teenage Dirtbag — Wheatus | Fender Stratocaster (exact year/model unknown, likely late 90s/early 2000s USA Standard or similar); SansAmp PSA-1 (used as preamp/amp simulator direct to… | clean | gain 0 · bass 6 · mid 6 · treble 7 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/teenage-dirtbag--wheatus--riff--clean--guitar/
The Well — Marcus King | Gibson ES-345 (vintage, likely 1960s, semi-hollow, stereo wiring, stop tailpiece); 1965 Fender Super Reverb (modded with Weber Blue Back speakers) | distorted | gain 4.5 · bass 5.5 · mid 8 · treble 6.5 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/the-well--marcus-king--riff--distorted--guitar/
Black No. 1 — Type O Negative | Ampeg SVT (likely SVT Classic, 1970s-80s era, studio use) | clean | gain 0 · bass 5.5 · mid 6 · treble 5 · presence 4.5 | https://guitartoneadapt.com/tone/black-no-1--type-o-negative--clean--clean--bass/
All Too Well — Taylor Swift | Fender Telecaster (exact model unknown, likely American Standard or similar, single-coil bridge pickup); Fender Hot Rod (exact model not specified, likely Hot… | clean | gain 3 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 4 | https://guitartoneadapt.com/tone/all-too-well--taylor-swift--riff--clean--guitar/
Drain You (Live At Del Mar Fairgrounds, CA., December 28, 1991) — Nirvana | Fender Mustang (early 1970s, likely 1973 Competition Blue, modified with Seymour Duncan JB humbucker in bridge); Mesa/Boogie Studio Preamp + Crown Power Base 2… | distorted | gain 8 · bass 6.5 · mid 6 · treble 6.5 · presence 6 · reverb 0.5 | https://guitartoneadapt.com/tone/drain-you-live-at-del-mar-fairgrounds-ca-december--nirvana--riff--distorted--guitar/
Come As You Are — Nirvana | Fender Mustang (early 1970s, likely Japanese reissue, as used on Nevermind sessions); Mesa/Boogie Studio Preamp into Crown Power Amp (studio recording… | clean | gain 0 · bass 6 · mid 6.5 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/come-as-you-are--nirvana--solo--clean--guitar/
Coming Undone — Korn | Ibanez K7 (Head or Munky signature 7-string); Mesa/Boogie Triple Rectifier | distorted | gain 9 · bass 6 · mid 4.5 · treble 6.5 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/coming-undone--korn--riff--distorted--guitar/
Cold — Crossfade | Unknown (likely a dual-humbucker solidbody, possibly PRS or ESP/LTD, based on genre/era and band photos, but not confirmed for studio recording of 'Cold')… | distorted | gain 7.5 · bass 6 · mid 5.5 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/cold--crossfade--solo--distorted--guitar/
Revenant — Loathe & NOWHERE2RUN | Baritone guitar (exact model not specified, likely custom or extended scale, as per Erik Bickerstaffe's known use); Line 6 POD HD Pro (amp modeling rack unit… | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/revenant--loathe-nowhere2run--riff--distorted--guitar/
Billie Jean — Michael Jackson | Yamaha SG2000; Roland JC-120 Jazz Chorus | clean | gain 0 · bass 5.5 · mid 6 · treble 7 · presence 5 · reverb 2.5 | https://guitartoneadapt.com/tone/billie-jean--michael-jackson--solo--clean--guitar/
Save Yourself, I'll Hold Them Back — My Chemical Romance | Gibson Les Paul (likely Custom or Standard, as used by Ray Toro on Danger Days sessions); Marshall 4x12 Cabinet with high-gain head (likely Marshall JCM800 or… | distorted | gain 7.5 · bass 6 · mid 6.5 · treble 7 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/save-yourself-i-ll-hold-them-back--my-chemical-romance--riff--distorted--guitar/
Get Down Tonight — KC and the Sunshine Band | Fender Stratocaster (exact model unknown, likely early 1970s, single-coil pickups typical for era and genre); Fender Twin Reverb (likely, based on era, genre… | clean | gain 0 · bass 5 · mid 6 · treble 7.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/get-down-tonight--kc-and-the-sunshine-band--riff--clean--guitar/
Decode — Paramore | Fender Stratocaster Elite; Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head | distorted | gain 7.5 · bass 6 · mid 6 · treble 7 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/decode--paramore--solo--distorted--guitar/
Story to Tell — Death | Stealth B.C. Rich Chuck Schuldiner Custom; Marshall Valvestate 8100 | distorted | gain 8.5 · bass 6 · mid 4 · treble 7.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/story-to-tell--death--riff--distorted--guitar/
Gently — Slipknot | Fender Jim Root Telecaster; Mesa/Boogie Dual Rectifier | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/gently--slipknot--riff--distorted--guitar/
Till It Shines — Bob Seger & The Silver Bullet Band | Gibson Les Paul Standard (likely 1970s model, as used by Silver Bullet Band guitarists in this era); Fender Twin Reverb (Blackface or Silverface, typical for… | distorted | gain 3.5 · bass 6 · mid 6.5 · treble 6.5 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/till-it-shines--bob-seger-the-silver-bullet-band--riff--distorted--guitar/
Head in the Ceiling Fan — Title Fight | Gibson Les Paul Custom; Marshall JCM800 2204 | distorted | gain 6 · bass 6 · mid 7 · treble 6 · presence 5.5 · reverb 5.5 | https://guitartoneadapt.com/tone/head-in-the-ceiling-fan--title-fight--solo--distorted--guitar/
Rape Me — Nirvana | Fender Stratocaster Left Handed (white, rosewood fretboard, Seymour Duncan Hot Rail in bridge); Mesa Boogie Studio Preamp into Crown Power Base 2 Poweramp | distorted | gain 7 · bass 6 · mid 7 · treble 6.5 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/rape-me--nirvana--riff--distorted--guitar/
Highway Tune — Greta Van Fleet | Gibson SG Standard; Marshall JMP (likely 1970s model, as used by Jake Kiszka in this era) | distorted | gain 6.5 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/highway-tune--greta-van-fleet--riff--distorted--guitar/
Everytime I Die — Children of Bodom | ESP Alexi Laiho Signature (likely ESP Alexi-600 or custom shop, as used in studio); Lee Jackson Perfect Connection GP-1000 preamp into Marshall JCM800 power… | distorted | gain 8 · bass 5.5 · mid 6 · treble 7.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/everytime-i-die--children-of-bodom--solo--distorted--guitar/
505 — Arctic Monkeys | Fender Bronco; Selmer Zodiac (crocodile-skin) and/or 1960s Magnatone (studio recording, Favourite Worst Nightmare era) | clean | gain 3.5 · bass 6 · mid 7 · treble 6.5 · presence 5.5 · reverb 5 | https://guitartoneadapt.com/tone/505--arctic-monkeys--solo--clean--guitar/
Hunger Strike — Temple of the Dog | Fender Stratocaster '62 Reissue; Mesa/Boogie Mark III (likely, based on forum consensus and era) | clean | gain 0 · bass 6.5 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/hunger-strike--temple-of-the-dog--riff--clean--guitar/
The Way You'd Love Her — Mac DeMarco | Fender Squier Stratocaster (likely Japanese-made, 1970s style, as used by Mac DeMarco on studio recordings in this era); Fender Twin Reverb (mid-to-late 1970s… | distorted | gain 3.5 · bass 6 · mid 6 · treble 6.5 · presence 5 · reverb 5.5 | https://guitartoneadapt.com/tone/the-way-you-d-love-her--mac-demarco--riff--distorted--guitar/
Sobredosis de T.V. — Soda Stereo | Fender Stratocaster (likely 1970s-early 1980s, as used by Gustavo Cerati in this era); Roland Jazz Chorus-120 (JC-120) (most commonly used by Cerati in studio… | distorted | gain 4 · bass 6 · mid 6 · treble 7 · presence 5 · reverb 3.5 | https://guitartoneadapt.com/tone/sobredosis-de-t-v--soda-stereo--riff--distorted--guitar/
Sweet Dreams (Are Made of This) — Marilyn Manson | Fender Telecaster (likely Nash T63 or similar, as used by John 5 in this era); Marshall JCM900 (typical for Manson/John 5 in late 1990s studio, no direct… | distorted | gain 8 · bass 6 · mid 4.5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/sweet-dreams-are-made-of-this--marilyn-manson--solo--distorted--guitar/
Outside — Staind | PRS Mike Mushok Signature SE Baritone; Diezel VH4 100W Tube Guitar Head | distorted | gain 7 · bass 6 · mid 5.5 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/outside--staind--riff--distorted--guitar/
Knockin' On Heaven's Door — Bob Dylan | Martin D-28 Acoustic; None (recorded mic'd acoustic guitar, no amp used) | clean | gain 0 · bass 3 · mid 3 · treble 3 · presence 2.5 · reverb 1.5 | https://guitartoneadapt.com/tone/knockin-on-heaven-s-door--bob-dylan--riff--clean--guitar/
Kryzysowa narzeczona — Lady Pank | 1978 Fender Stratocaster; Vox AC-30 Custom Classic | distorted | gain 5.5 · bass 6 · mid 7 · treble 7 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/kryzysowa-narzeczona--lady-pank--riff--distorted--guitar/
No More Tears — Ozzy Osbourne | 1981 Gibson Les Paul Custom; Marshall JCM800 2203 100-watt head (6550 tubes) into Marshall 1960B 4x12 with Celestion G12T-75 speakers | distorted | gain 8.5 · bass 8 · mid 5 · treble 8 · presence 4.5 · reverb 2 | https://guitartoneadapt.com/tone/no-more-tears--ozzy-osbourne--solo--distorted--guitar/
High Hopes — Pink Floyd | Fender Custom Shop Stratocaster (Black Strat, fitted with EMG SA pickups, used for slide on 'High Hopes' solo); Hiwatt Custom 100 (DR103) head into WEM Super… | distorted | gain 5 · bass 6.5 · mid 7 · treble 6.5 · presence 5.5 · reverb 4.5 | https://guitartoneadapt.com/tone/high-hopes--pink-floyd--solo--distorted--guitar/
Homicidal Retribution — Dying Fetus | ESP E-II M-II Neck Thru BLK; EVH 5150 III 100-Watt Tube Head | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/homicidal-retribution--dying-fetus--riff--distorted--guitar/
Don't Look Back in Anger (Remastered) — Oasis | Fender Stratocaster (likely 1996-1997 Japanese or Mexican Standard, as used by Noel Gallagher in studio); Vox AC30 (1963 model, non-Top Boost, as cited for… | distorted | gain 5 · bass 6 · mid 7 · treble 6.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/don-t-look-back-in-anger-remastered--oasis--riff--distorted--guitar/
Kimdracula — Deftones | ESP Stef B-7 (Stephen Carpenter signature 7-string, likely baritone scale, mahogany body, maple neck, rosewood fingerboard); Peavey 5150 (original block… | distorted | gain 8.5 · bass 6 · mid 4.5 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/kimdracula--deftones--riff--distorted--guitar/
Peace Sells — Megadeth | Jackson King V (likely custom, early prototype or production, used by Dave Mustaine on Peace Sells recording); Marshall JCM800 2203 head into Marshall 4x12… | distorted | gain 7 · bass 5.5 · mid 3.5 · treble 7.5 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/peace-sells--megadeth--riff--distorted--guitar/
Night Terror — Dream Theater | Ernie Ball Music Man John Petrucci Majesty 7; Mesa/Boogie JP-2C John Petrucci Signature Head | distorted | gain 7.5 · bass 6 · mid 5.5 · treble 7 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/night-terror--dream-theater--solo--distorted--guitar/
Rooster — Alice in Chains | G&L Rampage (Jerry Cantrell's main guitar on Dirt album, likely used for Rooster solo); Bogner Ecstasy (primary studio amp for Dirt-era solos, as per multiple… | distorted | gain 7 · bass 6 · mid 6.5 · treble 6 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/rooster--alice-in-chains--solo--distorted--guitar/
In My Dreams — Dokken | ESP Kamikaze (George Lynch signature, custom shop, 1985-86 era); Marshall JCM800 2203 (100W, likely modded, 1980s) | distorted | gain 7.5 · bass 6 · mid 5.5 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/in-my-dreams--dokken--riff--distorted--guitar/
Epitaph — Necrophagist | Ibanez RG1527M Prestige; ENGL E645 Powerball II Head | distorted | gain 9 · bass 4.5 · mid 6 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/epitaph--necrophagist--riff--distorted--guitar/
Cuntcrusher — Infant Annihilator | Schecter Omen-7; Hughes & Kettner Matrix 100 Head | distorted | gain 9 · bass 5.5 · mid 4.5 · treble 7.5 · presence 7 · reverb 0 | https://guitartoneadapt.com/tone/cuntcrusher--infant-annihilator--riff--distorted--guitar/
Supersonic (Live at Wembley Stadium, July 2000) — Oasis | Epiphone Les Paul Standard (early 1990s, cherry sunburst, bridge pickup); Marshall JCM900 4100 head with Marshall 4x12 cabinet | distorted | gain 6.5 · bass 7 · mid 7 · treble 5.5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/supersonic-live-at-wembley-stadium-july-2000--oasis--riff--distorted--guitar/
Thank You for the Venom — My Chemical Romance | Gibson Les Paul Standard; Marshall JCM2000 DSL100 (likely, based on era and band interviews) | distorted | gain 8 · bass 5.5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/thank-you-for-the-venom--my-chemical-romance--riff--distorted--guitar/
Sign Of Life — Motionless in White | ESP Ryan Sitkowski Custom Shop Eclipse Baritone; Peavey 6505+ 120-Watt Tube Guitar Amp Head | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/sign-of-life--motionless-in-white--riff--distorted--guitar/
I Won't See You Tonight, Pt. 1 — Avenged Sevenfold | Schecter Synyster Gates Custom (likely 2003-2004 model); Mesa/Boogie Dual Rectifier (studio recording era) | distorted | gain 8 · bass 5.5 · mid 6 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/i-won-t-see-you-tonight-pt-1--avenged-sevenfold--solo--distorted--guitar/
Sacred The Thread — Greta Van Fleet | Gibson Les Paul Standard (1961, likely reissue or vintage, Jake Kiszka's 'number one'); Sears Silvertone 1484 Twin Twelve | distorted | gain 6.5 · bass 7.5 · mid 7.5 · treble 5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/sacred-the-thread--greta-van-fleet--riff--distorted--guitar/
Heavy Metal (Takin' a Ride) — Don Felder | Fender Stratocaster (likely late 1970s, stock single coils); Roland JC-120 Jazz Chorus | distorted | gain 6.5 · bass 6 · mid 6.5 · treble 7 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/heavy-metal-takin-a-ride--don-felder--solo--distorted--guitar/
Planet Caravan — Black Sabbath | Gibson SG Special (early 1970s, likely 1965-1967 model, as used by Tony Iommi in studio); Laney Supergroup LA100BL (early 1970s, as used by Iommi on Paranoid… | clean | gain 0 · bass 6.5 · mid 6.5 · treble 5 · presence 5 · reverb 5.5 | https://guitartoneadapt.com/tone/planet-caravan--black-sabbath--riff--clean--guitar/
Спокойная ночь — Kino | Yamaha SG200 (1980s Japanese model, as used by Yuri Kasparyan on 'Gruppa Krovi' and 'Zvezda po imeni Solntse' era recordings, highly likely for 'Спокойная… | clean | gain 0 · bass 6 · mid 5.5 · treble 7 · presence 5 · reverb 3.5 | https://guitartoneadapt.com/tone/spokoynaya-noch--kino--riff--clean--guitar/
Money — Pink Floyd | Hiwatt DR103 Custom 100 head with Hiwatt SE4123 4x12 Fane-loaded cabinet | clean | gain 0 · bass 6 · mid 5 · treble 5 · presence 4 | https://guitartoneadapt.com/tone/money--pink-floyd--clean--clean--bass/
Famous Last Words — My Chemical Romance | Gibson Les Paul Standard (Ray Toro, studio recording); Marshall JCM800 2203 head into Marshall 4x12 cabinet | distorted | gain 7.5 · bass 5.5 · mid 6.5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/famous-last-words--my-chemical-romance--riff--distorted--guitar/
It's On! — Korn | Ibanez Universe UV7 (7-string, early 1990s model); Mesa/Boogie Triple Rectifier Head into Mesa/Boogie Rectifier 4x12 Cabinet | distorted | gain 9 · bass 6 · mid 4.5 · treble 6.5 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/it-s-on--korn--riff--distorted--guitar/
27 — Title Fight | Gibson Les Paul Firebrand; Marshall JCM800 2204 | distorted | gain 5 · bass 7 · mid 6 · treble 6 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/27--title-fight--riff--distorted--guitar/
Today — The Smashing Pumpkins | 1974 Fender Stratocaster; Marshall JCM800 2203 (with KT88 power tubes, studio recording) | clean | gain 0 · bass 6 · mid 6.5 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/today--the-smashing-pumpkins--riff--clean--guitar/
Shine — Collective Soul | Rickenbacker (exact model unknown, likely 360 or 330 based on era and sound); Fender Twin Reverb (likely silverface, studio recording) | distorted | gain 6 · bass 6 · mid 6 · treble 6.5 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/shine--collective-soul--riff--distorted--guitar/
Nutshell — Alice in Chains | Gibson Les Paul Studio; Marshall JCM800 2203 (Bogner-modded, studio recording) | clean | gain 3.5 · bass 5.5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/nutshell--alice-in-chains--solo--clean--guitar/
Dangerous Woman — Ariana Grande | Unknown electric guitar (model not confirmed, possibly session musician's instrument); Unknown (no confirmed amp model; likely a studio amp or amp sim typical… | distorted | gain 4.5 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/dangerous-woman--ariana-grande--riff--distorted--guitar/
Monkey Wrench — Foo Fighters | Gibson Explorer (late 90s, black, as used by Dave Grohl on the original studio recording); Mesa/Boogie Dual Rectifier (studio recording, late 90s revision… | distorted | gain 8 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/monkey-wrench--foo-fighters--riff--distorted--guitar/
Shattered By Broken Dreams — Avenged Sevenfold | Schecter C-1 Classic (early 2000s, likely stock pickups); Peavey 5150 (studio recording, early 2000s era) | distorted | gain 8 · bass 6 · mid 5.5 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/shattered-by-broken-dreams--avenged-sevenfold--riff--distorted--guitar/
No More Tears — Ozzy Osbourne | 1981 Gibson Les Paul Custom; Marshall JCM800 2203 100-watt head (6550 tubes) into Marshall 1960B 4x12 cabinet with Celestion G12T-75 speakers | clean | gain 0 · bass 6.5 · mid 5 · treble 7 · presence 4.5 · reverb 1.5 | https://guitartoneadapt.com/tone/no-more-tears--ozzy-osbourne--riff--clean--guitar/
KILL CAP — Speed | n/a | distorted | gain 4.5 · bass 2.5 · mid 2.5 · treble 3.5 · presence 3 · reverb 0 | https://guitartoneadapt.com/tone/kill-cap--speed--riff--distorted--guitar/
Bckyrd — Hot Mulligan | Unknown (likely Fender Telecaster or Jazzmaster based on genre/era, but not confirmed for this recording); Unknown (likely Fender or Marshall style, but not… | distorted | gain 7 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/bckyrd--hot-mulligan--solo--distorted--guitar/
Bed of Roses — Bon Jovi | Ampeg Dan Armstrong Plexi Electric Guitar; Marshall JCM2000 Dual Super Lead | distorted | gain 6.5 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/bed-of-roses--bon-jovi--riff--distorted--guitar/
Falsos Sentimientos — DannyLux | Unknown acoustic-electric guitar (likely nylon-string, model not confirmed); Unknown acoustic guitar amp or direct input (no confirmed model) | clean | gain 2 · bass 5.5 · mid 6 · treble 6.5 · presence 5 · reverb 5 | https://guitartoneadapt.com/tone/falsos-sentimientos--dannylux--solo--clean--guitar/
The Number of the Beast (2015 Remaster) — Iron Maiden | Fender Stratocaster (Dave Murray signature or late-70s/early-80s model, likely with DiMarzio Super Distortion bridge pickup for riff section); Marshall JMP… | distorted | gain 7 · bass 5.5 · mid 7 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/the-number-of-the-beast-2015-remaster--iron-maiden--riff--distorted--guitar/
Incinerate — Sonic Youth | Fender Telecaster Deluxe; Fender Super Reverb (likely, based on era and forum consensus for Lee Ranaldo studio use) | distorted | gain 6 · bass 5.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 4 | https://guitartoneadapt.com/tone/incinerate--sonic-youth--solo--distorted--guitar/
Hangar 18 — Megadeth | Jackson King V (likely custom, with Seymour Duncan JB pickup); Marshall JCM 800 (studio recording, 1990) | distorted | gain 7.5 · bass 5.5 · mid 4.5 · treble 7.5 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/hangar-18--megadeth--riff--distorted--guitar/
Call Me — Blondie | Fender Stratocaster (likely late 1970s, as used by Chris Stein in Blondie studio recordings); Marshall JMP 2203 (likely studio amp for 'Call Me' era, late… | distorted | gain 5 · bass 6 · mid 7 · treble 7 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/call-me--blondie--riff--distorted--guitar/
Black Sabbath — Black Sabbath | 1964 Gibson SG Special (nicknamed 'Monkey'); Laney LA100BL Supergroup head with Laney 4x12 cabinet | distorted | gain 7.5 · bass 4 · mid 8.5 · treble 7.5 · presence 7.5 · reverb 0 | https://guitartoneadapt.com/tone/black-sabbath--black-sabbath--riff--distorted--guitar/
Babydoll — Dominic Fike | Fender Stratocaster (exact model unknown, likely American Standard or similar); Unknown (no direct source, likely Fender or similar clean amp based on… | distorted | gain 4 · bass 5.5 · mid 6 · treble 7 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/babydoll--dominic-fike--solo--distorted--guitar/
Stand By Me — Oasis | Epiphone Les Paul Standard (mid-90s, likely Korean-made, as used by Noel Gallagher in Be Here Now era); Marshall JCM900 100W head into Marshall 4x12 cabinet… | distorted | gain 6 · bass 6 · mid 7 · treble 6.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/stand-by-me--oasis--riff--distorted--guitar/
Mesías (Live) — Averly Morillo | Unknown; Unknown | distorted | gain 6 · bass 5.5 · mid 5.5 · treble 6 · presence 5.5 · reverb 4 | https://guitartoneadapt.com/tone/mes-as-live--averly-morillo--solo--distorted--guitar/
Do the Evolution — Pearl Jam | Gibson Les Paul Standard; Marshall JCM800 (model inferred from era, genre, and typical Pearl Jam studio use) | distorted | gain 7 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/do-the-evolution--pearl-jam--riff--distorted--guitar/
Runaway — Bon Jovi | Yamaha SG2000; Marshall JCM800 2203 | distorted | gain 7 · bass 6 · mid 6.5 · treble 7.5 · presence 6.5 · reverb 2.5 | https://guitartoneadapt.com/tone/runaway--bon-jovi--riff--distorted--guitar/
Back for More — Ratt | Charvel San Dimas (Warren DeMartini signature, custom graphic, Floyd Rose tremolo, 1984-85 era); Marshall JCM 800 2203 head with Marshall 4x12 cabinet (studio… | distorted | gain 7.5 · bass 6 · mid 6 · treble 7.5 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/back-for-more--ratt--solo--distorted--guitar/
Drown (Edit) — The Smashing Pumpkins | 1991 Fender Stratocaster (likely American Standard, Billy Corgan's main clean guitar at the time); Marshall JCM800 2203 head (studio recording, 1992, Siamese… | clean | gain 4.5 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/drown-edit--the-smashing-pumpkins--riff--clean--guitar/
Waffle — Sevendust | PRS SE Clint Lowery Electric Guitar Black; Mesa/Boogie Mark IV Amp Head | distorted | gain 8.5 · bass 6 · mid 5 · treble 6.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/waffle--sevendust--riff--distorted--guitar/
Is This It — The Strokes | Epiphone Casino (Albert Hammond Jr.); Fender Hot Rod DeVille 2x12 | distorted | gain 4.5 · bass 5 · mid 6.5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/is-this-it--the-strokes--riff--distorted--guitar/
Let Me In (Remastered) — R.E.M. | Fender Jaguar (Kurt Cobain's, used by Peter Buck on this track); Fender Twin Reverb (likely Silverface, studio recording) | distorted | gain 5 · bass 5.5 · mid 6.5 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/let-me-in-remastered--r-e-m--riff--distorted--guitar/
Floods outro — Pantera | Dean ML; Randall RG100ES | distorted | gain 7.5 · bass 6 · mid 4 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/floods-outro--pantera--riff--distorted--guitar/
Yellow Ledbetter — Pearl Jam | Fender American Vintage '57 Stratocaster (1982-1999); Marshall 1960A 4x12 Cabinet with Satellite Atom 36-Watt Head (likely studio amp for 1991 recording) | distorted | gain 5 · bass 6.5 · mid 6.5 · treble 7 · presence 6 · reverb 4 | https://guitartoneadapt.com/tone/yellow-ledbetter--pearl-jam--solo--distorted--guitar/
Let It Happen — Tame Impala | Unknown studio amp (likely Ampeg SVT or similar vintage-style tube amp, but not confirmed) | distorted | gain 7 · bass 5.5 · mid 5.5 · treble 6 · presence 6 | https://guitartoneadapt.com/tone/let-it-happen--tame-impala--distorted--distorted--bass/
The Ultimate Sin — Ozzy Osbourne | Charvel Jake E. Lee Signature Model (customized, white, hardtail, single humbucker, single-coil in neck position, no pickguard); Marshall JCM800 2203 head into… | distorted | gain 7 · bass 5.5 · mid 5.5 · treble 7 · presence 6 · reverb 0.5 | https://guitartoneadapt.com/tone/the-ultimate-sin--ozzy-osbourne--riff--distorted--guitar/
I Stay Away — Alice in Chains | Gibson Les Paul Custom (early 90s, likely black finish); Marshall Super Lead 100/50-watt convertible (1988, 6L6 tubes, modded by Mike Moran) blended with… | distorted | gain 6.5 · bass 5.5 · mid 7 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/i-stay-away--alice-in-chains--solo--distorted--guitar/
Unfamiliar — Currents | Ibanez RGD71AL 7-string; JST Toneforge Guilty Pleasure (amp modeler plugin) | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/unfamiliar--currents--riff--distorted--guitar/
First Date — blink-182 | Gibson Tom DeLonge Signature ES-333; Mesa Boogie Triple Rectifier (blended with Marshall JCM900 4100 in studio) | distorted | gain 7.5 · bass 6 · mid 6 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/first-date--blink-182--riff--distorted--guitar/
Semi-Charmed Life — Third Eye Blind | Gretsch Country Gentleman; Marshall JCM800 2203 and Vox AC30 (studio blend) | distorted | gain 5 · bass 6.5 · mid 7 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/semi-charmed-life--third-eye-blind--riff--distorted--guitar/
Cosmik Debris — Frank Zappa | Gibson SG Special (heavily modified, mid-70s spec); Marshall Super Lead (likely 100W, late 60s/early 70s, modded by Zappa's techs) | distorted | gain 6 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/cosmik-debris--frank-zappa--riff--distorted--guitar/
Blvd. Nights — Team Sleep | Unknown (likely Fender Jazzmaster or Fender Jaguar, as used by Chino Moreno in Team Sleep era); Unknown (likely Fender Twin Reverb or similar clean amp, based… | distorted | gain 5.5 · bass 5.5 · mid 5.5 · treble 6.5 · presence 5.5 · reverb 4.5 | https://guitartoneadapt.com/tone/blvd-nights--team-sleep--riff--distorted--guitar/
The Blue — Acid Bath | Kramer Voyager; Marshall 1960B 4x12 Cabinet (head model not specified, likely Marshall JCM800 or similar high-gain head) | distorted | gain 8.5 · bass 6.5 · mid 4.5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/the-blue--acid-bath--riff--distorted--guitar/
Grace — Jeff Buckley | 1983 Fender Telecaster; Fender Vibroverb '63 Reissue | clean | gain 3 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 5 | https://guitartoneadapt.com/tone/grace--jeff-buckley--riff--clean--guitar/
Buried Alive — Avenged Sevenfold | Schecter Synyster Gates Custom (likely with Sustainiac neck pickup, as used in studio recordings of this era); EVH 5150 III (clean channel, as used by Synyster… | clean | gain 0 · bass 5.5 · mid 5 · treble 7 · presence 6.5 · reverb 2.5 | https://guitartoneadapt.com/tone/buried-alive--avenged-sevenfold--riff--clean--guitar/
Who Was in My Room Last Night? — Butthole Surfers | Gibson Les Paul Standard; Marshall amplifier (exact model unknown, likely JCM800 or similar high-gain Marshall head, based on era and genre) | distorted | gain 7.5 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/who-was-in-my-room-last-night--butthole-surfers--riff--distorted--guitar/
Lenny — Stevie Ray Vaughan & Double Trouble | Fender Stratocaster 'Lenny' (1963/64 body, mid-50s maple neck, rosewood fretboard, stock single-coil pickups, heavy gauge strings, Eb tuning); 1964 Fender… | clean | gain 0 · bass 6.5 · mid 6.5 · treble 6.5 · presence 5 · reverb 5.5 | https://guitartoneadapt.com/tone/lenny--stevie-ray-vaughan-double-trouble--riff--clean--guitar/
Welcome To The Jungle — Guns N' Roses | Mid-'80s Kris Derrig '59 Les Paul Standard replica; 1977 100-watt Marshall Super Lead model 1959 with 'Superkill' modification by Frank Levi and Glenn Buckley | distorted | gain 7 · bass 5.5 · mid 7.5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/welcome-to-the-jungle--guns-n-roses--solo--distorted--guitar/
(Anesthesia)—Pulling Teeth — Metallica | Mesa/Boogie D‑180 heads (split clean and effects), paired with Mesa cabinets (4×12 and 1×15) | distorted | gain 8 · bass 4 · mid 8 · treble 7 · presence 7.5 | https://guitartoneadapt.com/tone/anesthesia-pulling-teeth--metallica--distorted--distorted--bass/
Lithium (Live In Amsterdam At Paradiso, November 25, 1991) — Nirvana | Fender Japan MG-69 Mustang (sunburst, stock pickups, right-handed, flipped lefty, as used by Kurt Cobain in 1991 live shows); Mesa/Boogie Studio Preamp + Crown… | clean | gain 0 · bass 5.5 · mid 6.5 · treble 7 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/lithium-live-in-amsterdam-at-paradiso-november-25--nirvana--riff--clean--guitar/
Speaking With a Ghost — Citizen | Fender Telecaster MIM; Marshall JCM800 2210 | clean | gain 0 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/speaking-with-a-ghost--citizen--riff--clean--guitar/
We Die Young — Alice in Chains | 1985 G&L Rampage; Marshall JCM800 (modified by Bogner), possibly blended with Bogner Fish preamp and Scholz Rockman X100 (for studio layering) | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/we-die-young--alice-in-chains--riff--distorted--guitar/
¿Quién Podrá? (Live) — Averly Morillo | Unknown (not specified in sources for this live solo); Unknown (not specified in sources for this live solo) | distorted | gain 6 · bass 6.5 · mid 6 · treble 7 · presence 6 · reverb 4 | https://guitartoneadapt.com/tone/qui-n-podr-live--averly-morillo--solo--distorted--guitar/
Welcome to the Family — Avenged Sevenfold | Schecter Synyster Gates Custom (likely 2010 model, as used on 'Nightmare' album); Peavey 5150 head into Orange 4x12 cabinet | distorted | gain 8.5 · bass 6 · mid 5.5 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/welcome-to-the-family--avenged-sevenfold--solo--distorted--guitar/
Is This Love (2017 Remaster) — Whitesnake | Gibson Les Paul Custom (John Sykes' main studio guitar for Whitesnake 1987 album); Mesa/Boogie Coliseum head (Mark III preamp) into Marshall 4x12 cabinet | distorted | gain 7.5 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/is-this-love-2017-remaster--whitesnake--solo--distorted--guitar/
If I could be a constellation — kessoku band | Fender Jazzmaster (likely MIJ, pink finish, as seen in anime and official art for Bocchi/Kessoku Band); Roland JC-120 Jazz Chorus (likely, based on genre, era… | distorted | gain 6.5 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/if-i-could-be-a-constellation--kessoku-band--riff--distorted--guitar/
Got the Life — Korn | Ibanez K7 7-string; Mesa/Boogie 150W Triple Rectifier head into Mesa/Boogie Rectifier 4x12 cabinet | distorted | gain 9 · bass 6 · mid 4.5 · treble 6.5 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/got-the-life--korn--riff--distorted--guitar/
Nude — Radiohead | Gretsch G6137TCB Panther Center-Block LTD; Unknown (likely Fender Twin Reverb or Vox AC30, but not confirmed for studio recording) | clean | gain 2 · bass 6 · mid 7 · treble 6 · presence 5 · reverb 5 | https://guitartoneadapt.com/tone/nude--radiohead--riff--clean--guitar/
Talk Dirty to Me — Poison | Kramer Baretta (likely 1985-1986, single humbucker, Floyd Rose, maple neck); Marshall JCM800 2203 head (likely 100w, 1980s, with 4x12 cabinet) | distorted | gain 7.5 · bass 6 · mid 6 · treble 7.5 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/talk-dirty-to-me--poison--riff--distorted--guitar/
With or Without You — U2 | Fender Stratocaster (modified for Infinite Guitar system); Vox AC30 (studio recording, 1987) | clean | gain 0 · bass 6 · mid 6.5 · treble 7.5 · presence 6 · reverb 5 | https://guitartoneadapt.com/tone/with-or-without-you--u2--riff--clean--guitar/
Suicide Messiah — Black Label Society | Sandoval Custom Polka Dot Flying V; Wylde Audio Master 100 (Marshall JCM800 circuit, likely 2203ZW signature head) into Marshall 4x12 cabinet | distorted | gain 8.5 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/suicide-messiah--black-label-society--riff--distorted--guitar/
Chop Suey! — System of a Down | Ibanez Iceman (early 2000s, as seen in official music video and cited for Toxicity album era); Mesa/Boogie Dual Rectifier (studio, Toxicity era; most-cited amp… | distorted | gain 8.5 · bass 6.5 · mid 4 · treble 6.5 · presence 7 · reverb 0 | https://guitartoneadapt.com/tone/chop-suey--system-of-a-down--riff--distorted--guitar/
Smoke on the Water (2024 Remaster) — Deep Purple | Fender Stratocaster (likely 1968, maple neck, stock single coils); Marshall Major Model 1967 200-watt head | distorted | gain 5.5 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/smoke-on-the-water-2024-remaster--deep-purple--riff--distorted--guitar/
About a Girl — Nirvana | Epiphone ET-270; 1960s Fender Twin Reverb (borrowed from Jack Endino for Bleach studio recording) | clean | gain 4 · bass 6 · mid 7 · treble 7 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/about-a-girl--nirvana--riff--clean--guitar/
Island In the Sun — Weezer | Gibson Explorer (Champagne Gold); Mesa/Boogie Mark I | distorted | gain 6 · bass 6.5 · mid 7 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/island-in-the-sun--weezer--riff--distorted--guitar/
Altars of Apostasy — Heaven Pierce Her | Unknown 6-string electric guitar; Unknown high-gain amp or amp sim (model not specified) | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/altars-of-apostasy--heaven-pierce-her--riff--distorted--guitar/
Dead Skin Mask — Slayer | B.C. Rich Kerry King Signature V Generation 2; Marshall JCM800 2203 (Kerry King signature modded version likely used in studio) | distorted | gain 8.5 · bass 6 · mid 4 · treble 7.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/dead-skin-mask--slayer--riff--distorted--guitar/
One Way (Live) — Hillsong Worship | TMG Scarlett Nigel Hendroff Signature; Quilter Tone Block 200 | distorted | gain 5 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/one-way-live--hillsong-worship--riff--distorted--guitar/
Come Together — The Beatles | Fender Bassman head with 2x10 cabinet | clean | gain 0 · bass 6.5 · mid 4.5 · treble 5.5 · presence 4.5 | https://guitartoneadapt.com/tone/come-together--the-beatles--clean--clean--bass/
Some Might Say — Oasis | Epiphone Les Paul Standard (early 1990s, likely Korean-made); Marshall stack (likely JCM900 or similar, as used by Noel Gallagher for early Oasis studio… | distorted | gain 6.5 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/some-might-say--oasis--riff--distorted--guitar/
The Grudge — TOOL | Gibson Les Paul Custom (Silverburst, late 1970s); Diezel VH4 (Channel 3, studio recording) | distorted | gain 7.5 · bass 6 · mid 6 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/the-grudge--tool--riff--distorted--guitar/
One Step Closer — LINKIN PARK | PRS CE24 (1999, mahogany body, maple neck, rosewood fretboard); Mesa/Boogie Dual Rectifier (Rackmount, Revision G, c. 1999-2000) | distorted | gain 8.5 · bass 6 · mid 4.5 · treble 6.5 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/one-step-closer--linkin-park--riff--distorted--guitar/
Papercut — LINKIN PARK | Ibanez RG470; Mesa/Boogie Dual Rectifier | distorted | gain 8 · bass 6 · mid 4.5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/papercut--linkin-park--riff--distorted--guitar/
She Loves You (Mono Version) — The Beatles | 1962 Höfner 500/1 Violin Bass (Paul McCartney), 1962 Gretsch Duo Jet (George Harrison), 1958 Rickenbacker 325 (John Lennon); Vox AC30 (all guitars, studio… | distorted | gain 3.5 · bass 5.5 · mid 7 · treble 7 · presence 5 · reverb 0 | https://guitartoneadapt.com/tone/she-loves-you-mono-version--the-beatles--riff--distorted--guitar/
Still of the Night — Whitesnake | Gibson Les Paul Standard; Marshall JCM800 | distorted | gain 7 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/still-of-the-night--white-snake--riff--distorted--guitar/
Cárcel, Hospital & Cementerio — Los Tres | Unknown (likely Fender Telecaster or Stratocaster, based on era and band history); Unknown (likely Fender Twin Reverb or similar 1960s/1970s Fender amp, based… | distorted | gain 4.5 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/c-rcel-hospital-cementerio--los-tres--riff--distorted--guitar/
Portrait of Tracy — Jaco Pastorius | Acoustic 360 (used live), but recording likely direct into board (no amp) | clean | gain 0 · bass 6.5 · mid 5 · treble 6 · presence 4 | https://guitartoneadapt.com/tone/portrait-of-tracy--jaco-pastorius--clean--clean--bass/
Atom Heart Mother — Pink Floyd | Fender Stratocaster (1969 black Strat, likely with stock single-coil pickups, used by Gilmour in this era for slide solos); Hiwatt DR103 Custom 100 Head with… | distorted | gain 4.5 · bass 6.5 · mid 7 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/atom-heart-mother--pink-floyd--solo--distorted--guitar/
That Was Just Your Life — Metallica | ESP MX-220 (Hetfield's custom model, black finish); Mesa/Boogie Mark IIC+ (studio), Mesa/Boogie Mark IV (possible layering), Diezel VH4 (likely used on Death… | distorted | gain 8.5 · bass 6 · mid 4 · treble 7.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/that-was-just-your-life--metallica--riff--distorted--guitar/
Give it Away — Red Hot Chile Peppers | Gallien‑Krueger 800RB head with Mesa/Boogie bass cabinet | clean | gain 0 · bass 5.5 · mid 5 · treble 6.5 · presence 5 | https://guitartoneadapt.com/tone/give-it-away--red-hot-chile-peppers--clean--clean--bass/
Singing! — Ho - Kago Tea Time | Gibson Les Paul Standard; Marshall JCM800 | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/singing--ho-kago-tea-time--riff--distorted--guitar/
Oh! Tengo Suerte — Masayoshi Takanaka | Fender Stratocaster (likely late 1970s-early 1980s Japanese or US model, maple neck, single tone knob); Roland JC-120 Jazz Chorus | clean | gain 0 · bass 6 · mid 6 · treble 7 · presence 5.5 · reverb 5 | https://guitartoneadapt.com/tone/oh-tengo-suerte--masayoshi-takanaka--riff--clean--guitar/
In Bloom — Nirvana | Fender Mustang (early 60s, sonic blue, single-coil bridge pickup); Fender Bassman (blackface, vintage tube amp, used in Nevermind studio sessions) | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/in-bloom--nirvana--riff--distorted--guitar/
The Emptiness Machine (Instrumental) — LINKIN PARK | Fender Stratocaster Electric Guitar; Crate G20 Guitar Amplifier | distorted | gain 8 · bass 5.5 · mid 5.5 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/the-emptiness-machine-instrumental--linkin-park--riff--distorted--guitar/
Rust — Black Label Society | Gibson Les Paul Custom (Zakk Wylde signature, bullseye finish, likely with EMG pickups); Marshall JCM800 2203 100W head | distorted | gain 8 · bass 6 · mid 5.5 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/rust--black-label-society--solo--distorted--guitar/
Celebrity Skin — Hole | Rickenbacker 360; Randall Commander II RG-120 212 | clean | gain 0 · bass 5.5 · mid 6.5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/celebrity-skin--hole--riff--clean--guitar/
Spheres of Madness — Decapitated | Ibanez RG7620; Mesa/Boogie Dual Rectifier | distorted | gain 8.5 · bass 5.5 · mid 3.5 · treble 7 · presence 5.5 · reverb 0 | https://guitartoneadapt.com/tone/spheres-of-madness--decapitated--riff--distorted--guitar/
YUKON (Live Grammy) — Lewis Hanton | 1988 Yamaha RGX 612S; Neural DSP Quad Cortex (amp modeler, specific amp model not specified) | distorted | gain 4.5 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/yukon-live-grammy--lewis-hanton--riff--distorted--guitar/
Dead Memories — Slipknot | Fender Jim Root Jazzmaster; Orange Rockerverb 100 MKII Head | distorted | gain 8.5 · bass 6 · mid 5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/dead-memories--slipknot--riff--distorted--guitar/
The Weight of Dreams — Greta Van Fleet | Gibson Les Paul Standard (likely late 50s reissue, sunburst, as used by Jake Kiszka on The Battle at Garden's Gate sessions); Marshall Super Lead 1959 (Plexi… | distorted | gain 7 · bass 6 · mid 7 · treble 7 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/the-weight-of-dreams--greta-van-fleet--riff--distorted--guitar/
Comfortably Numb — Pink Floyd | Ovation Custom Legend 1619-4 (acoustic, Nashville tuning); Unknown (likely direct or through studio preamp, no evidence of electric amp for riff) | clean | gain 3 · bass 6 · mid 6 · treble 6.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/comfortably-numb--pink-floyd--riff--clean--guitar/
Projection — Yoshimasa Terui | Unknown (exact model not found; likely a modern solidbody electric, possibly Fender or Ibanez style based on Japanese rock/OST conventions); Unknown (no… | distorted | gain 6 · bass 6 · mid 6.5 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/projection--yoshimasa-terui--riff--distorted--guitar/
(I Can't Get No) Satisfaction (Mono) — The Rolling Stones | Gibson Les Paul Standard (1959, likely sunburst, used by Keith Richards for the riff recording); Fender 'Black Panel' Dual Showman | distorted | gain 4.5 · bass 6 · mid 6.5 · treble 7 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/i-can-t-get-no-satisfaction-mono--the-rolling-stones--riff--distorted--guitar/
Dogs — Pink Floyd | 1959 Fender Custom Telecaster (sunburst, rosewood neck, Stratocaster neck pickup mod); Hiwatt DR103 Custom 100 Head into WEM Super Starfinder 4x12 cabinet | distorted | gain 5.5 · bass 6.5 · mid 7 · treble 6.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/dogs--pink-floyd--solo--distorted--guitar/
My Curse — Killswitch Engage | Caparison Horus (Joel Stroetzel signature, likely used in studio for clean parts); Laney VH100R | clean | gain 0 · bass 5.5 · mid 5.5 · treble 6.5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/my-curse--killswitch-engage--riff--clean--guitar/
Times Like These — Foo Fighters | Gibson Trini Lopez (1966, red finish); Vox AC30 (handwired, studio recording) | clean | gain 0 · bass 6 · mid 6.5 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/times-like-these--foo-fighters--riff--clean--guitar/
It Smells Like Fudge Axe in Here — Hot Mulligan | Unknown (likely Fender Telecaster or Fender Jazzmaster, based on genre and band history); Unknown (likely Fender Hot Rod Deluxe, Vox AC30, or Marshall JCM800… | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6.5 · reverb 2.5 | https://guitartoneadapt.com/tone/it-smells-like-fudge-axe-in-here--hot-mulligan--riff--distorted--guitar/
Day Tripper — The Beatles | Epiphone Casino (1965, likely John Lennon's or George Harrison's, semi-hollow, P-90 pickups); Vox AC30 | distorted | gain 4.5 · bass 5.5 · mid 8 · treble 8.5 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/day-tripper--the-beatles--riff--distorted--guitar/
Eruption — Van Halen | Frankenstrat (homemade, Boogie Bodies Strat-style ash body, bird’s eye maple neck, vintage Strat tremolo, single Gibson PAF humbucker in bridge); Marshall… | distorted | gain 8.5 · bass 5.5 · mid 6.5 · treble 7 · presence 6 · reverb 0.5 | https://guitartoneadapt.com/tone/eruption--van-halen--solo--distorted--guitar/
The Four Horsemen — Metallica | 1980 Gibson Flying V (white, used by James Hetfield); Marshall JMP 2203 (modded, 100W head, used in studio for Kill 'Em All) | distorted | gain 8 · bass 7 · mid 2.5 · treble 8.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/the-four-horsemen--metallica--riff--distorted--guitar/
Crazy On You — Heart | 1970s Ovation Legend 1617 Acoustic-Electric; Direct to console (studio), possible light EQ/comp in mix; no electric amp used for riff section | clean | gain 3.5 · bass 5.5 · mid 6.5 · treble 7 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/crazy-on-you--heart--riff--clean--guitar/
Pink Maggit — Deftones | ESP Stef B-7 (Stephen Carpenter Signature 7-string, likely custom shop, used on White Pony sessions); Bogner Uberschall (original EL34 model, studio version… | distorted | gain 8.5 · bass 6 · mid 4.5 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/pink-maggit--deftones--riff--distorted--guitar/
Senhor e Rei — Davi Sacer & Trazendo a Arca | Unknown Strat-style electric guitar; Unknown clean amp (likely Fender or Roland JC-120 style, typical for Brazilian gospel/pop rock in 2000s) | clean | gain 0 · bass 6 · mid 6 · treble 6.5 · presence 5.5 · reverb 4.5 | https://guitartoneadapt.com/tone/senhor-e-rei--davi-sacer-trazendo-a-arca--riff--clean--guitar/
Killeagh — Kingfishr | Acoustic guitar (exact model unknown); None (acoustic, no amp evident in studio recording) | clean | gain 2 · bass 5.5 · mid 6 · treble 6 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/killeagh--kingfishr--riff--clean--guitar/
Heavy — Collective Soul | PRS McCarty Archtop; Mesa/Boogie Triple Rectifier 150W Solo Head | distorted | gain 7.5 · bass 6.5 · mid 6.5 · treble 7 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/heavy--collective-soul--riff--distorted--guitar/
So Far Away — Sultans Of Swing (dire Straits Sound-a-like) | Fender Stratocaster (1977-1979, maple neck, stock single coils); Fender Vibrolux Reverb (silverface, late 1970s) | clean | gain 2.5 · bass 6 · mid 6 · treble 7 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/so-far-away--sultans-of-swing-dire-straits-sound-a-like--riff--clean--guitar/
Purnota — Warfaze | Jackson RR3 (Crimson Swirl finish, used during early Warfaze era); Unknown (no explicit source for studio amp on 'Purnota'; likely solid-state or… | clean | gain 0 · bass 5.5 · mid 5.5 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/purnota--warfaze--riff--clean--guitar/
Body Paint — Arctic Monkeys | Gibson Les Paul Deluxe; Fender 'Silverface' Twin Reverb (1972-1976) | distorted | gain 4.5 · bass 5.5 · mid 6.5 · treble 6 · presence 5 · reverb 4.5 | https://guitartoneadapt.com/tone/body-paint--arctic-monkeys--solo--distorted--guitar/
Battle-Axe — Deftones | ESP Stef B-7 (Stephen Carpenter Signature 7-string, likely Fluence model for 2003 era); Fractal Axe-Fx II (amp modeling), Engl Tube Poweramp E850/100, Orange… | distorted | gain 8.5 · bass 6 · mid 4.5 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/battle-axe--deftones--riff--distorted--guitar/
Dracula — Tame Impala | Fender Stratocaster (likely Japanese or Mexican, as per Kevin Parker's typical studio use for Lonerism-era recordings); Vox AC30 (standard, not hand-wired, as… | distorted | gain 5 · bass 6 · mid 7 · treble 6.5 · presence 5.5 · reverb 4 | https://guitartoneadapt.com/tone/dracula--tame-impala--riff--distorted--guitar/
You Really Got Me — Van Halen | Ibanez Destroyer (Korina, 1975, stock humbuckers); Marshall Super Lead 1959 100W (Plexi, late 1960s/early 1970s, EL34s, Variac set to ~90V) | distorted | gain 8 · bass 6 · mid 7 · treble 7 · presence 6.5 · reverb 0.5 | https://guitartoneadapt.com/tone/you-really-got-me--van-halen--riff--distorted--guitar/
Mr. Brownstone (Live) — Guns N' Roses | Gibson Les Paul Standard (Slash, live 1987-1993 era); Marshall JCM2555 Silver Jubilee head with Marshall 1960BV 4x12 cabinet | distorted | gain 7 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/mr-brownstone-live--guns-n-roses--riff--distorted--guitar/
Pretty When You Cry — Lana Del Rey | Vintage Fender Telecaster (Electric Lady Studios in-house guitar); Unknown (not specified in sources; likely Fender or similar clean amp typical for Lana Del… | distorted | gain 4.5 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 7 | https://guitartoneadapt.com/tone/pretty-when-you-cry--lana-del-rey--solo--distorted--guitar/
Under the Bridge — Red Hot Chili Peppers | 1962 Fender Stratocaster; Marshall Silver Jubilee 2555 (studio recording, 1991) | distorted | gain 3 · bass 6 · mid 6.5 · treble 7.5 · presence 5 · reverb 2.5 | https://guitartoneadapt.com/tone/under-the-bridge--red-hot-chili-peppers--riff--distorted--guitar/
Soulshine — Gov't Mule | Gibson Les Paul Standard; Soldano SLO-100 Super Lead Overdrive | distorted | gain 3 · bass 6.5 · mid 7 · treble 6 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/soulshine--gov-t-mule--solo--distorted--guitar/
T.N.T. — AC/DC | Gibson SG Standard (early 1970s, likely 1970-1973 model); Marshall Super Lead 1959 (100-watt, non-master volume, late 60s/early 70s Plexi) | distorted | gain 6.5 · bass 4.5 · mid 5.5 · treble 5.5 · presence 3.5 · reverb 0 | https://guitartoneadapt.com/tone/t-n-t--ac-dc--solo--distorted--guitar/
So Goes the Story — Eddie Hazel | Gibson Les Paul Custom (early 1970s, black finish); Marshall Super Lead (Plexi, 100-watt, full stack, early 1970s) | distorted | gain 7 · bass 6.5 · mid 7 · treble 6.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/so-goes-the-story--eddie-hazel--solo--distorted--guitar/
Like Light to the Flies — Trivium | Gibson Les Paul Custom (Matt Heafy) or Ibanez RG1527 (Corey Beaulieu); Peavey 5150 or Peavey 6505+ head into Marshall JCM900BV 4x12 cab | distorted | gain 9.5 · bass 7.5 · mid 4.5 · treble 7 · presence 6.5 · reverb 0.5 | https://guitartoneadapt.com/tone/like-light-to-the-flies--trivium--riff--distorted--guitar/
Raise a Hallelujah (Live) — Bethel Music, Jonathan David Helser & Melissa Helser | Fender Telecaster (exact model unknown, likely American Standard or similar); Morgan AC-20 Deluxe 2x12 Alnico Blue | distorted | gain 4 · bass 5.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 5 | https://guitartoneadapt.com/tone/raise-a-hallelujah-live--bethel-music-jonathan-david-helser-melissa-helser--riff--distorted--guitar/
Heavy Fuel (Live Album Version) — Dire Straits | Pensa-Suhr MK1 (Mark Knopfler signature, custom build, HSS configuration); Soldano SLO-100 Super Lead Overdrive (live rig, early 1990s) | distorted | gain 5.5 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/heavy-fuel-live-album-version--dire-straits--riff--distorted--guitar/
I Don't Wanna Be Me — Type O Negative | Gibson SG (early 2000s, likely Standard or Special, mahogany body, maple neck, Sustainiac neck pickup, Seymour Duncan PAF-style bridge pickup); A/DA MP-1… | distorted | gain 7.5 · bass 5.5 · mid 5.5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/i-don-t-wanna-be-me--type-o-negative--solo--distorted--guitar/
Cowboys from Hell (Live from Monsters In Moscow Festival, 1991) — Pantera | Dean ML (likely 1981 model, as used by Dimebag Darrell in 1991 live shows); Randall RG-100ES solid-state head | distorted | gain 8.5 · bass 6 · mid 4 · treble 7.5 · presence 7 · reverb 0 | https://guitartoneadapt.com/tone/cowboys-from-hell-live-from-monsters-in-moscow-fes--pantera--riff--distorted--guitar/
Dios imparable — Marcos Witt | Unknown Strat-style electric guitar (exact model not confirmed for this recording); Unknown clean amp (likely Fender or similar, exact model not confirmed for… | clean | gain 0 · bass 6 · mid 6 · treble 6.5 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/dios-imparable--marcos-witt--riff--clean--guitar/
Daughter (Remastered) — Pearl Jam | Fender American Vintage '57 Stratocaster; Marshall JCM800 (studio recording, early 1990s era) | distorted | gain 4 · bass 6 · mid 7 · treble 6 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/daughter-remastered--pearl-jam--riff--distorted--guitar/
Blandest (Demo) — Nirvana | Univox Hi-Flier Phase 3; Fender Twin Reverb (1968, head only, into 2x12 cab with Celestion speakers) | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/blandest-demo--nirvana--riff--distorted--guitar/
Preludio Obsesivo — Rata Blanca | Fender Stratocaster (likely 1970s or 1980s, as used by Walter Giardino on El Reino Olvidado); Marshall JCM800 (most probable based on era, genre, and… | distorted | gain 7.5 · bass 6 · mid 7 · treble 7 · presence 6.5 · reverb 3 | https://guitartoneadapt.com/tone/preludio-obsesivo--rata-blanca--solo--distorted--guitar/
Noah's Highlight Reel — Dijon | Unknown (likely Fender Stratocaster or similar single-coil guitar, based on genre/era/artist's typical gear); Unknown (likely Fender or clean-voiced amp, model… | clean | gain 3 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 4.5 | https://guitartoneadapt.com/tone/noah-s-highlight-reel--dijon--riff--clean--guitar/
Smells Like Teen Spirit — Nirvana | 1965 Fender Jaguar (left-handed, DiMarzio Super Distortion bridge, DiMarzio PAF neck); Mesa/Boogie Studio Preamp → Crown Power Base 2 Power Amp → Marshall 4x12… | clean | gain 0 · bass 4.5 · mid 6 · treble 7 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/smells-like-teen-spirit--nirvana--riff--clean--guitar/
Dancing Dead — Avenged Sevenfold | Schecter Synyster Gates Custom; Mesa/Boogie Dual Rectifier | distorted | gain 7.5 · bass 6 · mid 5.5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/dancing-dead--avenged-sevenfold--solo--distorted--guitar/
Tyler — Toadies | Gibson Custom Shop 1964 SG Standard; Marshall JCM800 2205 | distorted | gain 6.5 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/tyler--toadies--riff--distorted--guitar/
Cemetery Gates — Pantera | Dean ML (likely 1980s/early 1990s, custom or standard model); Randall RG100ES solid-state head | clean | gain 0 · bass 5.5 · mid 3.5 · treble 7 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/cemetery-gates--pantera--riff--clean--guitar/
dorisu karano tegami — deadman | Unknown (no confirmed source for exact model on this recording; Deadman often used Gibson Les Paul or similar singlecut guitars in early 2000s J-rock/visual… | distorted | gain 7 · bass 5.5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/dorisu-karano-tegami--deadman--riff--distorted--guitar/
Hangar 18 (2004 Remix) — Megadeth | Jackson King V (likely USA Custom Shop, early 1990s spec); Marshall 1959SLP Super Lead (modded for higher gain, typical for Megadeth in this era) | distorted | gain 7.5 · bass 5.5 · mid 4 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/hangar-18-2004-remix--megadeth--riff--distorted--guitar/
This Is the One (Remastered 2009) — The Stone Roses | 1960 Fender Stratocaster (pink, likely studio-owned or hired for the session); Marshall amplifier (exact model not specified, likely JCM800 or similar… | distorted | gain 4.5 · bass 6 · mid 7 · treble 7 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/this-is-the-one-remastered-2009--the-stone-roses--riff--distorted--guitar/
Hey You — Pink Floyd | Fender Stratocaster (Black Strat, late 1960s/early 1970s, maple neck, stock single-coil pickups); Hiwatt DR103 Custom 100 Head into WEM Super Starfinder 4x12… | clean | gain 0 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/hey-you--pink-floyd--riff--clean--guitar/
November Rain — Guns N' Roses | Gibson Les Paul Standard (Kris Derrig '59 replica); Marshall 1959 Super Lead (modded by Frank Levi/Glenn Buckley) | clean | gain 4 · bass 5.5 · mid 8 · treble 7 · presence 7 · reverb 3.5 | https://guitartoneadapt.com/tone/november-rain--guns-n-roses--solo--clean--guitar/
Steppin' Razor — Sublime | Fender Stratocaster (likely 1970s/80s MIJ or MIM, as used by Bradley Nowell in studio); Fender Twin Reverb (Blackface or Silverface, as commonly used by… | clean | gain 3 · bass 6 · mid 6 · treble 7 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/steppin-razor--sublime--riff--clean--guitar/
degreeds centigrade — deadman | n/a | distorted | gain 3.5 · bass 3 · mid 2.5 · treble 3.5 · presence 3 · reverb 1 | https://guitartoneadapt.com/tone/degreeds-centigrade--deadman--riff--distorted--guitar/
Sultans of Swing (Live at Hammersmith Odeon, London, UK, 1983) — Dire Straits | 1977 Fender Stratocaster (maple neck, stock pickups, red finish); 1960s Fender Vibrolux (brown tolex) | clean | gain 3.5 · bass 5.5 · mid 6.5 · treble 7.5 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/sultans-of-swing-live-at-hammersmith-odeon-london--dire-straits--riff--clean--guitar-2/
So Por Uma Noite — Charlie Brown Jr. | Fender Stratocaster (likely Brazilian or Mexican model, as used by Marcão in this era); Marshall JCM900 (most commonly used by Marcão in studio and live during… | distorted | gain 7 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/so-por-uma-noite--charlie-brown-jr--solo--distorted--guitar/
Atba'a Al-Namrood — Al-Namrood | Unknown (likely mid-range humbucker-equipped electric, possibly ESP LTD or Jackson based on genre/region/era); Unknown high-gain solid-state or digital amp… | distorted | gain 8.5 · bass 5.5 · mid 4.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/atba-a-al-namrood--al-namrood--riff--distorted--guitar/
Gifted Every Strength — Loathe | Epiphone 'Inspired by Gibson Custom' '63 Les Paul SG Custom with Maestro Vibrola; Fractal Audio Axe-FX III (amp modeling, likely high-gain amp model such as… | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/gifted-every-strength--loathe--riff--distorted--guitar/
Blood Eagle — Periphery | Jackson Misha Mansoor Signature 7-string (likely Juggernaut HT7 or Pro Series, used in studio tracking, drop G tuning); Fractal Audio Axe-Fx III (using ML… | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 7 · reverb 0.5 | https://guitartoneadapt.com/tone/blood-eagle--periphery--riff--distorted--guitar/
I Hope You're Unhappy — Farside | Gibson Les Paul Standard (likely early 90s, exact year/model unconfirmed for this recording); Marshall JCM800 (most likely, based on genre, era, and typical… | distorted | gain 6.5 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/i-hope-youre-unhappy--farside--riff--distorted--guitar/
Two Towers — Fit for An Autopsy | ESP E-II Horizon NT-7B; Peavey 6505+ | distorted | gain 9 · bass 6 · mid 4.5 · treble 6.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/two-towers--fit-for-an-autopsy--riff--distorted--guitar/
Won't Fall in Love Today — Suicidal Tendencies | Fender Stratocaster (likely 1970s-early 1980s, as used by Rocky George on early Suicidal Tendencies recordings); Marshall JCM800 2203 (most common for Suicidal… | distorted | gain 7 · bass 6 · mid 5.5 · treble 7 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/won-t-fall-in-love-today--suicidal-tendencies--riff--distorted--guitar/
Agora Hills — Doja Cat | Unknown electric guitar (exact model not confirmed for this recording); Unknown (no specific amp model confirmed for this recording) | distorted | gain 4 · bass 5.5 · mid 6 · treble 6.5 · presence 5 · reverb 4.5 | https://guitartoneadapt.com/tone/agora-hills--doja-cat--solo--distorted--guitar/
להיות אדם — Zohar Argov | Unknown (likely vintage Strat-style or Les Paul-style electric, common in Israeli pop of early 1980s); Unknown (likely Fender Twin Reverb or similar clean tube… | clean | gain 3 · bass 6 · mid 6 · treble 7 · presence 5 · reverb 4 | https://guitartoneadapt.com/tone/lihyot-adam--zohar-argov--riff--clean--guitar/
Flick of the Wrist (Live at the Rainbow, London / November 1974) — Queen | Homemade 'Red Special' electric guitar; Vox AC30 (1960s, likely Top Boost model, cranked for overdrive) | distorted | gain 6.5 · bass 6 · mid 7 · treble 7.5 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/flick-of-the-wrist-live-at-the-rainbow-london-nove--queen--riff--distorted--guitar/
La Valse Du Temps — LANDMVRKS | Unknown (likely modern extended-range or baritone guitar, possibly ESP or Ibanez, as commonly used in modern metalcore); Unknown (likely high-gain amp such as… | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/la-valse-du-temps--landmvrks--riff--distorted--guitar/
Taion — the GazettE | ESP Eclipse (likely custom for Uruha or Aoi, as used by the GazettE in 2006 studio era); Marshall JCM2000 DSL100 (typical for Visual kei/metal in mid-2000s… | distorted | gain 7.5 · bass 5.5 · mid 5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/taion--the-gazette--riff--distorted--guitar/
Pens And Needles — Hawthorne Heights | Gibson SG Standard; Electro-Harmonix Sovtek MIG-100 | distorted | gain 8 · bass 5.5 · mid 5.5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/pens-and-needles--hawthorne-heights--riff--distorted--guitar/
Desert Rose — Eric Johnson | 1954 Fender Stratocaster; 100-watt Marshall head (likely Marshall JMP or Super Lead, vintage spec) | distorted | gain 4.5 · bass 5.5 · mid 6 · treble 4 · presence 3 · reverb 2 | https://guitartoneadapt.com/tone/desert-rose--eric-johnson--riff--distorted--guitar/
Big Poppa — The Notorious B.I.G. | Yamaha DX7 (sampled electric guitar from Isley Brothers' 'Between the Sheets'); Sampled amp tone from Isley Brothers' original (likely Fender Twin Reverb or… | clean | gain 0 · bass 6 · mid 6 · treble 6.5 · presence 5 · reverb 3.5 | https://guitartoneadapt.com/tone/big-poppa--the-notorious-b-i-g--solo--clean--guitar/
Going Down — Freddie King | Gibson ES-335; Fender Quad Reverb (mid-1970s, silverface, non-drip edge) | distorted | gain 5.5 · bass 5 · mid 6.5 · treble 6.5 · presence 5 · reverb 5.5 | https://guitartoneadapt.com/tone/going-down--freddie-king--solo--distorted--guitar/
On My Soul — Bruno Mars | n/a | clean | gain 3.5 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/on-my-soul--bruno-mars--riff--clean--guitar/
Until It Sleeps (Remastered) — Metallica | Unknown | clean | gain 0 · bass 5.5 · mid 6 · treble 5.5 · presence 5 | https://guitartoneadapt.com/tone/until-it-sleeps-remastered--metallica--clean--clean--bass/
Achilles Last Stand (Remaster) — Led Zeppelin | 1971 Gibson Les Paul Custom; Marshall Super Lead 1959 (100W Plexi) | distorted | gain 6.5 · bass 6 · mid 7 · treble 7 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/achilles-last-stand-remaster--led-zeppelin--solo--distorted--guitar/
Why You Wanna Fight? — Bruno Mars | n/a | distorted | gain 5 · bass 6.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 5 | https://guitartoneadapt.com/tone/why-you-wanna-fight--bruno-mars--solo--distorted--guitar/
Evil Never Dies — Judas Priest | Gibson Les Paul Custom (likely 2017/2018 model, used by Richie Faulkner and Glenn Tipton on Firepower album); Engl Invader 100 (studio, Firepower album… | distorted | gain 7.5 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/evil-never-dies--judas-priest--riff--distorted--guitar/
She Sells Sanctuary — The Cult | Gretsch White Falcon (mid-70s single-cut mono Falcon, stock Filter'Tron pickups); Roland JC-120 (with built-in chorus, used in studio in combination with a… | clean | gain 0 · bass 6 · mid 6.5 · treble 7 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/she-sells-sanctuary--the-cult--riff--clean--guitar/
Glacier — Sunborn | n/a | distorted | gain 4 · bass 3 · mid 2.5 · treble 3.5 · presence 3 · reverb 0.5 | https://guitartoneadapt.com/tone/glacier--sunborn--riff--distorted--guitar/
Fly By Night — Rush | Gibson ES-335; Marshall 50-watt head with single 4x12 cabinet and Fender Twin Reverb | distorted | gain 5.5 · bass 6.5 · mid 6 · treble 7 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/fly-by-night--rush--riff--distorted--guitar/
Out Like a Light — The Honeysticks, Ricky Montgomery & Caleb Hurst | Fender Stratocaster (exact model unknown, likely standard single-coil configuration as per indie pop conventions and band era); Fender tube combo amp (exact… | distorted | gain 5 · bass 6 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 5.5 | https://guitartoneadapt.com/tone/out-like-a-light--the-honeysticks-ricky-montgomery-caleb-hurst--solo--distorted--guitar/
Bury Me With My Screams — Trivium | Epiphone Matt Heafy Les Paul Custom Origins 7-String; Peavey 6505+ Head | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/bury-me-with-my-screams--trivium--riff--distorted--guitar/
Lounge — Boredline | Unknown (no direct source or photo evidence for this song/section); Unknown (no direct source or photo evidence for this song/section) | distorted | gain 3 · bass 3 · mid 3 · treble 3.5 · presence 3 · reverb 1 | https://guitartoneadapt.com/tone/lounge--boredline--riff--distorted--guitar/
Off the Heezay — A Trust Unclean | Unknown 7-string or 6-string guitar (exact model not found, likely modern metal guitar with humbuckers); Unknown high-gain amp (exact model not found, likely… | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/off-the-heezay--a-trust-unclean--riff--distorted--guitar/
Duality — Slipknot | Likely Peavey Tour 700 heads and Peavey PV series power amp (based on rig photos) | clean | gain 0 · bass 5.5 · mid 6 · treble 6.5 · presence 5 | https://guitartoneadapt.com/tone/duality--slipknot--clean--clean--bass/
Six Minutes — Stoopi | n/a | distorted | gain 5.5 · bass 6 · mid 6.5 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/six-minutes--stoopi--riff--distorted--guitar/
Stay Together for the Kids — blink-182 | Gibson Tom DeLonge Signature ES-333; Mesa/Boogie Triple Rectifier | distorted | gain 8 · bass 6.5 · mid 5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/stay-together-for-the-kids--blink-182--riff--distorted--guitar/
Gone Away — Five Finger Death Punch | Gibson Jason Hook Signature M-4 Sherman Explorer; Kemper Profiler Rack (profiled from EVH 5150III EL34 or similar high-gain amp) | clean | gain 0 · bass 5.5 · mid 5 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/gone-away--five-finger-death-punch--riff--clean--guitar/
Steady, As She Goes — The Raconteurs | Gretsch G6131 Triple Jet (Parsons Triple Jet, custom with MXR Micro Amp installed); Fender Twin Reverb (likely Silverface, studio recording era) | distorted | gain 6 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/steady-as-she-goes--the-raconteurs--riff--distorted--guitar/
Cosmic Girl — Jamiroquai | Fender Stratocaster (likely Japanese or American Standard, mid-90s era); Fender Twin Reverb (likely Silverface or Blackface reissue, studio recording) | clean | gain 0 · bass 5.5 · mid 6 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/cosmic-girl--jamiroquai--riff--clean--guitar/
Dilerim Ki — Dolu Kadehi Ters Tut | Unknown solid body electric guitar (exact model not found); Unknown (no amp model found in sources) | distorted | gain 5.5 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/dilerim-ki--dolu-kadehi-ters-tut--riff--distorted--guitar/
Home Sweet Home (Demo) — Mötley Crüe | Gibson Les Paul Custom; Marshall amplifier (exact model not specified, likely JCM800 or JMP era based on 1980s studio use) | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/home-sweet-home-demo--m-tley-cr-e--solo--distorted--guitar/
Honey Bucket — Melvins | Gibson Les Paul Custom (likely late 1970s or early 1980s, black, stock humbuckers); Sunn Model T (original, early 1970s version, as used by Buzz Osborne on… | distorted | gain 8.5 · bass 7 · mid 6 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/honey-bucket--melvins--riff--distorted--guitar/
Honor Never Dies — Hatebreed | Gibson Les Paul Standard; Mesa/Boogie Dual Rectifier | distorted | gain 8.5 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/honor-never-dies--hatebreed--riff--distorted--guitar/
Hopelessly Devoted to You — Olivia Newton-John | Pedal Steel Guitar (exact model unknown, but confirmed as pedal steel on studio recording); Fender Twin Reverb (likely, based on era, genre, and common pedal… | clean | gain 0 · bass 6 · mid 6 · treble 6.5 · presence 5.5 · reverb 5 | https://guitartoneadapt.com/tone/hopelessly-devoted-to-you--olivia-newton-john--riff--clean--guitar/
But Me — Ty Myers | Fender Custom Shop Masterbuilt Stratocaster; Two-Rock Silver Sterling Signature | clean | gain 0 · bass 6 · mid 6.5 · treble 6.5 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/but-me--ty-myers--riff--clean--guitar/
Blackest Eyes (Live) — Porcupine Tree | Paul Reed Smith Custom 24 (likely 2000s model, live use); Mesa/Boogie Dual Rectifier (live rig, 2000s era) | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/blackest-eyes-live--porcupine-tree--riff--distorted--guitar/
Tom Sawyer (Live) — Rush | Gibson Howard Roberts Fusion; Hughes & Kettner Coreblade 100W Head | distorted | gain 6 · bass 6 · mid 7 · treble 7 · presence 6.5 · reverb 2.5 | https://guitartoneadapt.com/tone/tom-sawyer-live--rush--riff--distorted--guitar/
Riverboat Fantasy — David Wilcox | Gibson ES-335 (estimated, based on Wilcox's known use and the tone on the recording); Fender Twin Reverb (estimated, based on genre, era, and typical Wilcox… | clean | gain 0 · bass 6 · mid 6 · treble 7 · presence 5.5 · reverb 4 | https://guitartoneadapt.com/tone/riverboat-fantasy--david-wilcox--riff--clean--guitar/
The Power in Belief — ICE NINE KILLS | ESP LTD EC-1000 (likely, based on band/era/genre and typical artist use, but not confirmed for this exact recording); Peavey 6505+ (estimated based on genre… | distorted | gain 8 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/the-power-in-belief--ice-nine-kills--riff--distorted--guitar/
Ichizu — King Gnu | Fender Daiki Tsuneta Signature Swinger; Fender '65 Princeton Reverb Reissue Blonde | distorted | gain 5.5 · bass 5.5 · mid 5.5 · treble 7 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/ichizu--king-gnu--riff--distorted--guitar/
Annalise — Computer | n/a | clean | gain 3 · bass 3 · mid 3 · treble 3.5 · presence 3 · reverb 1 | https://guitartoneadapt.com/tone/annalise--computer--riff--clean--guitar/
Blackest Eyes (Live) — Porcupine Tree | Paul Reed Smith Custom 24 (likely 2000s model, live use); Mesa/Boogie Dual Rectifier (live setup, clean channel) | clean | gain 0 · bass 5.5 · mid 6 · treble 6.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/blackest-eyes-live--porcupine-tree--riff--clean--guitar/
Plaster 2 (Figure.09 Demo) — LINKIN PARK | PRS Custom 24; Bogner Uberschall or Marshall JCM800 2203 (likely Bogner for demo/Hybrid Theory/Meteora era heavy tones) | distorted | gain 8.5 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/plaster-2-figure-09-demo--linkin-park--riff--distorted--guitar/
Watch Your Mouth — The Backseat Lovers | Unknown (likely Fender-style single coil guitar, model not confirmed for this recording); Fender Blues Junior III 15W 1x12 Tube Guitar Combo Amp | distorted | gain 5 · bass 6 · mid 6.5 · treble 7 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/watch-your-mouth--the-backseat-lovers--riff--distorted--guitar/
Spoiler — Hyper | n/a | distorted | gain 7.5 · bass 5.5 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/spoiler--hyper--riff--distorted--guitar/
Cryoshock (feat. Mel Rose) — Mechina | Unknown 7-string electric guitar (exact model not confirmed for this recording); Unknown high-gain amp or amp sim (exact model not confirmed for this… | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/cryoshock-feat-mel-rose--mechina--riff--distorted--guitar/
Heaven Knows I’m Miserable Now — The Smiths | 1959 Gibson ES-355 TDSV; Roland JC-120 Jazz Chorus | clean | gain 0 · bass 5 · mid 6.5 · treble 7.5 · presence 5 · reverb 3.5 | https://guitartoneadapt.com/tone/heaven-knows-i-m-miserable-now--the-smiths--riff--clean--guitar/
Ring of Fire — Social Distortion | Gibson Les Paul Standard (likely late 1970s/early 1980s, as used by Mike Ness on Social Distortion's 'White Light, White Heat, White Trash' and era live… | distorted | gain 6 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/ring-of-fire--social-distortion--riff--distorted--guitar/
Visita — Enjambre | Fender Telecaster (exact model unspecified, but Telecaster shape seen in live performances of 'Visita' era); Fender Super-Sonic 100 Head with Fender… | distorted | gain 5.5 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/visita--enjambre--riff--distorted--guitar/
A Dying Machine — Tremonti | PRS Mark Tremonti Signature (likely USA Core model, 2018 spec, tuned to open D5 for this song); PRS MT 100 (Mark Tremonti Signature Head, used in studio for 'A… | distorted | gain 8.5 · bass 6 · mid 5 · treble 6.5 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/a-dying-machine--tremonti--riff--distorted--guitar/
Scars — I Prevail | PRS CE 24; Peavey 6505+ 120-Watt Tube Guitar Amp Head | distorted | gain 8.5 · bass 6 · mid 4.5 · treble 6.5 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/scars--i-prevail--riff--distorted--guitar/
Revolution Is My Name (Radio Edit) [2020 Remaster] — Pantera | Dean ML (likely Dime-O-Flame or Dime Slime, as used by Dimebag Darrell in late Pantera era); Randall Warhead X2 (solid state head, studio recording era) | distorted | gain 9.5 · bass 6 · mid 4 · treble 8 · presence 7.5 · reverb 0.5 | https://guitartoneadapt.com/tone/revolution-is-my-name-radio-edit-2020-remaster--pantera--riff--distorted--guitar/
Pretty Girls Make Graves — The Smiths | 1983 Rickenbacker 330; Fender Twin Reverb (Blackface, 1965 reissue or original) | clean | gain 3.5 · bass 5 · mid 6.5 · treble 7 · presence 5 · reverb 4.5 | https://guitartoneadapt.com/tone/pretty-girls-make-graves--the-smiths--solo--clean--guitar/
Ichizu — King Gnu | Fender Acoustasonic Player Telecaster; Fender '65 Princeton Reverb Reissue Blonde | clean | gain 0 · bass 5.5 · mid 6 · treble 7 · presence 5.5 · reverb 4.5 | https://guitartoneadapt.com/tone/ichizu--king-gnu--riff--clean--guitar/
Blackest Eyes — Porcupine Tree | Paul Reed Smith Custom 24 (likely 2001-2002 model, Drop D tuning); Bad Cat Hot Cat 100 | distorted | gain 7.5 · bass 6 · mid 6 · treble 7 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/blackest-eyes--porcupine-tree--riff--distorted--guitar/
Sola skinner — Jokke & Valentinerne | Unknown (likely Fender Telecaster or similar single-coil guitar, based on era and Norwegian rock conventions); 1968 Marshall Super Bass | distorted | gain 5.5 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/sola-skinner--jokke-valentinerne--riff--distorted--guitar/
Get Out Alive — Three Days Grace | Gibson Firebird V; Diezel VH4 | distorted | gain 7.5 · bass 6 · mid 5.5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/get-out-alive--three-days-grace--riff--distorted--guitar/
The House Is Rockin' — Stevie Ray Vaughan & Double Trouble | Fender Stratocaster (likely 'Number One' 1963/64 Stratocaster, as used on 'In Step' sessions); Fender Vibroverb (Blackface, 1964, 2x10), possibly blended with… | distorted | gain 3.5 · bass 7 · mid 6.5 · treble 6.5 · presence 5 · reverb 2.5 | https://guitartoneadapt.com/tone/the-house-is-rockin--stevie-ray-vaughan-double-trouble--riff--distorted--guitar/
Six Minutes — Stoopi | n/a | clean | gain 3.5 · bass 3 · mid 3 · treble 3.5 · presence 3 · reverb 1 | https://guitartoneadapt.com/tone/six-minutes--stoopi--riff--clean--guitar/
Forgotten — LINKIN PARK | PRS Standard 24; Mesa Boogie Dual Rectifier | distorted | gain 8 · bass 6 · mid 5 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/forgotten--linkin-park--riff--distorted--guitar/
Your Treachery Will Die With You — Dying Fetus | ESP LTD Viper-400; Peavey 3120 120W Tube Guitar Amp Head | distorted | gain 9 · bass 6 · mid 4.5 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/your-treachery-will-die-with-you--dying-fetus--riff--distorted--guitar/
Stress Relief — late night drive home | Fender Stratocaster; Fender Deluxe Reverb | distorted | gain 3 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/stress-relief--late-night-drive-home--riff--distorted--guitar/
Mr. Jones — Counting Crows | Epiphone Casino; Fender 'Narrow Panel Tweed' Champ 5F1 (1956-1958) | distorted | gain 3.5 · bass 6 · mid 6 · treble 6.5 · presence 5 · reverb 2.5 | https://guitartoneadapt.com/tone/mr-jones--counting-crows--riff--distorted--guitar/
Enhjørning (Remastered 2015) — Dumdum Boys | Unknown (likely Fender Stratocaster or Gibson Les Paul, model not confirmed for this recording); Unknown (likely Marshall or Fender tube amp, model not… | distorted | gain 6 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/enhj-rning-remastered-2015--dumdum-boys--riff--distorted--guitar/
Cemetary Gates — Pantera | Dean ML (likely 1980s/early 1990s, Bill Lawrence L-500XL bridge pickup, Seymour Duncan '59 neck pickup, Floyd Rose tremolo); Randall RG100ES solid-state head | clean | gain 0 · bass 5.5 · mid 4.5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/cemetary-gates--pantera--riff--clean--guitar/
Too Much Time On My Hands — Styx | Gibson Les Paul Deluxe (likely 1970s, mini-humbuckers, as used by Tommy Shaw in this era); Marshall amplifier (likely JMP or JCM800, as used by Tommy Shaw in… | distorted | gain 6 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/too-much-time-on-my-hands--styx--riff--distorted--guitar/
She's a Beauty — The Tubes | Fender Stratocaster (likely early 1980s, possibly Schecter parts Strat as used by Bill Spooner in this era); Marshall JMP (likely 2203 or 2204, era-correct for… | distorted | gain 5 · bass 6 · mid 7 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/she-s-a-beauty--the-tubes--riff--distorted--guitar/
Bound for Glory — Tedeschi Trucks Band | Gibson SG Standard (Derek Trucks signature or vintage spec, likely late 60s/early 70s style); Fender Super Reverb (blackface, vintage 1965-67, 4x10 combo, no… | distorted | gain 6 · bass 4.5 · mid 5 · treble 6.5 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/bound-for-glory--tedeschi-trucks-band--riff--distorted--guitar/
Plump — Hole | Fender Stratocaster (likely 1970s or early 1990s Japanese or American, as used by Courtney Love in this era); Marshall JCM900 (most commonly used by Courtney… | distorted | gain 7.5 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/plump--hole--riff--distorted--guitar/
I'm In a Hurry (And Don't Know Why) — Alabama | Unknown | clean | gain 0 · bass 6.5 · mid 5 · treble 5.5 · presence 5 | https://guitartoneadapt.com/tone/i-m-in-a-hurry-and-don-t-know-why--alabama--clean--clean--bass/
Titanium (feat. Sia) — David Guetta | No guitar used; riff is a synth/sample; No amp used; processed via software plugins | distorted | gain 3 · bass 2.5 · mid 2.5 · treble 3.5 · presence 3 · reverb 1 | https://guitartoneadapt.com/tone/titanium-feat-sia--david-guetta--riff--distorted--guitar/
ZITTI E BUONI (Eurovision Version) — Måneskin | Fender Jazzmaster; Marshall Lead 100 Mosfet (3210) with Marshall 1960A 4x12 Cabinet | distorted | gain 7 · bass 6 · mid 7 · treble 7 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/zitti-e-buoni-eurovision-version--maneskin--solo--distorted--guitar/
The Quiet Things That No One Ever Knows — Brand New | Epiphone ES-339 Pro; Marshall JMP MKII Super Lead into Matchless ES412 cabinet | distorted | gain 6.5 · bass 6 · mid 5.5 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/the-quiet-things-that-no-one-ever-knows--brand-new--riff--distorted--guitar/
Whatsername — Green Day | Gibson Les Paul Junior (Billie Joe Armstrong's signature, likely 2003-2004 model); Marshall JCM800 2203 (studio, borrowed from Rob Cavallo for American Idiot… | distorted | gain 7.5 · bass 5.5 · mid 7.5 · treble 8 · presence 6.5 · reverb 2.5 | https://guitartoneadapt.com/tone/whatsername--green-day--riff--distorted--guitar/
Drown (Edit) — The Smashing Pumpkins | Fender Stratocaster (Billy Corgan's 'Bat Strat'); Marshall JCM800 100-watt head (1984, 'Soul' head, with KT88 tubes) into Marshall 4x12 slant cab ('Mars' cab) | distorted | gain 7 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/drown-edit--the-smashing-pumpkins--riff--distorted--guitar/
The Pretender — Foo Fighters | Gibson Trini Lopez (semi-hollow, as used by Dave Grohl in studio for Foo Fighters 'The Pretender'); Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head | distorted | gain 7 · bass 4.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/the-pretender--foo-fighters--solo--distorted--guitar/
Rock 'N' Roll Damnation — AC/DC | Gibson SG Standard (circa mid-1970s, likely 1968-1971 model); Marshall Super Lead 1959 100-watt head with Marshall 4x12 cabinet (likely G12-65 Celestion… | distorted | gain 6 · bass 6 · mid 7 · treble 7 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/rock-n-roll-damnation--ac-dc--riff--distorted--guitar/
Sorrowful — WHIZZ | n/a | distorted | gain 3.5 · bass 3 · mid 2.5 · treble 3.5 · presence 3 · reverb 1 | https://guitartoneadapt.com/tone/sorrowful--whizz--riff--distorted--guitar/
Last Surprise — Lyn | Fender Stratocaster (model not confirmed, but highly likely based on genre, era, and typical Japanese studio session gear); Marshall-style amp (exact model… | distorted | gain 5.5 · bass 6 · mid 6.5 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/last-surprise--lyn--riff--distorted--guitar/
GASOLINE — Måneskin | Unknown | distorted | gain 7 · bass 5.5 · mid 6.5 · treble 6.5 · presence 6 | https://guitartoneadapt.com/tone/gasoline--maneskin--distorted--distorted--bass/
Crawl — Kings of Leon | Gibson ES-325 (likely, based on era and band member's main guitar for this album, but not directly confirmed for this song/section); Selmer TruVoice… | distorted | gain 6.5 · bass 6 · mid 7 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/crawl--kings-of-leon--riff--distorted--guitar/
Cliffs of Dover (Live) — Eric Johnson | 1954 Fender Stratocaster (modified wiring, DiMarzio HS-2 bridge pickup); 1969 Marshall Model 1959 Super Lead 100-watt head | clean | gain 3 · bass 5.5 · mid 5 · treble 3.5 · presence 3 · reverb 2 | https://guitartoneadapt.com/tone/cliffs-of-dover-live--eric-johnson--riff--clean--guitar/
Telephones — Vacations | Roland JC-120 Jazz Chorus (or Fender Twin Reverb) | clean | gain 1 · bass 5 · mid 4.5 · treble 7 · presence 6 · reverb 4 | https://guitartoneadapt.com/tone/telephones--vacations--riff--clean--guitar/
Boys Don't Cry — The Cure | Roland JC-120 Jazz Chorus (run clean, onboard effects off) | clean | gain 1 · bass 5 · mid 5 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/boys-dont-cry--the-cure--riff--clean--guitar/
Way Down We Go — KALEO | Fender '65 Deluxe Reverb (or Orange AD30 head + 1x12) | overdriven | gain 4.5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/way-down-we-go--kaleo--riff--overdriven--guitar/
The Summoning — Sleep Token | Revv Generator / Peavey 5150 / Mesa Dual Rectifier (high-gain, via Quad Cortex + Neural DSP) | distorted | gain 6 · bass 4.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/the-summoning--sleep-token--riff--distorted--guitar/
The Death of Peace of Mind — Bad Omens | Mesa/Boogie Dual Rectifier (Neural DSP Archetype: Gojira studio / Kemper Triple Rectifier live) | distorted | gain 7.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/the-death-of-peace-of-mind--bad-omens--riff--distorted--guitar/
Holy Roller — Spiritbox | Modded Peavey 5150 / 6505+ (Neural DSP Archetype: Gojira / Fractal Axe-Fx III) | distorted | gain 7 · bass 4.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/holy-roller--spiritbox--riff--distorted--guitar/
To the Hellfire — Lorna Shore | Peavey 5150 into a Mesa cab (Neural DSP Archetype: Gojira / Fortin Cali) | distorted | gain 8 · bass 6 · mid 6 · treble 6 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/to-the-hellfire--lorna-shore--riff--distorted--guitar/
Animals — Architects | Peavey 5150 Block Letter (Mesa Dual Rectifier / Kemper live) | distorted | gain 7.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/animals--architects--riff--distorted--guitar/
How You Like Me Now? — The Heavy | Vintage-style combo (Fender-style breakup) pushed by a fuzz pedal | distorted | gain 5 · bass 5 · mid 6 · treble 6.5 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/how-you-like-me-now--the-heavy--riff--distorted--guitar/
Just Pretend — Bad Omens | Mesa/Boogie Dual Rectifier (Neural DSP Archetype: Gojira studio / Kemper Triple Rectifier live) | distorted | gain 7 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/just-pretend--bad-omens--riff--distorted--guitar/
Beggin' — Måneskin | Marshall 1987X (Plexi) into Marshall cabs (also Fender Twin / Bassman) | overdriven | gain 5.5 · bass 4.5 · mid 7 · treble 6.5 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/beggin--maneskin--riff--overdriven--guitar/
Can You Feel My Heart — Bring Me the Horizon | Marshall JCM800 (modded) into Marshall 1960A cabs | distorted | gain 6.5 · bass 5 · mid 6.5 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/can-you-feel-my-heart--bring-me-the-horizon--riff--distorted--guitar/
Playing God — Polyphia | Axe-Fx III clean FX chain (Line 6 Helix) | clean | gain 3 · bass 4 · mid 6 · treble 6.5 · presence 6 · reverb 4 | https://guitartoneadapt.com/tone/playing-god--polyphia--riff--clean--guitar/
Chokehold — Sleep Token | Revv Generator / Peavey 5150 (Neural DSP Archetype: Gojira via Quad Cortex) | distorted | gain 6 · bass 4.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/chokehold--sleep-token--riff--distorted--guitar/
Suffocate — Knocked Loose | EVH 5150 / Bogner Überschall (Neural DSP Quad Cortex modeling 5150 III live) | distorted | gain 8 · bass 5.5 · mid 6 · treble 6 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/suffocate--knocked-loose--riff--distorted--guitar/
Black Magic Woman — Santana | Mesa/Boogie Mark I / IIB (Mark IV later) | overdriven | gain 6.5 · bass 4.5 · mid 8 · treble 5.5 · presence 5.5 · reverb 4 | https://guitartoneadapt.com/tone/black-magic-woman--santana--solo--overdriven--guitar/
Bad Habit — Steve Lacy | Fender Twin Reverb (or Fender Frontman for the bedroom/lo-fi sound) | clean | gain 1.5 · bass 5 · mid 5.5 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/bad-habit--steve-lacy--riff--clean--guitar/
Killing in the Name — Rage Against the Machine | Marshall JCM800 2205 (50W) | distorted | gain 8 · bass 7 · mid 7 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/killing-in-the-name--rage-against-the-machine--riff--distorted--guitar/
Laid to Rest — Lamb of God | Mesa/Boogie Triple Rectifier (Mark IV/V also) | distorted | gain 7 · bass 4.5 · mid 5.5 · treble 6.5 · presence 6.5 · reverb 0 | https://guitartoneadapt.com/tone/laid-to-rest--lamb-of-god--riff--distorted--guitar/
Vice Grip — Parkway Drive | Peavey 5150 / 6505 (Kemper profiles in recent years) | distorted | gain 7.5 · bass 5.5 · mid 3 · treble 6.5 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/vice-grip--parkway-drive--riff--distorted--guitar/
Blood and Thunder — Mastodon | Marshall JMP Mark II Lead / Diezel VH4 into Orange PPC412 cabs | distorted | gain 7.5 · bass 6.5 · mid 4.5 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/blood-and-thunder--mastodon--riff--distorted--guitar/
Granite — Sleep Token | Revv Generator / Peavey 5150 (Neural DSP Archetype: Gojira via Quad Cortex) | distorted | gain 6 · bass 4.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/granite--sleep-token--riff--distorted--guitar/
Mystery — Turnstile | Peavey 5150 / EVH 5150 III blended with a Mesa Dual Rectifier | distorted | gain 7 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/mystery--turnstile--riff--distorted--guitar/
good 4 u — Olivia Rodrigo | Fender Hot Rod Deluxe IV | distorted | gain 6 · bass 5 · mid 4.5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/good-4-u--olivia-rodrigo--riff--distorted--guitar/
Thunderstruck — AC/DC | Marshall JTM45 / Super Lead (100W), cranked | overdriven | gain 4.5 · bass 5 · mid 6.5 · treble 7 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/thunderstruck--ac-dc--riff--overdriven--guitar/
Schism — TOOL | Diezel VH4 (channel 3) into Mesa Boogie 4x12; studio also modified 1976 Marshall Super Bass + Bogner Uberschall | distorted | gain 6 · bass 3.5 · mid 8.5 · treble 7 · presence 7.5 · reverb 1 | https://guitartoneadapt.com/tone/schism--tool--riff--distorted--guitar/
Lateralus — TOOL | Diezel VH4 (channel 3) into Mesa Boogie 4x12; studio also modified 1976 Marshall Super Bass + Bogner Uberschall | distorted | gain 6 · bass 4 · mid 8 · treble 7 · presence 7.5 · reverb 1.5 | https://guitartoneadapt.com/tone/lateralus--tool--riff--distorted--guitar/
Forty Six & 2 — TOOL | Diezel VH4 (channel 3) into Mesa Boogie 4x12; studio also modified 1976 Marshall Super Bass + Bogner Uberschall | distorted | gain 6.5 · bass 4 · mid 8.5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/forty-six-2--tool--riff--distorted--guitar/
The End of Heartache — Killswitch Engage | Mesa/Boogie Dual Rectifier (early/mid era recordings); later live: Laney Ironheart IRT120H + V30 4x12, Fuchs for cleans | distorted | gain 7.5 · bass 4.5 · mid 7 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/the-end-of-heartache--killswitch-engage--riff--distorted--guitar/
Rose of Sharyn — Killswitch Engage | Mesa/Boogie Dual Rectifier (early/mid era recordings); later live: Laney Ironheart IRT120H + V30 4x12, Fuchs for cleans | distorted | gain 7.5 · bass 4.5 · mid 7 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/rose-of-sharyn--killswitch-engage--riff--distorted--guitar/
Holy Diver — Killswitch Engage | Mesa/Boogie Dual Rectifier (early/mid era recordings); later live: Laney Ironheart IRT120H + V30 4x12, Fuchs for cleans | distorted | gain 7 · bass 5 · mid 7 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/holy-diver--killswitch-engage--riff--distorted--guitar/
Still Into You — Paramore | Marshall JCM2000 (heavier parts: Mesa/Boogie Dual Rectifier) | distorted | gain 5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/still-into-you--paramore--riff--distorted--guitar/
That's What You Get — Paramore | Marshall JCM2000 (heavier parts: Mesa/Boogie Dual Rectifier) | distorted | gain 6 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/thats-what-you-get--paramore--riff--distorted--guitar/
Ain’t It Fun — Paramore | Marshall JCM2000 (heavier parts: Mesa/Boogie Dual Rectifier) | clean | gain 3 · bass 5.5 · mid 6 · treble 6 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/aint-it-fun--paramore--riff--clean--guitar/
Eternally Yours — Motionless in White | Peavey 6534+ head into Mesa Rectifier 4x12; live/studio Kemper profiles (Diezel-style + Tube Screamer) | distorted | gain 7.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/eternally-yours--motionless-in-white--riff--distorted--guitar/
Voices — Motionless in White | Peavey 6534+ head into Mesa Rectifier 4x12; live/studio Kemper profiles (Diezel-style + Tube Screamer) | distorted | gain 7.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/voices--motionless-in-white--riff--distorted--guitar/
Another Life — Motionless in White | Peavey 6534+ head into Mesa Rectifier 4x12; live/studio Kemper profiles (Diezel-style + Tube Screamer) | distorted | gain 7 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/another-life--motionless-in-white--riff--distorted--guitar/
Sunshine of Your Love — Eric Clapton | 1966 Marshall Super 100 (JTM45/100, KT66 tubes), normal channel, amp run near its threshold | distorted | gain 7 · bass 8 · mid 8 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/sunshine-of-your-love--eric-clapton--riff--distorted--guitar/
White Room — Eric Clapton | 1966 Marshall Super 100 (JTM45/100, KT66 tubes), normal channel, amp run near its threshold | distorted | gain 7 · bass 7 · mid 7.5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/white-room--eric-clapton--riff--distorted--guitar/
Cocaine — Eric Clapton | Fender / clean-headroom amp, light breakup | distorted | gain 4.5 · bass 5.5 · mid 6 · treble 6 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/cocaine--eric-clapton--riff--distorted--guitar/
Manhattan — Eric Johnson | Fender Twin Reverb (clean rhythm side of his rig) | clean | gain 2.5 · bass 5.5 · mid 5 · treble 5.5 · presence 4 · reverb 3 | https://guitartoneadapt.com/tone/manhattan--eric-johnson--riff--clean--guitar/
Trademark — Eric Johnson | 1969 Marshall Super Lead 100W (Plexi), both volumes on 10; clean side uses a Fender Twin Reverb | distorted | gain 7 · bass 5 · mid 4 · treble 4.5 · presence 3.5 · reverb 2 | https://guitartoneadapt.com/tone/trademark--eric-johnson--riff--distorted--guitar/
Zap — Eric Johnson | 1969 Marshall Super Lead 100W (Plexi), both volumes on 10; clean side uses a Fender Twin Reverb | distorted | gain 7 · bass 5 · mid 4.5 · treble 5 · presence 4 · reverb 2 | https://guitartoneadapt.com/tone/zap--eric-johnson--riff--distorted--guitar/
A Forest — The Cure | Roland JC-120 Jazz Chorus (clean, built-in stereo chorus) | clean | gain 2 · bass 5 · mid 5 · treble 6 · presence 5 · reverb 4 | https://guitartoneadapt.com/tone/a-forest--the-cure--riff--clean--guitar/
Just Like Heaven — The Cure | Roland JC-120 Jazz Chorus (clean, built-in stereo chorus) | clean | gain 2.5 · bass 4.5 · mid 5 · treble 6.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/just-like-heaven--the-cure--riff--clean--guitar/
Friday I’m in Love — The Cure | Roland JC-120 Jazz Chorus (clean, built-in stereo chorus) | clean | gain 2 · bass 5 · mid 5 · treble 6.5 · presence 5 · reverb 2.5 | https://guitartoneadapt.com/tone/friday-im-in-love--the-cure--riff--clean--guitar/
Silvera — Gojira | EVH 5150 III "Stealth" 100W into Mesa/Boogie Rectifier 4x12 | distorted | gain 7.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6.5 · reverb 1.5 | https://guitartoneadapt.com/tone/silvera--gojira--riff--distorted--guitar/
Stranded — Gojira | EVH 5150 III "Stealth" 100W into Mesa/Boogie Rectifier 4x12 | distorted | gain 7.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/stranded--gojira--riff--distorted--guitar/
L'Enfant Sauvage — Gojira | EVH 5150 III "Stealth" 100W into Mesa/Boogie Rectifier 4x12 | distorted | gain 7.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/l-enfant-sauvage--gojira--riff--distorted--guitar/
Dr. Seuss Is Dead — Acid Bath | Marshall JCM900 Dual Reverb 100W OR Randall head (era sources conflict) | distorted | gain 7 · bass 6 · mid 5 · treble 5.5 · presence 5 · reverb 1.5 | https://guitartoneadapt.com/tone/dr-seuss-is-dead--acid-bath--riff--distorted--guitar/
Graveflower — Acid Bath | Marshall JCM900 Dual Reverb 100W OR Randall head (era sources conflict) | distorted | gain 7 · bass 6 · mid 5 · treble 5.5 · presence 5 · reverb 1.5 | https://guitartoneadapt.com/tone/graveflower--acid-bath--riff--distorted--guitar/
Scream of the Butterfly — Acid Bath | Marshall JCM900 Dual Reverb 100W OR Randall head (era sources conflict) | clean | gain 2.5 · bass 5.5 · mid 5.5 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/scream-of-the-butterfly--acid-bath--riff--clean--guitar/
B.Y.O.B. — System of a Down | Marshall JCM800 / Friedman-modded JMP100 (records: Mesa Dual/Triple Rectifier) | distorted | gain 7.5 · bass 5 · mid 6.5 · treble 6 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/byob--system-of-a-down--riff--distorted--guitar/
Hypnotize — System of a Down | Marshall JCM800 / Friedman-modded JMP100 (records: Mesa Dual/Triple Rectifier) | distorted | gain 7 · bass 5 · mid 6.5 · treble 6 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/hypnotize--system-of-a-down--riff--distorted--guitar/
Lonely Day — System of a Down | Marshall JCM800 / Friedman-modded JMP100 (records: Mesa Dual/Triple Rectifier) | distorted | gain 6 · bass 5 · mid 6.5 · treble 6 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/lonely-day--system-of-a-down--riff--distorted--guitar/
Before I Forget — Slipknot | Mick Thomson: Rivera KR-7 / Jim Root: Orange Rockerverb 100 into V30 4x12 | distorted | gain 8 · bass 6.5 · mid 4.5 · treble 6 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/before-i-forget--slipknot--riff--distorted--guitar/
Wait and Bleed — Slipknot | Mick Thomson: Rivera KR-7 / Jim Root: Orange Rockerverb 100 into V30 4x12 | distorted | gain 7.5 · bass 6 · mid 5 · treble 6 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/wait-and-bleed--slipknot--riff--distorted--guitar/
Sulfur — Slipknot | Mick Thomson: Rivera KR-7 / Jim Root: Orange Rockerverb 100 into V30 4x12 | distorted | gain 8 · bass 6.5 · mid 4.5 · treble 6 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/sulfur--slipknot--riff--distorted--guitar/
This Charming Man — The Smiths | Fender Twin Reverb + Roland JC-120 (run together) — Twin for low-mids/reverb, JC-120 for chimey top | clean | gain 2 · bass 4 · mid 6.5 · treble 7.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/this-charming-man--the-smiths--riff--clean--guitar/
There Is a Light That Never Goes Out — The Smiths | Fender Twin Reverb + Roland JC-120 (run together) — Twin for low-mids/reverb, JC-120 for chimey top | clean | gain 2 · bass 4.5 · mid 6.5 · treble 7 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/there-is-a-light-that-never-goes-out--the-smiths--riff--clean--guitar/
How Soon Is Now? — The Smiths | Fender Twin Reverb + Roland JC-120 (run together) — Twin for low-mids/reverb, JC-120 for chimey top | clean | gain 3 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 4 | https://guitartoneadapt.com/tone/how-soon-is-now--the-smiths--riff--clean--guitar/
Plug In Baby — Muse | Vox AC30 blended with Diezel VH4 (+ Marshall DSL100); later Kemper / Axe-FX | distorted | gain 7.5 · bass 4.5 · mid 6.5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/plug-in-baby--muse--riff--distorted--guitar/
Hysteria — Muse | Vox AC30 blended with Diezel VH4 (+ Marshall DSL100); later Kemper / Axe-FX | distorted | gain 7.5 · bass 5 · mid 6.5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/hysteria--muse--riff--distorted--guitar/
Knights of Cydonia — Muse | Vox AC30 blended with Diezel VH4 (+ Marshall DSL100); later Kemper / Axe-FX | distorted | gain 7 · bass 4.5 · mid 6.5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/knights-of-cydonia--muse--riff--distorted--guitar/
No One Knows — Queens of the Stone Age | Ampeg VT-40 (Baxandall EQ mid-push) — the QOTSA amp | distorted | gain 6 · bass 6.5 · mid 6.5 · treble 6 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/no-one-knows--queens-of-the-stone-age--riff--distorted--guitar/
Go With the Flow — Queens of the Stone Age | Ampeg VT-40 (Baxandall EQ mid-push) — the QOTSA amp | distorted | gain 6.5 · bass 6.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/go-with-the-flow--queens-of-the-stone-age--riff--distorted--guitar/
Little Sister — Queens of the Stone Age | Ampeg VT-40 (Baxandall EQ mid-push) — the QOTSA amp | distorted | gain 5.5 · bass 6.5 · mid 7 · treble 6 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/little-sister--queens-of-the-stone-age--riff--distorted--guitar/
Black Hole Sun — Soundgarden | Mesa/Boogie Trem-o-Verb + Electra Dyne (earlier: Mesa Dual Rectifier / Peavey VTM-120) | distorted | gain 4 · bass 6 · mid 5.5 · treble 6 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/black-hole-sun--soundgarden--riff--distorted--guitar/
Spoonman — Soundgarden | Mesa/Boogie Trem-o-Verb + Electra Dyne (earlier: Mesa Dual Rectifier / Peavey VTM-120) | distorted | gain 7 · bass 6 · mid 6 · treble 6 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/spoonman--soundgarden--riff--distorted--guitar/
Outshined — Soundgarden | Mesa/Boogie Trem-o-Verb + Electra Dyne (earlier: Mesa Dual Rectifier / Peavey VTM-120) | distorted | gain 7 · bass 6.5 · mid 6 · treble 6 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/outshined--soundgarden--riff--distorted--guitar/
Lonely Boy — The Black Keys | Marshall JTM-45 + Fender Quad Reverb + Victoria Dual Deluxe (all on, edge of breakup) | distorted | gain 6 · bass 5.5 · mid 6 · treble 6 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/lonely-boy--the-black-keys--riff--distorted--guitar/
Gold on the Ceiling — The Black Keys | Marshall JTM-45 + Fender Quad Reverb + Victoria Dual Deluxe (all on, edge of breakup) | distorted | gain 6 · bass 5.5 · mid 6.5 · treble 6 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/gold-on-the-ceiling--the-black-keys--riff--distorted--guitar/
Tighten Up — The Black Keys | Marshall JTM-45 + Fender Quad Reverb + Victoria Dual Deluxe (all on, edge of breakup) | distorted | gain 5 · bass 6 · mid 6 · treble 5.5 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/tighten-up--the-black-keys--riff--distorted--guitar/
Like a Stone — Audioslave | Marshall JCM800 2205 (50W, overdrive channel) into a Peavey 4x12 | distorted | gain 7 · bass 7 · mid 7.5 · treble 7 · presence 6.5 · reverb 3 | https://guitartoneadapt.com/tone/like-a-stone--audioslave--solo--distorted--guitar/
Cochise — Audioslave | Marshall JCM800 2205 (50W, overdrive channel) into a Peavey 4x12 | distorted | gain 8.5 · bass 8 · mid 8 · treble 7 · presence 7 · reverb 2 | https://guitartoneadapt.com/tone/cochise--audioslave--riff--distorted--guitar/
Show Me How to Live — Audioslave | Marshall JCM800 2205 (50W, overdrive channel) into a Peavey 4x12 | distorted | gain 8.5 · bass 8 · mid 8 · treble 7 · presence 7 · reverb 1.5 | https://guitartoneadapt.com/tone/show-me-how-to-live--audioslave--riff--distorted--guitar/
Seven Nation Army — The White Stripes | Sears Silvertone 1485 (Ch2, Vol 6, Bass 5, Treble 7) | distorted | gain 5 · bass 5 · mid 6 · treble 7 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/seven-nation-army--the-white-stripes--riff--distorted--guitar/
Fell in Love with a Girl — The White Stripes | Sears Silvertone 1485 (Ch2, Vol 6, Bass 5, Treble 7) | distorted | gain 7 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/fell-in-love-with-a-girl--the-white-stripes--riff--distorted--guitar/
The Hardest Button to Button — The White Stripes | Sears Silvertone 1485 (Ch2, Vol 6, Bass 5, Treble 7) | distorted | gain 6.5 · bass 5.5 · mid 6 · treble 6.5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/the-hardest-button-to-button--the-white-stripes--riff--distorted--guitar/
Plush — Stone Temple Pilots | Marshall 4x12 (V30) driven by a VHT/Demeter rig; record tone: ’57 Les Paul TV into a ’66 Marshall 18-watt combo; clean Vox AC30 in the mix | distorted | gain 5.5 · bass 5.5 · mid 6.5 · treble 6 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/plush--stone-temple-pilots--riff--distorted--guitar/
Interstate Love Song — Stone Temple Pilots | Marshall 4x12 (V30) driven by a VHT/Demeter rig; record tone: ’57 Les Paul TV into a ’66 Marshall 18-watt combo; clean Vox AC30 in the mix | distorted | gain 5 · bass 5.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/interstate-love-song--stone-temple-pilots--riff--distorted--guitar/
Vasoline — Stone Temple Pilots | Marshall 4x12 (V30) driven by a VHT/Demeter rig; record tone: ’57 Les Paul TV into a ’66 Marshall 18-watt combo; clean Vox AC30 in the mix | distorted | gain 6 · bass 6 · mid 6.5 · treble 6 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/vasoline--stone-temple-pilots--riff--distorted--guitar/
Back in Black — AC/DC | 100-watt Marshall Super Lead (Plexi) / Marshall 2203 JMP — power-amp saturation, NOT a high-gain preamp | distorted | gain 5 · bass 5 · mid 6 · treble 5.5 · presence 3.5 · reverb 1 | https://guitartoneadapt.com/tone/back-in-black--ac-dc--riff--distorted--guitar/
Highway to Hell — AC/DC | 100-watt Marshall Super Lead (Plexi) / Marshall 2203 JMP — power-amp saturation, NOT a high-gain preamp | distorted | gain 5 · bass 5 · mid 6 · treble 5.5 · presence 4 · reverb 1 | https://guitartoneadapt.com/tone/highway-to-hell--ac-dc--riff--distorted--guitar/
Thunderstruck — AC/DC | 100-watt Marshall Super Lead (Plexi) / Marshall 2203 JMP — power-amp saturation, NOT a high-gain preamp | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 4 · reverb 1 | https://guitartoneadapt.com/tone/thunderstruck--ac-dc--riff--distorted--guitar/
Crazy Train — Ozzy Osbourne | Marshall 1959 Super Lead (Non-Master 100W Plexi) | distorted | gain 7 · bass 3.5 · mid 6 · treble 6.5 · presence 5 · reverb 1.5 | https://guitartoneadapt.com/tone/crazy-train--ozzy-osbourne--riff--distorted--guitar/
Flying High Again — Ozzy Osbourne | Marshall 1959 Super Lead (Non-Master 100W Plexi) | distorted | gain 7 · bass 3.5 · mid 6 · treble 6.5 · presence 5 · reverb 1.5 | https://guitartoneadapt.com/tone/flying-high-again--ozzy-osbourne--riff--distorted--guitar/
Whole Lotta Love — Led Zeppelin | Supro Thunderbolt cranked (first-album sound) — Number One Les Paul | distorted | gain 6 · bass 6.5 · mid 5.5 · treble 7 · presence 7 · reverb 2 | https://guitartoneadapt.com/tone/whole-lotta-love--led-zeppelin--riff--distorted--guitar/
Black Dog — Led Zeppelin | Les Paul into a console/cranked Marshall | distorted | gain 5.5 · bass 7 · mid 5.5 · treble 7 · presence 7 · reverb 1.5 | https://guitartoneadapt.com/tone/black-dog--led-zeppelin--riff--distorted--guitar/
Immigrant Song — Led Zeppelin | Marshall 1959 Super Lead (Number One Les Paul) | distorted | gain 6 · bass 6.5 · mid 6 · treble 7 · presence 7 · reverb 1.5 | https://guitartoneadapt.com/tone/immigrant-song--led-zeppelin--riff--distorted--guitar/
Sweet Home Alabama — Lynyrd Skynyrd | Peavey Mace (1971) with 4x12 / 2x12 — big clean power, biting top | distorted | gain 4.5 · bass 4.5 · mid 6 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/sweet-home-alabama--lynyrd-skynyrd--riff--distorted--guitar/
Free Bird — Lynyrd Skynyrd | Peavey Mace (1971) with 4x12 / 2x12 — big clean power, biting top | distorted | gain 5 · bass 4.5 · mid 5.5 · treble 6.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/free-bird--lynyrd-skynyrd--riff--distorted--guitar/
Simple Man — Lynyrd Skynyrd | Peavey Mace (1971) with 4x12 / 2x12 — big clean power, biting top | distorted | gain 4.5 · bass 5 · mid 6 · treble 6 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/simple-man--lynyrd-skynyrd--riff--distorted--guitar/
Walk This Way — Aerosmith | Cranked vintage Marshall Plexi / Super Lead (Walk This Way: Ampeg V-2, Mid 8 @ ~800Hz, Bass 3, Treble 6) | distorted | gain 5 · bass 4 · mid 7.5 · treble 6 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/walk-this-way--aerosmith--riff--distorted--guitar/
Sweet Emotion — Aerosmith | Cranked vintage Marshall Plexi / Super Lead (Walk This Way: Ampeg V-2, Mid 8 @ ~800Hz, Bass 3, Treble 6) | distorted | gain 5 · bass 5 · mid 6.5 · treble 6 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/sweet-emotion--aerosmith--riff--distorted--guitar/
Dream On — Aerosmith | Cranked vintage Marshall Plexi / Super Lead (Walk This Way: Ampeg V-2, Mid 8 @ ~800Hz, Bass 3, Treble 6) | distorted | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/dream-on--aerosmith--riff--distorted--guitar/
La Grange — ZZ Top | Marshall 1968 Super Lead (Plexi), power-amp driven | distorted | gain 6 · bass 6 · mid 7 · treble 5.5 · presence 5 · reverb 1.5 | https://guitartoneadapt.com/tone/la-grange--zz-top--riff--distorted--guitar/
Sharp Dressed Man — ZZ Top | Marshall 1968 Super Lead (Plexi), power-amp driven | distorted | gain 6 · bass 6 · mid 7 · treble 5.5 · presence 5 · reverb 1.5 | https://guitartoneadapt.com/tone/sharp-dressed-man--zz-top--riff--distorted--guitar/
Gimme All Your Lovin' — ZZ Top | Marshall 1968 Super Lead (Plexi), power-amp driven | distorted | gain 6 · bass 6 · mid 7 · treble 5.5 · presence 5 · reverb 1.5 | https://guitartoneadapt.com/tone/gimme-all-your-lovin--zz-top--riff--distorted--guitar/
Wonderwall — Oasis | Acoustic (no amp) — Epiphone J45, capo 2nd fret | clean | gain 2 · bass 5 · mid 6 · treble 6.5 · presence 5 · reverb 2.5 | https://guitartoneadapt.com/tone/wonderwall--oasis--riff--clean--guitar/
Don't Look Back in Anger — Oasis | Marshall JCM900 / Bluesbreaker (later Hiwatt) with an Ibanez TS9 | distorted | gain 4.5 · bass 5 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/dont-look-back-in-anger--oasis--riff--distorted--guitar/
Champagne Supernova — Oasis | Marshall JCM900 / Bluesbreaker (later Hiwatt) with an Ibanez TS9 | distorted | gain 4 · bass 5 · mid 6 · treble 6.5 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/champagne-supernova--oasis--riff--distorted--guitar/
Fortunate Son — Creedence Clearwater Revival | Kustom 200A4 (built-in vibrato + fuzz circuit) — modern stand-in: Fender Twin Reverb / Blues Deluxe | distorted | gain 4 · bass 5 · mid 6 · treble 7 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/fortunate-son--creedence-clearwater-revival--riff--distorted--guitar/
Bad Moon Rising — Creedence Clearwater Revival | Kustom 200A4 (built-in vibrato + fuzz circuit) — modern stand-in: Fender Twin Reverb / Blues Deluxe | clean | gain 2.5 · bass 4.5 · mid 5.5 · treble 7 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/bad-moon-rising--creedence-clearwater-revival--riff--clean--guitar/
Have You Ever Seen the Rain — Creedence Clearwater Revival | Kustom 200A4 (built-in vibrato + fuzz circuit) — modern stand-in: Fender Twin Reverb / Blues Deluxe | clean | gain 2 · bass 5 · mid 6 · treble 6.5 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/have-you-ever-seen-the-rain--creedence-clearwater-revival--riff--clean--guitar/
Born to Be Wild — Steppenwolf | Fender Concert / Band Master (later Rickenbacker / Marshall) — any cranked Fender combo works | distorted | gain 5 · bass 4.5 · mid 6.5 · treble 6.5 · presence 5 · reverb 1.5 | https://guitartoneadapt.com/tone/born-to-be-wild--steppenwolf--riff--distorted--guitar/
Magic Carpet Ride — Steppenwolf | Fender Concert / Band Master (later Rickenbacker / Marshall) — any cranked Fender combo works | distorted | gain 4.5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/magic-carpet-ride--steppenwolf--riff--distorted--guitar/
Do I Wanna Know? — Arctic Monkeys | Orange Rockerverb 100 (rich British overdrive) | distorted | gain 6 · bass 6 · mid 6 · treble 5 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/do-i-wanna-know--arctic-monkeys--riff--distorted--guitar/
Buddy Holly — Weezer | Mesa/Boogie Mk1 atop a Marshall cab (recorded low-volume, high gain + high mic level) | distorted | gain 6.5 · bass 6 · mid 5 · treble 6.5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/buddy-holly--weezer--riff--distorted--guitar/
Verbatim — Mother Mother | Fender-style clean combo with light breakup (estimated — Mother Mother’s exact rig is undocumented) | clean | gain 3 · bass 5 · mid 6 · treble 6.5 · presence 5 · reverb 2.5 | https://guitartoneadapt.com/tone/verbatim--mother-mother--riff--clean--guitar/
Heroes — David Bowie | Hiwatt (with Hiwatt cabs) — feedback-driven sustain | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/heroes--david-bowie--riff--distorted--guitar/
Ziggy Stardust — David Bowie | Marshall Major "The Pig" (200W) — cranked | distorted | gain 5.5 · bass 5 · mid 7 · treble 6 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/ziggy-stardust--david-bowie--riff--distorted--guitar/
Suffragette City — David Bowie | Marshall Major "The Pig" (200W) — cranked | distorted | gain 6 · bass 5 · mid 7 · treble 6.5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/suffragette-city--david-bowie--riff--distorted--guitar/
The Trooper — Iron Maiden | Marshall (JVM / DSL100) with 1960 cabs | distorted | gain 6 · bass 4.5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/the-trooper--iron-maiden--riff--distorted--guitar/
Run to the Hills — Iron Maiden | Marshall (JVM / DSL100) with 1960 cabs | distorted | gain 6 · bass 4.5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/run-to-the-hills--iron-maiden--riff--distorted--guitar/
Misirlou — Dick Dale | Fender Dual Showman (JBL D130F 15" speakers) + outboard Fender spring reverb | clean | gain 1.5 · bass 5 · mid 5 · treble 7 · presence 6 · reverb 8 | https://guitartoneadapt.com/tone/misirlou--dick-dale--riff--clean--guitar/
Eye of the Tiger — Survivor | 100-watt Marshall JMP (the actual amp used to record it) / Fender Hot Rod DeVille | distorted | gain 5.5 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/eye-of-the-tiger--survivor--riff--distorted--guitar/
All Right Now — Free | Marshall head + (homemade) cabinet — cranked for natural breakup | distorted | gain 4.5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/all-right-now--free--riff--distorted--guitar/
Wild Thing — The Troggs | 1960s Vox amp (light overdrive) | distorted | gain 4.5 · bass 4 · mid 5 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/wild-thing--the-troggs--riff--distorted--guitar/
Green Onions — Booker T & the M.G.'s | Small tweed Fender Harvard, turned up to the edge of breakup | clean | gain 3 · bass 4.5 · mid 5.5 · treble 7 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/green-onions--booker-t-the-m-g-s--riff--clean--guitar/
Johnny B. Goode — Chuck Berry | Fender tweed (Bassman / Pro / Deluxe) on the edge of breakup | clean | gain 3 · bass 5 · mid 6 · treble 7 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/johnny-b-goode--chuck-berry--riff--clean--guitar/
More Than a Feeling — Boston | Modified 100W Marshall Super Lead Plexi + Echoplex EP-3 (later Tom Scholz Rockman) | distorted | gain 6 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/more-than-a-feeling--boston--riff--distorted--guitar/
My Sharona — The Knack | Mesa/Boogie Mark I (slightly overdriven — clarity with sustain) | distorted | gain 5 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/my-sharona--the-knack--riff--distorted--guitar/
Where Is My Mind? — Pixies | Marshall JCM800 50W (dirty) / Fender Vibrolux Reverb on 7 (clean intro) | distorted | gain 5 · bass 6 · mid 4 · treble 7 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/where-is-my-mind--pixies--riff--distorted--guitar/
I Love Rock 'n' Roll — Joan Jett | circa 1978-79 Music Man 212-HD 130 (Bright input, Volume 10, Treble 8, Mid 7, Bass 3, Master 3) | distorted | gain 5 · bass 3 · mid 7 · treble 8 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/i-love-rock-n-roll--joan-jett--riff--distorted--guitar/
Should I Stay or Should I Go — The Clash | Cranked combo set bright and mid-gain (Mick Jones favored Marshalls / a Les Paul Junior style bite) | distorted | gain 4.5 · bass 3.5 · mid 5.5 · treble 8 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/should-i-stay-or-should-i-go--the-clash--riff--distorted--guitar/
Barracuda — Heart | Music Man head (cranked) with a slow flanger on the gallop | distorted | gain 5.5 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/barracuda--heart--riff--distorted--guitar/
Livin' on a Prayer — Bon Jovi | Cranked Marshall-style amp + a TALK BOX on the main riff | distorted | gain 5 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/livin-on-a-prayer--bon-jovi--riff--distorted--guitar/
Message in a Bottle — The Police | Clean amp (bright, glassy) + Electric Mistress chorus/flange | clean | gain 2.5 · bass 4.5 · mid 5.5 · treble 7 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/message-in-a-bottle--the-police--riff--clean--guitar/
Down with the Sickness — Disturbed | Mesa/Boogie Triple Rectifier (scooped, high gain) | distorted | gain 8 · bass 6 · mid 3 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/down-with-the-sickness--disturbed--riff--distorted--guitar/
Du Hast — Rammstein | Mesa/Boogie Triple Rectifier / Soldano (high gain, tight) | distorted | gain 8 · bass 6 · mid 5 · treble 6 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/du-hast--rammstein--riff--distorted--guitar/
Raining Blood — Slayer | Marshall JCM800 2203 + an overdrive boost (gain past noon) | distorted | gain 8 · bass 7 · mid 2 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/raining-blood--slayer--riff--distorted--guitar/
Panama — Van Halen | Marshall Super Lead Plexi, cranked (power-starved with a variac for the "brown sound") | distorted | gain 6 · bass 7.5 · mid 7.5 · treble 9 · presence 7 · reverb 3 | https://guitartoneadapt.com/tone/panama--van-halen--riff--distorted--guitar/
Bleed — Meshuggah | High-gain amp (Meshuggah used Line 6/Fractal-era modelling and high-gain heads), tight and gated | distorted | gain 8 · bass 5 · mid 5.5 · treble 5 · presence 4.5 · reverb 0.5 | https://guitartoneadapt.com/tone/bleed--meshuggah--riff--distorted--guitar/
American Girl — Tom Petty | Vox AC30 (jangly chime) | clean | gain 2.5 · bass 4.5 · mid 5.5 · treble 7.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/american-girl--tom-petty--riff--clean--guitar/
The Less I Know the Better — Tame Impala | Vox AC30 (handwired AC30H2) | clean | gain 2.5 · bass 5 · mid 5.5 · treble 6.5 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/the-less-i-know-the-better--tame-impala--riff--clean--guitar/
Africa — Toto | Fender Twin-style clean combo (Lukather also favors Bogner Ecstasy / Mesa Mark series) | clean | gain 2 · bass 5 · mid 5.5 · treble 6.5 · presence 5.5 · reverb 3.5 | https://guitartoneadapt.com/tone/africa--toto--riff--clean--guitar/
Voodoo Child (Slight Return) — The Jimi Hendrix Experience | Cranked Marshall stack (natural tube overdrive) | distorted | gain 6 · bass 6 · mid 6 · treble 6 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/voodoo-child-slight-return--jimi-hendrix--riff--distorted--guitar/
Californication — Red Hot Chili Peppers | Marshall JTM-45 / Super Bass — clean to edge-of-breakup, vintage (Fender-ish) voicing | clean | gain 2.5 · bass 4 · mid 6 · treble 7 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/californication--red-hot-chili-peppers--riff--clean--guitar/
White Room — Cream | Marshall 50W head + 4x12 (25W Greenbacks) — all controls on 10 | distorted | gain 6 · bass 6 · mid 7 · treble 5 · presence 5 · reverb 1.5 | https://guitartoneadapt.com/tone/white-room--cream--riff--distorted--guitar/
Boulevard of Broken Dreams — Green Day | Marshall-style amp, medium gain, slightly scooped mids | distorted | gain 4 · bass 6.5 · mid 4.5 · treble 6 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/boulevard-of-broken-dreams--green-day--riff--distorted--guitar/
Hot for Teacher — Van Halen | Marshall Super Lead Plexi, cranked (variac power-starved "brown sound") | distorted | gain 6 · bass 7 · mid 7 · treble 9 · presence 7 · reverb 2.5 | https://guitartoneadapt.com/tone/hot-for-teacher--van-halen--riff--distorted--guitar/
War Pigs — Black Sabbath | Modified Laney LA100 BL + Dallas Rangemaster treble booster | distorted | gain 5.5 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/war-pigs--black-sabbath--riff--distorted--guitar/
Highway Star — Deep Purple | Marshall Major (with Vox AC30-style character) + treble booster + tape echo | distorted | gain 5.5 · bass 8 · mid 5 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/highway-star--deep-purple--riff--distorted--guitar/
Breaking the Law — Judas Priest | Marshall Super Lead (high gain, tight) | distorted | gain 7 · bass 6 · mid 4.5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/breaking-the-law--judas-priest--riff--distorted--guitar/
Zombie — The Cranberries | Vox AC30 (with a Big Muff into it for the heavy chorus) | distorted | gain 6 · bass 5 · mid 6.5 · treble 6 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/zombie--the-cranberries--riff--distorted--guitar/
Mr. Brightside — The Killers | Vox AC30 (chimey, midrange-forward, light breakup) | clean | gain 3.5 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/mr-brightside--the-killers--riff--clean--guitar/
Take Me Out — Franz Ferdinand | Vox AC30 (rich breakup at volume) | distorted | gain 5 · bass 4 · mid 5.5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/take-me-out--franz-ferdinand--riff--distorted--guitar/
Wanted Dead or Alive — Bon Jovi | Clean amp (sparkling American clean) + chorus & delay; electric solo into Marshall JCM800 | clean | gain 2.5 · bass 5 · mid 5.5 · treble 6.5 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/wanted-dead-or-alive--bon-jovi--riff--clean--guitar/
You Give Love a Bad Name — Bon Jovi | Marshall JCM800 (overdriven crunch) | distorted | gain 6 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/you-give-love-a-bad-name--bon-jovi--riff--distorted--guitar/
It's My Life — Bon Jovi | Marshall crunch + a TALK BOX on the main riff | distorted | gain 5.5 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/its-my-life--bon-jovi--riff--distorted--guitar/
Fear of the Dark — Iron Maiden | Marshall JVM410H + 1960A 4x12 (tight British high-gain) | distorted | gain 6.5 · bass 4.5 · mid 6.5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/fear-of-the-dark--iron-maiden--riff--distorted--guitar/
Kickstart My Heart — Mötley Crüe | Soldano SLO-100 + Marshall 4x12 (with a Boss SD-1 in front) | distorted | gain 7 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/kickstart-my-heart--m-tley-cr-e--riff--distorted--guitar/
Paint It Black — The Rolling Stones | Clean/edge-of-breakup amp (bright) — to mimic the droning sitar line on guitar | clean | gain 2.5 · bass 4.5 · mid 6 · treble 7 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/paint-it-black--the-rolling-stones--riff--clean--guitar/
Hallowed Be Thy Name — Iron Maiden | Marshall (JVM/Super Lead) + 1960 cab — tight British high-gain | distorted | gain 6.5 · bass 4.5 · mid 6.5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/hallowed-be-thy-name--iron-maiden--riff--distorted--guitar/
Dr. Feelgood — Mötley Crüe | 1973 100W Marshall Super Lead (modded by José Arredondo) + Mesa/Boogie for low end | distorted | gain 6.5 · bass 5.5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/dr-feelgood--m-tley-cr-e--riff--distorted--guitar/
Gimme Shelter — The Rolling Stones | Amp set "not quite clean" (edge of breakup), with subtle tremolo | clean | gain 3 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/gimme-shelter--the-rolling-stones--riff--clean--guitar/
Losing My Religion — R.E.M. | Clean amp (bright, jangly) — the original riff is a MANDOLIN | clean | gain 1.5 · bass 4 · mid 5.5 · treble 7.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/losing-my-religion--r-e-m--riff--clean--guitar/
Alive — Pearl Jam | Marshall JCM800 2203 (with an Ibanez TS-9 boosting the dirty amp) | distorted | gain 6 · bass 5 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/alive--pearl-jam--riff--distorted--guitar/
Where the Streets Have No Name — U2 | Vox AC30 (bright, chiming) — defined by a dotted-eighth dual delay | clean | gain 2.5 · bass 4.5 · mid 5.5 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/where-the-streets-have-no-name--u2--riff--clean--guitar/
While My Guitar Gently Weeps — The Beatles | Fender Deluxe (small, cranked) — solo flanged with tape | distorted | gain 5 · bass 5.5 · mid 6.5 · treble 4.5 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/while-my-guitar-gently-weeps--the-beatles--solo--distorted--guitar/
Iris — Goo Goo Dolls | Matchless HC-30 (loud, chimey) — droning open tuning | clean | gain 3 · bass 5 · mid 5.5 · treble 6.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/iris--goo-goo-dolls--riff--clean--guitar/
Psycho Killer — Talking Heads | Clean amp (bright, tight) — exact rig not well documented | clean | gain 2 · bass 4.5 · mid 5.5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/psycho-killer--talking-heads--riff--clean--guitar/
Love Will Tear Us Apart — Joy Division | Vox UL730 (recording) — modern reference: Roland JC-120 Jazz Chorus | clean | gain 1.5 · bass 4 · mid 5 · treble 7 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/love-will-tear-us-apart--joy-division--riff--clean--guitar/
Blitzkrieg Bop — Ramones | Marshall Super Lead / JCM800 2203 — bright, cutting, NO pedals | distorted | gain 5.5 · bass 4 · mid 6 · treble 7.5 · presence 6.5 · reverb 1 | https://guitartoneadapt.com/tone/blitzkrieg-bop--ramones--riff--distorted--guitar/
Reptilia — The Strokes | Fender Hot Rod DeVille (run clean) + a Visual Sound Jekyll & Hyde overdrive (MXR Micro Amp for leads) | distorted | gain 4.5 · bass 4 · mid 6.5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/reptilia--the-strokes--riff--distorted--guitar/
The Thrill Is Gone — B.B. King | Clean amp with light natural breakup (B.B. used Gibson LP-1/LP-2; a clean Fender works) | clean | gain 3 · bass 3 · mid 6 · treble 6 · presence 7 · reverb 2.5 | https://guitartoneadapt.com/tone/the-thrill-is-gone--b-b-king--solo--clean--guitar/
Texas Flood — Stevie Ray Vaughan & Double Trouble | Fender Vibroverb / ’68 Custom Pro Reverb, boosted by an Ibanez TS-808/TS-9 (the only pedal) | distorted | gain 5.5 · bass 5 · mid 6.5 · treble 6 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/texas-flood--stevie-ray-vaughan-double-trouble--solo--distorted--guitar/
Still Got the Blues — Gary Moore | Marshall JTM45 Reissue + 1960B cab, boosted by a Marshall Guv’nor (mid boost) | distorted | gain 6 · bass 5 · mid 7.5 · treble 5.5 · presence 5 · reverb 2.5 | https://guitartoneadapt.com/tone/still-got-the-blues--gary-moore--solo--distorted--guitar/
Go Your Own Way — Fleetwood Mac | Hiwatt Custom 100 (clean, mid-rich) / any clean-headroom amp | distorted | gain 3.5 · bass 4.5 · mid 5.5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/go-your-own-way--fleetwood-mac--riff--distorted--guitar/
Don't Stop Believin' — Journey | Marshall JCM800, run hot — singing tube overdrive | distorted | gain 6 · bass 5 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/dont-stop-believin--journey--solo--distorted--guitar/
Carry On Wayward Son — Kansas | Cranked tube amp, mid-rich (exact amp not well documented) | distorted | gain 5.5 · bass 5 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/carry-on-wayward-son--kansas--riff--distorted--guitar/
The Boys Are Back in Town — Thin Lizzy | Marshall JMP 1959 Super Lead — articulate overdrive | distorted | gain 6 · bass 6 · mid 7 · treble 6 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/the-boys-are-back-in-town--thin-lizzy--riff--distorted--guitar/
Roadhouse Blues — The Doors | Fender Twin Reverb, cranked LOUD (volume-knob clean↔dirty) | distorted | gain 4.5 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/roadhouse-blues--the-doors--riff--distorted--guitar/
Ramblin' Man — The Allman Brothers Band | 100W Marshall (clean-ish, cranked LOUD) with JBL speakers — no pedals | distorted | gain 4.5 · bass 5 · mid 6.5 · treble 6 · presence 5 · reverb 2.5 | https://guitartoneadapt.com/tone/ramblin-man--the-allman-brothers-band--riff--distorted--guitar/
Brutal — Olivia Rodrigo | Amp in overdrive/distortion mode (Dan Nigro played the guitars) | distorted | gain 6 · bass 5 · mid 5.5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/brutal--olivia-rodrigo--riff--distorted--guitar/
Hayloft — Mother Mother | Mid-gain overdrive (amp channel or pedal) — raw and gritty | distorted | gain 5.5 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 1.5 | https://guitartoneadapt.com/tone/hayloft--mother-mother--riff--distorted--guitar/
Le Freak — Chic | Ultra-clean Fender Deluxe Reverb (or direct into the desk) — bass reduced | clean | gain 1 · bass 3 · mid 5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/le-freak--chic--riff--clean--guitar/
Kiss — Prince | Deceptively CLEAN amp (Mesa/Boogie Mark IIB, crystal-clear) or direct | clean | gain 1.5 · bass 3.5 · mid 5 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/kiss--prince--riff--clean--guitar/
Life in the Fast Lane — Eagles | Tweed Fender Deluxe (5E3), cranked — gritty | distorted | gain 5 · bass 5 · mid 6.5 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/life-in-the-fast-lane--eagles--riff--distorted--guitar/
Rocky Mountain Way — Joe Walsh | Tweed Fender Champ, cranked (slide tone) + a TALK BOX (driven by a Roland Cube) | distorted | gain 5 · bass 5 · mid 6.5 · treble 6 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/rocky-mountain-way--joe-walsh--riff--distorted--guitar/
Only Shallow — My Bloody Valentine | Amp distortion (Fender Showman / Burman) with amp TREMOLO running | distorted | gain 6 · bass 5 · mid 5 · treble 6 · presence 5 · reverb 4 | https://guitartoneadapt.com/tone/only-shallow--my-bloody-valentine--riff--distorted--guitar/
Never Meant — American Football | Clean amp (bright, sparkling) — the tuning does the work | clean | gain 1.5 · bass 4.5 · mid 5.5 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/never-meant--american-football--riff--clean--guitar/
Guitar to Kodoku to Aoi Hoshi — Kessoku Band | Bogner Ecstasy head + 4x12 (bright, articulate high-gain crunch) | distorted | gain 6 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/guitar-to-kodoku-to-aoi-hoshi--kessoku-band--riff--distorted--guitar/
Rewrite — Asian Kung-Fu Generation | Fender Supersonic (distortion channel) / ’65 Twin Reverb (cleans), boosted | distorted | gain 5.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/rewrite--asian-kung-fu-generation--riff--distorted--guitar/
Seishun Complex — Kessoku Band | Bright J-rock high-gain crunch (Bogner-style; guitar by Ritsuo Mitsui) | distorted | gain 6 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/seishun-complex--kessoku-band--riff--distorted--guitar/
The Beginning — ONE OK ROCK | Friedman BE-100 (tight, sparkling, mid-rich) — also Orange Micro Terror | distorted | gain 6.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/the-beginning--one-ok-rock--riff--distorted--guitar/
Zenzenzense — RADWIMPS | Bright pop-rock amp, medium crunch (exact rig not well documented) | distorted | gain 4.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/zenzenzense--radwimps--riff--distorted--guitar/
Distortion — Kessoku Band | Bright high-gain crunch (Bogner-style) with a Boss BD-2 Blues Driver + a ProCo RAT for leads | distorted | gain 6 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/distortion--kessoku-band--riff--distorted--guitar/
BFG Division — Mick Gordon | High-gain, hard-gated — heavily re-amped/processed (not a simple amp setting) | distorted | gain 8 · bass 6 · mid 5 · treble 5.5 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/bfg-division--mick-gordon--riff--distorted--guitar/
Kaikai Kitan — Eve | Bright, tight high-gain crunch (exact rig not documented) | distorted | gain 6 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/kaikai-kitan--eve--riff--distorted--guitar/
Live and Learn — Crush 40 | Line 6 POD Pro (amp sim), fed via a VHT Valvulator I tube buffer | distorted | gain 6.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/live-and-learn--crush-40--riff--distorted--guitar/
Oceans (Where Feet May Fail) — Hillsong UNITED | Clean amp (bright) — the delay & reverb do the work | clean | gain 1.5 · bass 4 · mid 5 · treble 6.5 · presence 5.5 · reverb 6 | https://guitartoneadapt.com/tone/oceans-where-feet-may-fail--hillsong-united--riff--clean--guitar/
Reckless Love — Cory Asbury | Clean amp (bright) — ambient delay & reverb driven | clean | gain 1.5 · bass 4 · mid 5 · treble 6.5 · presence 5.5 · reverb 6 | https://guitartoneadapt.com/tone/reckless-love--cory-asbury--riff--clean--guitar/
De Música Ligera — Soda Stereo | Vox AC30 (main) / Roland JC120, with rack effects (GP-8, TC 2290) | distorted | gain 5 · bass 5 · mid 6 · treble 6.5 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/de-m-sica-ligera--soda-stereo--riff--distorted--guitar/
Entre Dos Tierras — Héroes del Silencio | Marshall JCM 900 Hi Gain (early ’90s) — dark, driving crunch | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/entre-dos-tierras--h-roes-del-silencio--riff--distorted--guitar/
The Rumbling — SiM | High-gain, tight (heavy modern metal) — very low tuning | distorted | gain 8 · bass 6 · mid 5 · treble 6 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/the-rumbling--sim--riff--distorted--guitar/
FREEZE ME UP — SiM | High-gain, tight (heavy modern metal) — SiM’s downtuned style | distorted | gain 7.5 · bass 6 · mid 5.5 · treble 6 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/freeze-me-up--sim--riff--distorted--guitar/
G.O.A.T. — Polyphia | Fractal Axe-FX (Cornford / Matchless-style models) — slightly-compressed clean | clean | gain 3 · bass 7 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/g-o-a-t--polyphia--riff--clean--guitar/
CAFO — Animals as Leaders | Fractal Axe-FX (Friedman BE model) into a Port City power section — 8-string | distorted | gain 7.5 · bass 3.5 · mid 5.5 · treble 6 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/cafo--animals-as-leaders--riff--distorted--guitar/
SPECIALZ — King Gnu | Amp with light-medium crunch — Fender Acoustasonic Telecaster, capo 2nd fret | distorted | gain 4.5 · bass 5 · mid 6 · treble 6 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/specialz--king-gnu--riff--distorted--guitar/
Kaiju no Hanauta — Vaundy | Bright clean-to-light-crunch (exact rig not documented) | clean | gain 2.5 · bass 4.5 · mid 5.5 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/kaiju-no-hanauta--vaundy--riff--clean--guitar/
Thrill — BAND-MAID | Mesa/Boogie Triple Rectifier (Channel 2, Modern mode) — tight high-gain | distorted | gain 7.5 · bass 4.5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/thrill--band-maid--riff--distorted--guitar/
Abnormalize — Ling Tosite Sigure | Fender Twin Reverb (bright, glassy) — with a Barbarossa Gargoyle distortion for the aggressive parts | distorted | gain 5.5 · bass 4 · mid 5.5 · treble 7 · presence 6.5 · reverb 2 | https://guitartoneadapt.com/tone/abnormalize--ling-tosite-sigure--riff--distorted--guitar/
Rules of Nature — Metal Gear Rising | Tight modern metalcore high-gain (exact rig not documented) | distorted | gain 7.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/rules-of-nature--metal-gear-rising--riff--distorted--guitar/
Last Surprise — Persona 5 | Bright, funky clean (acid-jazz) — exact rig not documented | clean | gain 2.5 · bass 4.5 · mid 6 · treble 6.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/last-surprise--persona-5--riff--clean--guitar/
La Celula Que Explota — Caifanes | Fender 65 Deluxe Reverb / Vox AC30 — warm, atmospheric, with delay | distorted | gain 4.5 · bass 5 · mid 6 · treble 6 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/la-celula-que-explota--caifanes--riff--distorted--guitar/
Oye Mi Amor — Mana | Bright Latin pop-rock crunch (exact rig not well documented) | distorted | gain 3.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/oye-mi-amor--mana--riff--distorted--guitar/
Lamento Boliviano — Enanitos Verdes | Fender Blackface Deluxe — bright, warm, medium crunch | distorted | gain 4 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/lamento-boliviano--enanitos-verdes--riff--distorted--guitar/
Ingrata — Cafe Tacvba | Bright driving amp, medium crunch (band uses modulation + analog delay) | distorted | gain 4.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/ingrata--cafe-tacvba--riff--distorted--guitar/
Do It Again — Elevation Worship | Clean amp, low gain (Fender Jazzmaster) — dotted-eighth delay + big reverb | clean | gain 2.5 · bass 4.5 · mid 5 · treble 6.5 · presence 5.5 · reverb 5.5 | https://guitartoneadapt.com/tone/do-it-again--elevation-worship--riff--clean--guitar/
What A Beautiful Name — Hillsong Worship | Clean amp, low drive, ample headroom — big lead with lots of reverb | clean | gain 2 · bass 4.5 · mid 3.5 · treble 6.5 · presence 5.5 · reverb 6 | https://guitartoneadapt.com/tone/what-a-beautiful-name--hillsong-worship--riff--clean--guitar/
No Longer Slaves — Bethel Music | Clean amp, low gain — dotted-eighth delay + big reverb (Bethel ambient build) | clean | gain 2 · bass 4.5 · mid 5 · treble 6.5 · presence 5.5 · reverb 5.5 | https://guitartoneadapt.com/tone/no-longer-slaves--bethel-music--riff--clean--guitar/
Living Hope — Phil Wickham | Clean amp, low gain (PRS Custom 24 / Tele) — Boss DD-500 delay + big reverb | clean | gain 2.5 · bass 4.5 · mid 5 · treble 6.5 · presence 5.5 · reverb 5.5 | https://guitartoneadapt.com/tone/living-hope--phil-wickham--riff--clean--guitar/
Database — MAN WITH A MISSION | Marshall JCM800 (2203/2204) — driving crunch; Big Muff for leads | distorted | gain 5.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/database--man-with-a-mission--riff--distorted--guitar/
Omen — Crossfaith | Blackstar high-gain (Zemaitis guitars) — tight metalcore + electronic | distorted | gain 7.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/omen--crossfaith--riff--distorted--guitar/
Tempo Perdido — Legiao Urbana | Marshall (with a ShredMaster for distortion) — gritty, emotive | distorted | gain 5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/tempo-perdido--legiao-urbana--riff--distorted--guitar/
Meu Erro — Os Paralamas do Sucesso | Bright, jangly amp, light crunch (exact rig not documented) | distorted | gain 3.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/meu-erro--os-paralamas-do-sucesso--riff--distorted--guitar/
So os Loucos Sabem — Charlie Brown Jr | Bright amp, medium crunch (exact rig not documented) | distorted | gain 4 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/so-os-loucos-sabem--charlie-brown-jr--riff--distorted--guitar/
Garota Nacional — Skank | Bright, jangly amp, light crunch (exact rig not documented) | distorted | gain 3.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/garota-nacional--skank--riff--distorted--guitar/
Sonifera Ilha — Titas | Bright amp, medium crunch — Fender Telecaster | distorted | gain 4 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/sonifera-ilha--titas--riff--distorted--guitar/
Mulher de Fases — Raimundos | High-gain amp, tight punk crunch (exact rig not documented) | distorted | gain 6.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/mulher-de-fases--raimundos--riff--distorted--guitar/
El Diablo — Litfiba | Marshall JCM 800 (two heads) — just amp + a Cry Baby wah | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/el-diablo--litfiba--riff--distorted--guitar/
Vita Spericolata — Vasco Rossi | Bright amp, medium crunch (melodic Italian rock) | distorted | gain 4.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/vita-spericolata--vasco-rossi--riff--distorted--guitar/
Certe Notti — Ligabue | Bright amp, driving medium crunch (Italian heartland rock) | distorted | gain 4.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/certe-notti--ligabue--riff--distorted--guitar/
Meraviglioso — Negramaro | Clean-to-light-crunch, lush and reverberant (emotive alt-rock) | distorted | gain 3.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 3.5 | https://guitartoneadapt.com/tone/meraviglioso--negramaro--riff--distorted--guitar/
Tage wie diese — Die Toten Hosen | Engl (Powerball / Blackmore / Artist Edition) — edge-of-breakup punk-rock crunch | distorted | gain 5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/tage-wie-diese--die-toten-hosen--riff--distorted--guitar/
Schrei nach Liebe — Die Arzte | Marshall JMP-1 preamp (also ADA MP-1) — bright driving German punk crunch | distorted | gain 5.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/schrei-nach-liebe--die-arzte--riff--distorted--guitar/
Hier kommt Alex — Die Toten Hosen | Marshall/Engl-style crunch — faster, harder punk than their anthems | distorted | gain 6 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/hier-kommt-alex--die-toten-hosen--riff--distorted--guitar/
Manner sind Schweine — Die Arzte | Marshall JMP-1 preamp — bright, bouncy pop-punk crunch | distorted | gain 5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/manner-sind-schweine--die-arzte--riff--distorted--guitar/
GO — FLOW | High-gain, driving (heavily distorted J-rock/punk) — exact rig not documented | distorted | gain 6.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/go--flow--riff--distorted--guitar/
Samurai Heart — SPYAIR | Driving high-gain (guitar-driven melodic punk-rock) — exact rig not documented | distorted | gain 6 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/samurai-heart--spyair--riff--distorted--guitar/
Cendrillon — Telephone | Vox AC30 pushed to full volume — with a Gibson SG Junior (P90) | distorted | gain 5 · bass 5 · mid 6.5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/cendrillon--telephone--riff--distorted--guitar/
Le Vent Nous Portera — Noir Desir | Vox AC30 / Mesa V-Twin — clean, stripped-down, floating | clean | gain 2.5 · bass 5 · mid 5.5 · treble 6.5 · presence 5.5 · reverb 3 | https://guitartoneadapt.com/tone/le-vent-nous-portera--noir-desir--riff--clean--guitar/
Antisocial — Trust | Marshall-style crunch (Iron Maiden-era influence) — driving French hard rock/metal | distorted | gain 6.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/antisocial--trust--riff--distorted--guitar/
LAventurier — Indochine | Fender Twin Reverb / Princeton — bright clean-to-light-crunch, with slapback echo | distorted | gain 3 · bass 5 · mid 5.5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/laventurier--indochine--riff--distorted--guitar/
Un autre monde — Telephone | Vox AC30 cranked — Gibson SG Junior (P90), driving | distorted | gain 5.5 · bass 5 · mid 6.5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/un-autre-monde--telephone--riff--distorted--guitar/
Jai demande a la lune — Indochine | Bright clean-to-light-crunch (Fender-style) — jangly modern new-wave/pop-rock | distorted | gain 3.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/jai-demande-a-la-lune--indochine--riff--distorted--guitar/
Senden Daha Guzel — Duman | Bright alt-rock amp, medium crunch (grunge-influenced; exact rig not documented) | distorted | gain 4.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/senden-daha-guzel--duman--riff--distorted--guitar/
Cambaz — Mor ve Otesi | Bright, driving alt-rock amp, medium crunch (exact rig not documented) | distorted | gain 5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/cambaz--mor-ve-otesi--riff--distorted--guitar/
Gimme Tha Power — Molotov | Marshall JCM800 (Tito used it until 2003) — heavy rap-metal crunch, with a Gibson Les Paul | distorted | gain 6.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/gimme-tha-power--molotov--riff--distorted--guitar/
Matador — Los Fabulosos Cadillacs | Bright amp, medium crunch — Fender Strat / G&L ASAT, with delay | distorted | gain 4.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/matador--los-fabulosos-cadillacs--riff--distorted--guitar/
Peace of Mind — Boston | Marshall (into the power amp, preamp bypassed) — Tom Scholz’s layered "Boston" wall | distorted | gain 6.5 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/peace-of-mind--boston--riff--distorted--guitar/
Feel Like Makin Love — Bad Company | Ampeg V-4 / Vox AC30 — warm clean verse into a big crunchy chorus | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5.5 · reverb 2 | https://guitartoneadapt.com/tone/feel-like-makin-love--bad-company--riff--distorted--guitar/
You Really Got Me — The Kinks | Elpico AC55 with a SLASHED speaker cone (proto-fuzz), slaved into a Vox AC30 | distorted | gain 7 · bass 4.5 · mid 6 · treble 6.5 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/you-really-got-me--the-kinks--riff--distorted--guitar/
Mary Janes Last Dance — Tom Petty | Fender Vibrolux Reverb, set for edge-of-breakup — Gibson Les Paul, no pedals | distorted | gain 4 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/mary-janes-last-dance--tom-petty--riff--distorted--guitar/
Gurenge — LiSA | Bright, driving high-gain (anime J-rock) — exact rig not documented | distorted | gain 5.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/gurenge--lisa--riff--distorted--guitar/
Feed the Fire — coldrain | Orange Rockerverb 100 — ESP Viper baritone with EMG pickups, tight metalcore | distorted | gain 7.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/feed-the-fire--coldrain--riff--distorted--guitar/
Time of Our Life — DAY6 | Bright pop-rock (Line 6 Helix) — twin guitars: Fender Strat + Gibson Les Paul | distorted | gain 4.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/time-of-our-life--day6--riff--distorted--guitar/
Rooftop — N.Flying | Bright, crisp amp, medium crunch — Fender Telecaster Deluxe / PRS | distorted | gain 4.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/rooftop--n-flying--riff--distorted--guitar/
You Were Beautiful — DAY6 | Bright pop-rock (Line 6 Helix) — Fender Strat + Gibson Les Paul twin guitars | distorted | gain 4 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/you-were-beautiful--day6--riff--distorted--guitar/
Sorry — The Rose | Bright, emotive rock amp, medium crunch (exact rig not documented) | distorted | gain 4 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/sorry--the-rose--riff--distorted--guitar/
Congratulations — DAY6 | Bright pop-rock (Line 6 Helix) — Fender Strat + Gibson Les Paul twin guitars | distorted | gain 4.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/congratulations--day6--riff--distorted--guitar/
Hot Potato — N.Flying | Bright, crisp amp, medium crunch — Fender Telecaster Deluxe / PRS | distorted | gain 5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/hot-potato--n-flying--riff--distorted--guitar/
Gruppa Krovi — Kino | Bright, jangly amp, light crunch — heavy CHORUS + delay (80s Soviet post-punk) | distorted | gain 3.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/gruppa-krovi--kino--riff--distorted--guitar/
Ulitsa Roz — Aria | Marshall-style crunch (classic heavy metal) — with an MXR Phase 9 | distorted | gain 6.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/ulitsa-roz--aria--riff--distorted--guitar/
Zvezda po imeni Solntse — Kino | Bright, jangly amp, light-medium crunch — chorus + delay (late-80s Kino) | distorted | gain 4 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/zvezda-po-imeni-solntse--kino--riff--distorted--guitar/
Krylya — Nautilus Pompilius | Bright, atmospheric amp, medium crunch (exact rig not documented) | distorted | gain 4 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/krylya--nautilus-pompilius--riff--distorted--guitar/
Igra s ognyom — Aria | Marshall-style crunch (classic heavy metal) — Vladimir Holstinin | distorted | gain 6.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/igra-s-ognyom--aria--riff--distorted--guitar/
Chto Takoe Osen — DDT | Bright, warm amp, light-medium crunch (exact rig not documented) | distorted | gain 3.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/chto-takoe-osen--ddt--riff--distorted--guitar/
Sugar Song and Bitter Step — UNISON SQUARE GARDEN | Bogner Shiva (distortion) / Ampeg V4 (cleans) — Strat-type with DiMarzio | distorted | gain 5.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/sugar-song-and-bitter-step--unison-square-garden--riff--distorted--guitar/
Fukagyaku Replace — MY FIRST STORY | Tight high-gain (J-rock/post-hardcore) — exact rig not documented | distorted | gain 6.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/fukagyaku-replace--my-first-story--riff--distorted--guitar/
Cirice — Ghost | Marshall + Orange (tube-amp driven) — Gibson RD Artist humbuckers | distorted | gain 6 · bass 4 · mid 6.5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/cirice--ghost--riff--distorted--guitar/
Mary on a Cross — Ghost | Marshall/Orange, warm medium crunch — Eb STANDARD tuning | distorted | gain 4.5 · bass 4.5 · mid 6.5 · treble 6.5 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/mary-on-a-cross--ghost--riff--distorted--guitar/
Circle With Me — Spiritbox | Neural DSP Quad Cortex / Fractal Axe-FX III (Omega Granophyre capture) — 7-string | distorted | gain 7.5 · bass 5 · mid 5.5 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/circle-with-me--spiritbox--riff--distorted--guitar/
Throne — Bring Me The Horizon | Two modded Marshall JCM800s into 1960A 4x12s — low-tuned Les Paul (C / Bb) | distorted | gain 7 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/throne--bring-me-the-horizon--riff--distorted--guitar/
Popular Monster — Falling in Reverse | EVH 5150 III / Mesa Dual Rectifier — PRS Custom 24, tight downtuned | distorted | gain 7.5 · bass 5.5 · mid 5.5 · treble 6 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/popular-monster--falling-in-reverse--riff--distorted--guitar/
Watch the World Burn — Falling in Reverse | Mesa Dual Rectifier / Helix (Treadplate) — DROP G# (very low) | distorted | gain 7.5 · bass 5.5 · mid 5 · treble 6 · presence 5.5 · reverb 1 | https://guitartoneadapt.com/tone/watch-the-world-burn--falling-in-reverse--riff--distorted--guitar/
Take Me to Church — Hozier | Hand-wired Vox AC15 — Eastwood Airline (neck humbucker), ProCo Rat + Memory Man + Holy Grail reverb | distorted | gain 4 · bass 5 · mid 6.5 · treble 5.5 · presence 5 · reverb 4 | https://guitartoneadapt.com/tone/take-me-to-church--hozier--riff--distorted--guitar/
Too Sweet — Hozier | Fender 65 Deluxe Reverb — semi-hollow / humbucker, clean with subtle breakup | clean | gain 3 · bass 5 · mid 7 · treble 5 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/too-sweet--hozier--riff--clean--guitar/
Blackout — Turnstile | Orange Rockerverb / Mesa Dual Rectifier + 5150 blend — Gibson Les Paul, two Fulltone OCDs | distorted | gain 6 · bass 5 · mid 6.5 · treble 6 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/blackout--turnstile--riff--distorted--guitar/
Chaise Longue — Wet Leg | Vox AC10 / Supro — Danelectro / Jazzmaster, EHX Soul Food + Keeley Loomer fuzz | distorted | gain 4 · bass 4.5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/chaise-longue--wet-leg--riff--distorted--guitar/
Starburster — Fontaines D.C. | Fender 68 Custom Twin Reverb (bright switch ON) — Mustang (Hot Rails) / Jazzmaster | distorted | gain 3.5 · bass 5 · mid 5.5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/starburster--fontaines-d-c--riff--distorted--guitar/
Distance — Mammoth WVH | EVH 5150III 50W (Blue/Crunch channel) into a 4x12 — Gibson ES-335 | distorted | gain 6 · bass 6.5 · mid 6 · treble 4.5 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/distance--mammoth-wvh--riff--distorted--guitar/
Nothing Matters — The Last Dinner Party | Bright amp, clean-to-crunch — Epiphone Sheraton / Gibson Explorer, Fulltone OCD | distorted | gain 4 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/nothing-matters--the-last-dinner-party--riff--distorted--guitar/
Danny Nedelko — IDLES | Vox AC30 / Orange / Hiwatt — loud, raw; EarthQuaker Acapulco Gold + Death By Audio | distorted | gain 6.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/danny-nedelko--idles--riff--distorted--guitar/
Wonderful Tonight — Eric Clapton | Fender Twin Reverb (clean channel) — "Blackie" Stratocaster, NECK pickup | clean | gain 2 · bass 5 · mid 6 · treble 5.5 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/wonderful-tonight--eric-clapton--riff--clean--guitar/
Linger — The Cranberries | Vox AC30 / Fender Twin (Vox tremolo) — Telecaster, DOD Chorus | clean | gain 1.5 · bass 4.5 · mid 5.5 · treble 6.5 · presence 6 · reverb 2.5 | https://guitartoneadapt.com/tone/linger--the-cranberries--riff--clean--guitar/
Bad Medicine — Bon Jovi | Marshall JCM800 — fatter, focused 80s arena-rock crunch (Sambora) | distorted | gain 7 · bass 6 · mid 6.5 · treble 5.5 · presence 5.5 · reverb 2.5 | https://guitartoneadapt.com/tone/bad-medicine--bon-jovi--riff--distorted--guitar/
Have a Nice Day — Bon Jovi | Two Diezel Herbert heads (stereo) into Marshall cabs — modern arena high-gain | distorted | gain 7 · bass 5.5 · mid 6 · treble 6 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/have-a-nice-day--bon-jovi--riff--distorted--guitar/
Sunday Bloody Sunday — U2 | Vox AC30 — Telecaster, with a Memory Man / Korg SDD-3000 delay (the chime) | clean | gain 2.5 · bass 5 · mid 5.5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/sunday-bloody-sunday--u2--riff--clean--guitar/
Brothers in Arms — Dire Straits | Marshall JTM45 into a Laney 4x12 — Gibson Les Paul, fingerstyle, lush ambience | distorted | gain 3.5 · bass 5.5 · mid 6.5 · treble 5.5 · presence 5 · reverb 4 | https://guitartoneadapt.com/tone/brothers-in-arms--dire-straits--solo--distorted--guitar/
Reelin in the Years — Steely Dan | Ampeg SVT (a bass amp!) — 1963 Fender Stratocaster with a PAF humbucker in the neck | distorted | gain 3.5 · bass 5 · mid 6 · treble 6.5 · presence 6 · reverb 1.5 | https://guitartoneadapt.com/tone/reelin-in-the-years--steely-dan--solo--distorted--guitar/
Tornado of Souls — Megadeth | Marshall / ADA MP-1 preamp | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/tornado-of-souls--megadeth--solo--distorted--guitar/
Surfing with the Alien — Joe Satriani | Marshall (JCM800-era) / later JSX | distorted | gain 7 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/surfing-with-the-alien--joe-satriani--solo--distorted--guitar/
For the Love of God — Steve Vai | Carvin Legacy / Marshall | distorted | gain 7 · bass 5 · mid 6 · treble 6 · presence 6 · reverb 4 | https://guitartoneadapt.com/tone/for-the-love-of-god--steve-vai--solo--distorted--guitar/
Crazy Train — Ozzy Osbourne | Marshall 1959 Super Lead | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/crazy-train--ozzy-osbourne--solo--distorted--guitar/
Black Star — Yngwie Malmsteen | Marshall Mark II / 1959 | distorted | gain 7 · bass 4 · mid 7 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/black-star--yngwie-malmsteen--solo--distorted--guitar/
Angel of Death — Slayer | Marshall JCM800 | distorted | gain 9 · bass 6 · mid 4 · treble 8 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/angel-of-death--slayer--solo--distorted--guitar/
Scarified — Racer X | Marshall (high-gain) | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/scarified--racer-x--solo--distorted--guitar/
All Along the Watchtower — Jimi Hendrix | Marshall Super Lead | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/all-along-the-watchtower--jimi-hendrix--solo--distorted--guitar/
Layla — Derek and the Dominos | Fender Champ / Marshall | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/layla--derek-and-the-dominos--solo--distorted--guitar/
Highway Star — Deep Purple | Marshall Major | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/highway-star--deep-purple--solo--distorted--guitar/
Master of Puppets — Metallica | Marshall JCM800 / Mesa Boogie | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/master-of-puppets--metallica--solo--distorted--guitar/
One — Metallica | Marshall JCM800 / Mesa Boogie | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 2 | https://guitartoneadapt.com/tone/one--metallica--solo--distorted--guitar/
Cliffs of Dover — Eric Johnson | Marshall (100W) / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/cliffs-of-dover--eric-johnson--solo--distorted--guitar/
Little Wing — Jimi Hendrix | Fender / Marshall (edge of breakup) | distorted | gain 4 · bass 5 · mid 6 · treble 5 · presence 4 · reverb 4 | https://guitartoneadapt.com/tone/little-wing--jimi-hendrix--solo--distorted--guitar/
Since Ive Been Loving You — Led Zeppelin | Marshall / Supro | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/since-ive-been-loving-you--led-zeppelin--solo--distorted--guitar/
Money — Pink Floyd | Hiwatt / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/money--pink-floyd--solo--distorted--guitar/
Cemetery Gates — Pantera | Randall (solid-state) | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/cemetery-gates--pantera--solo--distorted--guitar/
Wish You Were Here — Pink Floyd | Hiwatt / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/wish-you-were-here--pink-floyd--solo--distorted--guitar/
Kid Charlemagne — Steely Dan | Fender / Dumble-style | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/kid-charlemagne--steely-dan--solo--distorted--guitar/
Johnny B. Goode — Chuck Berry | Gibson ES-350T; Fender Bassman | distorted | gain 4 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/johnny-b-goode--chuck-berry--solo--distorted--guitar/
Voodoo Child (Slight Return) — Jimi Hendrix | Fender Stratocaster; Marshall Super Lead | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/voodoo-child-slight-return--jimi-hendrix--solo--distorted--guitar/
Pride and Joy — Stevie Ray Vaughan | Fender Stratocaster; Fender Vibroverb / Marshall | distorted | gain 5 · bass 6 · mid 7 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/pride-and-joy--stevie-ray-vaughan--solo--distorted--guitar/
Money for Nothing — Dire Straits | Gibson Les Paul; Laney / Marshall | distorted | gain 6 · bass 6 · mid 5 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/money-for-nothing--dire-straits--solo--distorted--guitar/
Europa — Santana | Gibson / PRS; Mesa/Boogie Mark | distorted | gain 7 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 4 | https://guitartoneadapt.com/tone/europa--santana--solo--distorted--guitar/
Crossroads — Cream | Gibson ES-335 / SG; Marshall | distorted | gain 6 · bass 5 · mid 7 · treble 4 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/crossroads--cream--solo--distorted--guitar/
More Than a Feeling — Boston | Gibson Les Paul; Marshall (+ Scholz processing) | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/more-than-a-feeling--boston--solo--distorted--guitar/
Paradise City — Guns N Roses | Gibson Les Paul; Marshall | distorted | gain 7 · bass 5 · mid 6 · treble 6 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/paradise-city--guns-n-roses--solo--distorted--guitar/
Mr. Crowley — Ozzy Osbourne | Gibson Les Paul Custom; Marshall 1959 Super Lead | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/mr-crowley--ozzy-osbourne--solo--distorted--guitar/
Enter Sandman — Metallica | ESP; Mesa/Boogie Mark IIC+ | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/enter-sandman--metallica--solo--distorted--guitar/
Aqualung — Jethro Tull | Gibson Les Paul; Hiwatt / Marshall | distorted | gain 6 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/aqualung--jethro-tull--solo--distorted--guitar/
Rock You Like a Hurricane — Scorpions | Gibson Explorer / Dommenget; Marshall | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/rock-you-like-a-hurricane--scorpions--solo--distorted--guitar/
Back in Black — AC/DC | Gibson SG; Marshall | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/back-in-black--ac-dc--solo--distorted--guitar/
Thunderstruck — AC/DC | Gibson SG; Marshall | distorted | gain 5 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/thunderstruck--ac-dc--solo--distorted--guitar/
Whole Lotta Love — Led Zeppelin | Gibson Les Paul; Marshall / Supro | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/whole-lotta-love--led-zeppelin--solo--distorted--guitar/
Heartbreaker — Led Zeppelin | Gibson Les Paul; Marshall | distorted | gain 6 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/heartbreaker--led-zeppelin--solo--distorted--guitar/
Walk This Way — Aerosmith | Gibson Les Paul; Marshall | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/walk-this-way--aerosmith--solo--distorted--guitar/
Dream On — Aerosmith | Gibson Les Paul; Fender / Marshall | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/dream-on--aerosmith--solo--distorted--guitar/
Carry On Wayward Son — Kansas | Gibson Les Paul; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/carry-on-wayward-son--kansas--solo--distorted--guitar/
La Grange — ZZ Top | Gibson Les Paul (Pearly Gates); Marshall / tweed Fender | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/la-grange--zz-top--solo--distorted--guitar/
Barracuda — Heart | Gibson Les Paul; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/barracuda--heart--solo--distorted--guitar/
Hallowed Be Thy Name — Iron Maiden | various (Murray/Smith); Marshall | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/hallowed-be-thy-name--iron-maiden--solo--distorted--guitar/
Purple Haze — Jimi Hendrix | Fender Stratocaster; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/purple-haze--jimi-hendrix--solo--distorted--guitar/
Sweet Home Alabama — Lynyrd Skynyrd | Fender Stratocaster; Fender / Marshall (edge of breakup) | distorted | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/sweet-home-alabama--lynyrd-skynyrd--solo--distorted--guitar/
Cevapsız Sorular — maNga | humbucker-loaded (Ibanez/ESP); Mesa/Boogie or Marshall (high-gain) | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/cevapsiz-sorular--manga--riff--distorted--guitar/
Sil Baştan — Şebnem Ferah | Gibson / superstrat; Marshall | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/sil-bastan--sebnem-ferah--riff--distorted--guitar/
Anatolia — Pentagram | humbucker-loaded; Marshall / Mesa | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/anatolia--pentagram--riff--distorted--guitar/
Namus Belası — Cem Karaca | single-coil / semi-hollow; vintage tube (Fender/Vox-style) | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/namus-belasi--cem-karaca--riff--distorted--guitar/
Dağlar Dağlar — Barış Manço | single-coil; vintage tube (edge of breakup) | clean | gain 3 · bass 5 · mid 6 · treble 6 · presence 4 · reverb 4 | https://guitartoneadapt.com/tone/daglar-daglar--baris-manco--riff--clean--guitar/
Paramparça — Teoman | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/paramparca--teoman--riff--distorted--guitar/
Ben Böyleyim — Athena | humbucker/superstrat; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/ben-boyleyim--athena--riff--distorted--guitar/
Yağmurun Elleri — Kurban | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/yagmurun-elleri--kurban--riff--distorted--guitar/
Entre Dos Tierras — Héroes del Silencio | Gibson / Fender; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/entre-dos-tierras--heroes-del-silencio--riff--distorted--guitar/
Bu Akşam — Duman | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/bu-aksam--duman--riff--distorted--guitar/
Köprüaltı — Duman | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/koprualti--duman--riff--distorted--guitar/
Bir Kadın Çizeceksin — maNga | Fender / Gibson; Marshall / Fender | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/bir-kadin-cizeceksin--manga--riff--distorted--guitar/
Can Kırıkları — Şebnem Ferah | Fender / Gibson; Marshall / Fender | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/can-kiriklari--sebnem-ferah--riff--distorted--guitar/
Bir Derdim Var — mor ve ötesi | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/bir-derdim-var--mor-ve-otesi--riff--distorted--guitar/
Beş — Gripin | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/bes--gripin--riff--distorted--guitar/
Afili Yalnızlık — Emre Aydın | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/afili-yalnizlik--emre-aydin--riff--distorted--guitar/
Bir — Pentagram | Fender / Gibson; Marshall / Fender | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/bir--pentagram--riff--distorted--guitar/
Limelight — Rush | Gibson / Fender; Marshall / Hughes & Kettner | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 4 | https://guitartoneadapt.com/tone/limelight--rush--solo--distorted--guitar/
Africa — Toto | custom (Steve Lukather); Marshall / Bogner-style | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/africa--toto--solo--distorted--guitar/
Hold the Line — Toto | custom (Steve Lukather); Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/hold-the-line--toto--solo--distorted--guitar/
Photograph — Def Leppard | Gibson / superstrat; Marshall (+ studio layering) | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/photograph--def-leppard--solo--distorted--guitar/
You Shook Me All Night Long — AC/DC | Gibson SG; Marshall | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/you-shook-me-all-night-long--ac-dc--solo--distorted--guitar/
Sharp Dressed Man — ZZ Top | Gibson Les Paul (Pearly Gates); Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/sharp-dressed-man--zz-top--solo--distorted--guitar/
Whipping Post — The Allman Brothers Band | Gibson Les Paul / SG; Marshall / Fender | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/whipping-post--the-allman-brothers-band--solo--distorted--guitar/
Wanted Dead or Alive — Bon Jovi | Jackson / doubleneck 12-string; Marshall | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/wanted-dead-or-alive--bon-jovi--solo--distorted--guitar/
Livin on a Prayer — Bon Jovi | Jackson; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/livin-on-a-prayer--bon-jovi--solo--distorted--guitar/
Machine Gun — Jimi Hendrix | Fender Stratocaster; Marshall / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/machine-gun--jimi-hendrix--solo--distorted--guitar/
Separate Ways — Journey | custom (Neal Schon); Marshall / Mesa | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/separate-ways--journey--solo--distorted--guitar/
Rosanna — Toto | custom (Steve Lukather); Marshall / Bogner-style | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/rosanna--toto--solo--distorted--guitar/
G.O.A.T. — Polyphia | Ibanez (Tim Henson signature); high-gain profiler | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/g-o-a-t--polyphia--riff--distorted--guitar/
Handmade Cities — Plini | 7-string (Plini signature); modern profiler | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/handmade-cities--plini--riff--distorted--guitar/
A Voice Within — Intervals | 7-string; modern profiler | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/a-voice-within--intervals--riff--distorted--guitar/
Concealing Fate Part 1 — TesseracT | 8-string (down-tuned); high-gain profiler | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/concealing-fate-part-1--tesseract--riff--distorted--guitar/
Scarlet — Periphery | 6/7-string (down-tuned); high-gain profiler | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/scarlet--periphery--riff--distorted--guitar/
Sweet Home Chicago — Robert Johnson | hollow / Telecaster; Fender tweed (edge of breakup) | distorted | gain 4 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/sweet-home-chicago--robert-johnson--riff--distorted--guitar/
Hoochie Coochie Man — Muddy Waters | Fender Telecaster; Fender tweed / Chicago blues amp | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/hoochie-coochie-man--muddy-waters--riff--distorted--guitar/
Boom Boom — John Lee Hooker | hollowbody; Fender / valve combo | distorted | gain 5 · bass 6 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/boom-boom--john-lee-hooker--riff--distorted--guitar/
Born Under a Bad Sign — Albert King | Gibson Flying V ("Lucy"); Acoustic 360 / Fender | distorted | gain 5 · bass 6 · mid 7 · treble 5 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/born-under-a-bad-sign--albert-king--solo--distorted--guitar/
The Sky Is Crying — Albert King | Gibson Flying V; Fender / Acoustic | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/the-sky-is-crying--albert-king--solo--distorted--guitar/
Hide Away — Freddie King | Gibson ES-345; Fender | distorted | gain 5 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/hide-away--freddie-king--solo--distorted--guitar/
Cold Shot — Stevie Ray Vaughan | Fender Stratocaster; Fender | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/cold-shot--stevie-ray-vaughan--riff--distorted--guitar/
Couldnt Stand the Weather — Stevie Ray Vaughan | Fender Stratocaster; Fender / Marshall | distorted | gain 6 · bass 6 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/couldnt-stand-the-weather--stevie-ray-vaughan--riff--distorted--guitar/
Red House — Jimi Hendrix | Fender Stratocaster; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/red-house--jimi-hendrix--solo--distorted--guitar/
Stormy Monday — The Allman Brothers Band | Gibson Les Paul; Marshall / Fender | distorted | gain 4 · bass 5 · mid 7 · treble 5 · presence 4 · reverb 3 | https://guitartoneadapt.com/tone/stormy-monday--the-allman-brothers-band--solo--distorted--guitar/
I Cant Quit You Baby — Otis Rush | Fender Stratocaster; Fender | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/i-cant-quit-you-baby--otis-rush--solo--distorted--guitar/
Cocaine — Eric Clapton | Fender Stratocaster ("Blackie"); Fender / Music Man | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/cocaine--eric-clapton--solo--distorted--guitar/
Heart-Shaped Box — Nirvana | Fender Jaguar / Mustang; Fender / Mesa | distorted | gain 6 · bass 6 · mid 5 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/heart-shaped-box--nirvana--riff--distorted--guitar/
Rusty Cage — Soundgarden | various (drop/alt tuning); Mesa/Boogie / Marshall | distorted | gain 7 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/rusty-cage--soundgarden--riff--distorted--guitar/
Would — Alice in Chains | various (drop tuning); Bogner / Mesa | distorted | gain 6 · bass 6 · mid 6 · treble 5 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/would--alice-in-chains--riff--distorted--guitar/
Them Bones — Alice in Chains | various (drop tuning); Bogner / Mesa | distorted | gain 7 · bass 6 · mid 5 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/them-bones--alice-in-chains--riff--distorted--guitar/
Even Flow — Pearl Jam | Fender Stratocaster; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/even-flow--pearl-jam--solo--distorted--guitar/
Black — Pearl Jam | Fender / Gibson; Fender / Marshall (edge of breakup) | distorted | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/black--pearl-jam--riff--distorted--guitar/
Jeremy — Pearl Jam | 12-string + electric; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/jeremy--pearl-jam--riff--distorted--guitar/
Cherub Rock — The Smashing Pumpkins | Fender Stratocaster; Marshall / Mesa | distorted | gain 8 · bass 6 · mid 5 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/cherub-rock--the-smashing-pumpkins--riff--distorted--guitar/
1979 — The Smashing Pumpkins | Fender; clean amp + effects | clean | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/1979--the-smashing-pumpkins--riff--clean--guitar/
Bullet with Butterfly Wings — The Smashing Pumpkins | various; Marshall / Mesa | distorted | gain 8 · bass 6 · mid 5 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/bullet-with-butterfly-wings--the-smashing-pumpkins--riff--distorted--guitar/
Glycerine — Bush | Fender; Fender / Marshall (edge of breakup) | distorted | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/glycerine--bush--riff--distorted--guitar/
Machinehead — Bush | various; Marshall / Mesa | distorted | gain 7 · bass 6 · mid 5 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/machinehead--bush--riff--distorted--guitar/
American Idiot — Green Day | Gibson Les Paul Junior ("Blue"); Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/american-idiot--green-day--riff--distorted--guitar/
Good Riddance (Time of Your Life) — Green Day | acoustic guitar; acoustic / DI | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/good-riddance-time-of-your-life--green-day--riff--clean--guitar/
All the Small Things — blink-182 | Fender Stratocaster; Marshall / Mesa | distorted | gain 6 · bass 5 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/all-the-small-things--blink-182--riff--distorted--guitar/
Whats My Age Again — blink-182 | Fender Stratocaster; Marshall / Mesa | distorted | gain 6 · bass 5 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/whats-my-age-again--blink-182--riff--distorted--guitar/
I Miss You — blink-182 | Fender; Fender / Marshall | clean | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/i-miss-you--blink-182--riff--clean--guitar/
Self Esteem — The Offspring | Ibanez / superstrat; Marshall / Mesa | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/self-esteem--the-offspring--riff--distorted--guitar/
Come Out and Play — The Offspring | Ibanez / superstrat; Marshall / Mesa | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/come-out-and-play--the-offspring--riff--distorted--guitar/
Fat Lip — Sum 41 | superstrat; Marshall / Mesa | distorted | gain 7 · bass 5 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/fat-lip--sum-41--riff--distorted--guitar/
Sugar Were Goin Down — Fall Out Boy | Gibson / superstrat; Marshall / Mesa | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/sugar-were-goin-down--fall-out-boy--riff--distorted--guitar/
Scar Tissue — Red Hot Chili Peppers | Fender Stratocaster; Marshall / Fender | distorted | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/scar-tissue--red-hot-chili-peppers--solo--distorted--guitar/
By the Way — Red Hot Chili Peppers | Fender Stratocaster; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/by-the-way--red-hot-chili-peppers--riff--distorted--guitar/
Snow (Hey Oh) — Red Hot Chili Peppers | Fender Stratocaster; Fender / Marshall (clean) | clean | gain 2 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/snow-hey-oh--red-hot-chili-peppers--riff--clean--guitar/
Folsom Prison Blues — Johnny Cash | Fender Telecaster / acoustic; Fender | clean | gain 3 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/folsom-prison-blues--johnny-cash--riff--clean--guitar/
Ring of Fire — Johnny Cash | acoustic / Telecaster; Fender | clean | gain 3 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/ring-of-fire--johnny-cash--riff--clean--guitar/
Wagon Wheel — Old Crow Medicine Show | acoustic guitar; acoustic / DI | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/wagon-wheel--old-crow-medicine-show--riff--clean--guitar/
Take It Easy — Eagles | Fender Telecaster; Fender | distorted | gain 3 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/take-it-easy--eagles--riff--distorted--guitar/
On the Road Again — Willie Nelson | Martin nylon ("Trigger"); Baldwin / clean | clean | gain 2 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/on-the-road-again--willie-nelson--riff--clean--guitar/
The Devil Went Down to Georgia — Charlie Daniels Band | Fender Telecaster; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/the-devil-went-down-to-georgia--charlie-daniels-band--riff--distorted--guitar/
Chicken Fried — Zac Brown Band | acoustic + Telecaster; Fender | clean | gain 2 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/chicken-fried--zac-brown-band--riff--clean--guitar/
Jolene — Dolly Parton | acoustic guitar (capo); acoustic / DI | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/jolene--dolly-parton--riff--clean--guitar/
Take Me Home Country Roads — John Denver | acoustic guitar; acoustic / DI | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/take-me-home-country-roads--john-denver--riff--clean--guitar/
Copperhead Road — Steve Earle | electric + mandolin; Marshall / Fender | distorted | gain 5 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/copperhead-road--steve-earle--riff--distorted--guitar/
Friends in Low Places — Garth Brooks | Fender Telecaster; Fender | clean | gain 3 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/friends-in-low-places--garth-brooks--riff--clean--guitar/
Hurt — Johnny Cash | acoustic guitar; acoustic / DI | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/hurt--johnny-cash--riff--clean--guitar/
Somebody Told Me — The Killers | Fender; Fender / Vox | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/somebody-told-me--the-killers--riff--distorted--guitar/
When You Were Young — The Killers | Fender; Fender / Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/when-you-were-young--the-killers--riff--distorted--guitar/
Why d You Only Call Me When You re High — Arctic Monkeys | Fender; Fender / Vox | distorted | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/why-d-you-only-call-me-when-you-re-high--arctic-monkeys--riff--distorted--guitar/
Fluorescent Adolescent — Arctic Monkeys | Fender; Vox / Fender | clean | gain 3 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/fluorescent-adolescent--arctic-monkeys--riff--clean--guitar/
Last Nite — The Strokes | Fender Stratocaster; Fender / Vox | distorted | gain 5 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/last-nite--the-strokes--riff--distorted--guitar/
Someday — The Strokes | Fender Stratocaster; Fender / Vox | clean | gain 4 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/someday--the-strokes--riff--clean--guitar/
Elephant — Tame Impala | Fender; fuzz-driven amp | distorted | gain 7 · bass 6 · mid 5 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/elephant--tame-impala--riff--distorted--guitar/
Chocolate — The 1975 | Fender; clean amp | clean | gain 2 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/chocolate--the-1975--riff--clean--guitar/
Are You Gonna Be My Girl — Jet | Gibson; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/are-you-gonna-be-my-girl--jet--riff--distorted--guitar/
Sex on Fire — Kings of Leon | Fender / Gibson; Fender / Marshall | distorted | gain 5 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/sex-on-fire--kings-of-leon--riff--distorted--guitar/
Use Somebody — Kings of Leon | Fender / Gibson; Fender / Marshall | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/use-somebody--kings-of-leon--riff--distorted--guitar/
Feel Good Inc — Gorillaz | Fender; clean amp / DI | clean | gain 2 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/feel-good-inc--gorillaz--riff--clean--guitar/
Dan — Sheila on 7 | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/dan--sheila-on-7--riff--distorted--guitar/
Sephia — Sheila on 7 | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/sephia--sheila-on-7--riff--distorted--guitar/
Pupus — Dewa 19 | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/pupus--dewa-19--riff--distorted--guitar/
Kangen — Dewa 19 | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/kangen--dewa-19--riff--distorted--guitar/
Ada Apa Denganmu — Peterpan | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/ada-apa-denganmu--peterpan--riff--distorted--guitar/
Separuh Aku — Noah | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/separuh-aku--noah--riff--distorted--guitar/
Terlalu Manis — Slank | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/terlalu-manis--slank--riff--distorted--guitar/
11 Januari — Gigi | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/11-januari--gigi--riff--distorted--guitar/
Sobat — Padi | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/sobat--padi--riff--distorted--guitar/
Selamat Ulang Tahun — Jamrud | Fender / Gibson; Marshall / Fender | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/selamat-ulang-tahun--jamrud--riff--distorted--guitar/
Kuat Kita Bersinar — Superman Is Dead | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 5 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/kuat-kita-bersinar--superman-is-dead--riff--distorted--guitar/
Beraksi — Kotak | Fender / Gibson; Marshall / Fender | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/beraksi--kotak--riff--distorted--guitar/
Roman Picisan — Dewa 19 | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/roman-picisan--dewa-19--riff--distorted--guitar/
Melompat Lebih Tinggi — Sheila on 7 | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/melompat-lebih-tinggi--sheila-on-7--riff--distorted--guitar/
Mungkin Nanti — Peterpan | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/mungkin-nanti--peterpan--riff--distorted--guitar/
Semua Tak Sama — Padi | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/semua-tak-sama--padi--riff--distorted--guitar/
Demi Waktu — Ungu | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/demi-waktu--ungu--riff--distorted--guitar/
Laskar Pelangi — Nidji | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/laskar-pelangi--nidji--riff--distorted--guitar/
No Woman No Cry — Bob Marley | Fender Stratocaster; Fender (clean) | clean | gain 2 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/no-woman-no-cry--bob-marley--riff--clean--guitar/
Redemption Song — Bob Marley | acoustic guitar; acoustic / DI | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/redemption-song--bob-marley--riff--clean--guitar/
Three Little Birds — Bob Marley | Fender Stratocaster; Fender (clean) | clean | gain 2 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/three-little-birds--bob-marley--riff--clean--guitar/
Could You Be Loved — Bob Marley | Fender Stratocaster; Fender (clean) | clean | gain 2 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/could-you-be-loved--bob-marley--riff--clean--guitar/
Is This Love — Bob Marley | Fender Stratocaster; Fender (clean) | clean | gain 2 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/is-this-love--bob-marley--riff--clean--guitar/
One Love — Bob Marley | Fender Stratocaster; Fender (clean) | clean | gain 2 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/one-love--bob-marley--riff--clean--guitar/
Roxanne — The Police | Fender Telecaster; Fender / Marshall (clean) | clean | gain 3 · bass 5 · mid 5 · treble 7 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/roxanne--the-police--riff--clean--guitar/
So Lonely — The Police | Fender Telecaster; Fender / Marshall | distorted | gain 4 · bass 5 · mid 5 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/so-lonely--the-police--riff--distorted--guitar/
My Girl — The Temptations | Fender; Fender (clean) | clean | gain 2 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/my-girl--the-temptations--riff--clean--guitar/
Aint No Sunshine — Bill Withers | Fender / hollowbody; Fender (clean) | clean | gain 3 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/aint-no-sunshine--bill-withers--riff--clean--guitar/
Sittin on the Dock of the Bay — Otis Redding | Fender Telecaster; Fender (clean) | clean | gain 2 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/sittin-on-the-dock-of-the-bay--otis-redding--riff--clean--guitar/
Red Red Wine — UB40 | Fender; Fender (clean) | clean | gain 2 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/red-red-wine--ub40--riff--clean--guitar/
Ang Huling El Bimbo — Eraserheads | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/ang-huling-el-bimbo--eraserheads--riff--distorted--guitar/
Alapaap — Eraserheads | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/alapaap--eraserheads--riff--distorted--guitar/
With a Smile — Eraserheads | Fender / Gibson; Marshall / Fender | clean | gain 2 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/with-a-smile--eraserheads--riff--clean--guitar/
214 — Rivermaya | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/214--rivermaya--riff--distorted--guitar/
Kisapmata — Rivermaya | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/kisapmata--rivermaya--riff--distorted--guitar/
Harana — Parokya ni Edgar | Fender / Gibson; Marshall / Fender | clean | gain 2 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/harana--parokya-ni-edgar--riff--clean--guitar/
Noypi — Bamboo | Fender / Gibson; Marshall / Fender | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/noypi--bamboo--riff--distorted--guitar/
Jeepney — Sponge Cola | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/jeepney--sponge-cola--riff--distorted--guitar/
The Day You Said Goodnight — Hale | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/the-day-you-said-goodnight--hale--riff--distorted--guitar/
Sa Ngalan ng Pag-ibig — December Avenue | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/sa-ngalan-ng-pag-ibig--december-avenue--riff--distorted--guitar/
Narda — Kamikazee | Fender / Gibson; Marshall / Fender | distorted | gain 7 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/narda--kamikazee--riff--distorted--guitar/
Pasensya Ka Na — Silent Sanctuary | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/pasensya-ka-na--silent-sanctuary--riff--distorted--guitar/
Pare Ko — Eraserheads | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/pare-ko--eraserheads--riff--distorted--guitar/
Awit Ng Kabataan — Rivermaya | Fender / Gibson; Marshall / Fender | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/awit-ng-kabataan--rivermaya--riff--distorted--guitar/
Your Song — Parokya ni Edgar | Fender / Gibson; Marshall / Fender | clean | gain 2 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/your-song--parokya-ni-edgar--riff--clean--guitar/
Kahit Di Mo Alam — December Avenue | Fender / Gibson; Marshall / Fender | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/kahit-di-mo-alam--december-avenue--riff--distorted--guitar/
Kathang Isip — Ben&Ben | Fender / Gibson; Marshall / Fender | clean | gain 2 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/kathang-isip--ben-ben--riff--clean--guitar/
Four on Six — Wes Montgomery | Gibson L-5 CES; Fender (clean) | clean | gain 2 · bass 6 · mid 6 · treble 4 · presence 3 · reverb 2 | https://guitartoneadapt.com/tone/four-on-six--wes-montgomery--solo--clean--guitar/
West Coast Blues — Wes Montgomery | Gibson L-5 CES; Fender (clean) | clean | gain 2 · bass 6 · mid 6 · treble 4 · presence 3 · reverb 2 | https://guitartoneadapt.com/tone/west-coast-blues--wes-montgomery--solo--clean--guitar/
Breezin — George Benson | Ibanez GB (signature archtop); Polytone / Fender (clean) | clean | gain 2 · bass 5 · mid 6 · treble 5 · presence 4 · reverb 2 | https://guitartoneadapt.com/tone/breezin--george-benson--solo--clean--guitar/
Bright Size Life — Pat Metheny | Gibson ES-175; Acoustic / clean | clean | gain 2 · bass 5 · mid 6 · treble 5 · presence 4 · reverb 3 | https://guitartoneadapt.com/tone/bright-size-life--pat-metheny--solo--clean--guitar/
Autumn Leaves — Joe Pass | Gibson ES-175; Polytone (clean) | clean | gain 1 · bass 6 · mid 6 · treble 4 · presence 3 · reverb 1 | https://guitartoneadapt.com/tone/autumn-leaves--joe-pass--solo--clean--guitar/
Minor Swing — Django Reinhardt | Selmer-Maccaferri; acoustic (Selmer) | clean | gain 1 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/minor-swing--django-reinhardt--solo--clean--guitar/
Nuages — Django Reinhardt | Selmer-Maccaferri; acoustic (Selmer) | clean | gain 1 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/nuages--django-reinhardt--solo--clean--guitar/
Idle Moments — Grant Green | Gibson ES-330 / L-7; Fender (clean) | clean | gain 2 · bass 6 · mid 6 · treble 4 · presence 3 · reverb 2 | https://guitartoneadapt.com/tone/idle-moments--grant-green--solo--clean--guitar/
Midnight Blue — Kenny Burrell | Gibson Super 400 / ES-175; Fender (clean) | clean | gain 2 · bass 6 · mid 6 · treble 5 · presence 4 · reverb 2 | https://guitartoneadapt.com/tone/midnight-blue--kenny-burrell--solo--clean--guitar/
Mediterranean Sundance — Al Di Meola | Ovation / Conde Hermanos (nylon); clean / acoustic | clean | gain 3 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/mediterranean-sundance--al-di-meola--solo--clean--guitar/
Solo Flight — Charlie Christian | Gibson ES-150; small tube (clean) | clean | gain 2 · bass 6 · mid 7 · treble 4 · presence 3 · reverb 1 | https://guitartoneadapt.com/tone/solo-flight--charlie-christian--solo--clean--guitar/
So What — John McLaughlin | Gibson / signature; clean / low-gain | clean | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/so-what--john-mclaughlin--solo--clean--guitar/
Heathen Days — Rob Zombie | down-tuned (Mike Riggs); high-gain profiler | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/heathen-days--rob-zombie--riff--distorted--guitar/
Sepsis — Lamb of God | 6-string (Morton/Adler); high-gain profiler | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/sepsis--lamb-of-god--riff--distorted--guitar/
Echo Sonata — ERRA | 7-string (down-tuned); high-gain profiler | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/echo-sonata--erra--riff--distorted--guitar/
Silent Divide — Alter Bridge | PRS (Mark Tremonti); high-gain profiler | distorted | gain 7 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/silent-divide--alter-bridge--riff--distorted--guitar/
Power Down — Alter Bridge | PRS (Mark Tremonti); high-gain profiler | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/power-down--alter-bridge--riff--distorted--guitar/
Heavy Is the Crown — Linkin Park | down-tuned (Brad Delson/Alex Feder); high-gain profiler | distorted | gain 7 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/heavy-is-the-crown--linkin-park--riff--distorted--guitar/
Caramel — Sleep Token | 7-string (down-tuned); high-gain profiler | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/caramel--sleep-token--riff--distorted--guitar/
Emergence — Sleep Token | 7-string (down-tuned); high-gain profiler | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/emergence--sleep-token--riff--distorted--guitar/
Soft Spine — Spiritbox | 7/8-string (down-tuned); high-gain profiler | distorted | gain 9 · bass 6 · mid 4 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/soft-spine--spiritbox--riff--distorted--guitar/
Perfect Soul — Spiritbox | 7/8-string (down-tuned); high-gain profiler | distorted | gain 9 · bass 6 · mid 4 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/perfect-soul--spiritbox--riff--distorted--guitar/
Your Hand in Mine — Explosions in the Sky | Telecaster; Fender (clean-to-edge) | distorted | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 6 | https://guitartoneadapt.com/tone/your-hand-in-mine--explosions-in-the-sky--riff--distorted--guitar/
Mogwai Fear Satan — Mogwai | Fender; Marshall / Fender | distorted | gain 6 · bass 6 · mid 5 · treble 6 · presence 5 · reverb 5 | https://guitartoneadapt.com/tone/mogwai-fear-satan--mogwai--riff--distorted--guitar/
Fragile — God Is an Astronaut | Fender / Gibson; clean-to-driven | distorted | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 6 | https://guitartoneadapt.com/tone/fragile--god-is-an-astronaut--riff--distorted--guitar/
The Mighty Rio Grande — This Will Destroy You | Fender; clean-to-driven | distorted | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 6 | https://guitartoneadapt.com/tone/the-mighty-rio-grande--this-will-destroy-you--riff--distorted--guitar/
Svefn-g-englar — Sigur Ros | Fender Jazzmaster (bowed); clean | clean | gain 2 · bass 5 · mid 6 · treble 5 · presence 4 · reverb 7 | https://guitartoneadapt.com/tone/svefn-g-englar--sigur-ros--riff--clean--guitar/
Harper Lewis — Russian Circles | Gibson Les Paul; high-gain / Orange | distorted | gain 7 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 4 | https://guitartoneadapt.com/tone/harper-lewis--russian-circles--riff--distorted--guitar/
Alison — Slowdive | Fender Jazzmaster; Fender / Vox | distorted | gain 5 · bass 5 · mid 5 · treble 6 · presence 5 · reverb 7 | https://guitartoneadapt.com/tone/alison--slowdive--riff--distorted--guitar/
Vapour Trail — Ride | Fender; Fender / Marshall | distorted | gain 5 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 6 | https://guitartoneadapt.com/tone/vapour-trail--ride--riff--distorted--guitar/
Dream House — Deafheaven | Fender / Jaguar; high-gain | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 6 | https://guitartoneadapt.com/tone/dream-house--deafheaven--riff--distorted--guitar/
Kodama — Alcest | Fender / Gibson; high-gain | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 6 | https://guitartoneadapt.com/tone/kodama--alcest--riff--distorted--guitar/
Goodbye — Toe | Fender; clean | clean | gain 2 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 4 | https://guitartoneadapt.com/tone/goodbye--toe--riff--clean--guitar/
Ashes in the Snow — Mono | Fender; Fender / orchestral | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 6 | https://guitartoneadapt.com/tone/ashes-in-the-snow--mono--riff--distorted--guitar/
Around the World — Red Hot Chili Peppers | Modulus / Fender Jazz Bass; Gallien-Krueger / Mesa | bass | gain 3 · bass 6 · mid 6 · treble 7 · presence 5 · reverb 0 | https://guitartoneadapt.com/tone/around-the-world--red-hot-chili-peppers--riff--bass--guitar/
YYZ — Rush | Rickenbacker 4001 / Fender Jazz; Ampeg / GK | bass | gain 4 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 0 | https://guitartoneadapt.com/tone/yyz--rush--riff--bass--guitar/
My Generation — The Who | Fender Precision / Danelectro; Marshall / Sound City | bass | gain 3 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/my-generation--the-who--solo--bass--guitar/
Orion — Metallica | Rickenbacker / Aria; Ampeg SVT | bass | gain 4 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/orion--metallica--riff--bass--guitar/
Roundabout — Yes | Rickenbacker 4001; Marshall / Sunn | bass | gain 3 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/roundabout--yes--riff--bass--guitar/
Hysteria — Muse | Fender Jazz / Status; Marshall / Ampeg | bass | gain 7 · bass 6 · mid 5 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/hysteria--muse--riff--bass--guitar/
Come Together — The Beatles | Rickenbacker 4001 / Fender Jazz; Fender Bassman | bass | gain 2 · bass 7 · mid 6 · treble 5 · presence 4 · reverb 1 | https://guitartoneadapt.com/tone/come-together--the-beatles--riff--bass--guitar/
Another One Bites the Dust — Queen | Fender Precision; clean bass amp | bass | gain 2 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 0 | https://guitartoneadapt.com/tone/another-one-bites-the-dust--queen--riff--bass--guitar/
Schism — Tool | Wal Mk II; Gallien-Krueger / Mesa | bass | gain 4 · bass 6 · mid 7 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/schism--tool--riff--bass--guitar/
Good Times — Chic | Fender Precision / Music Man; clean bass amp | bass | gain 1 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 0 | https://guitartoneadapt.com/tone/good-times--chic--riff--bass--guitar/
The Lemon Song — Led Zeppelin | Fender Jazz Bass; Ampeg / Fender | bass | gain 2 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/the-lemon-song--led-zeppelin--riff--bass--guitar/
Longview — Green Day | Fender Precision; Fender / Mesa | bass | gain 3 · bass 6 · mid 6 · treble 7 · presence 5 · reverb 0 | https://guitartoneadapt.com/tone/longview--green-day--riff--bass--guitar/
Whole Lotta Rosie — AC/DC | Gibson SG; Marshall | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/whole-lotta-rosie--ac-dc--riff--distorted--guitar/
Sad but True — Metallica | Mesa Boogie / Marshall | distorted | gain 7 · bass 6 · mid 5 · treble 6 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/sad-but-true--metallica--riff--distorted--guitar/
N.I.B. — Black Sabbath | Gibson SG; Laney | distorted | gain 5 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/n-i-b--black-sabbath--riff--distorted--guitar/
Patience — Guns N Roses | acoustic guitar; acoustic | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/patience--guns-n-roses--riff--clean--guitar/
Dont Cry — Guns N Roses | Gibson Les Paul; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/dont-cry--guns-n-roses--solo--distorted--guitar/
Crawling — Linkin Park | PRS / down-tuned; Mesa / high-gain | distorted | gain 7 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/crawling--linkin-park--riff--distorted--guitar/
Bulls on Parade — Rage Against the Machine | Fender / custom (Tom Morello); Marshall / Peavey | distorted | gain 6 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/bulls-on-parade--rage-against-the-machine--riff--distorted--guitar/
Freak on a Leash — Korn | 7-string (Ibanez, down-tuned); Mesa Dual Rectifier | distorted | gain 7 · bass 7 · mid 4 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/freak-on-a-leash--korn--riff--distorted--guitar/
Sober — Tool | down-tuned; Diezel / Mesa | distorted | gain 6 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/sober--tool--riff--distorted--guitar/
Bat Country — Avenged Sevenfold | Schecter (Synyster Gates); Bogner / high-gain | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/bat-country--avenged-sevenfold--riff--distorted--guitar/
Krushers of the World — Kreator | high-gain (Engl/Marshall) | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/krushers-of-the-world--kreator--riff--distorted--guitar/
More Than Words — Extreme | acoustic guitar; acoustic | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/more-than-words--extreme--riff--clean--guitar/
Cult of Personality — Living Colour | various (Vernon Reid); Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/cult-of-personality--living-colour--riff--distorted--guitar/
Round and Round — Ratt | superstrat (Warren DeMartini); Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/round-and-round--ratt--riff--distorted--guitar/
Cum on Feel the Noize — Quiet Riot | humbucker-loaded; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/cum-on-feel-the-noize--quiet-riot--riff--distorted--guitar/
Jump — Van Halen | Frankenstrat; cranked "brown sound" | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/jump--van-halen--solo--distorted--guitar/
Runnin with the Devil — Van Halen | Frankenstrat; cranked "brown sound" | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/runnin-with-the-devil--van-halen--riff--distorted--guitar/
La Villa Strangiato — Rush | Gibson ES-355 (Alex Lifeson); Hiwatt / Marshall | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/la-villa-strangiato--rush--solo--distorted--guitar/
Freewill — Rush | Gibson / Fender (Alex Lifeson); Marshall / Hughes & Kettner | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/freewill--rush--solo--distorted--guitar/
Green Grass and High Tides — The Outlaws | Gibson Les Paul; Marshall / Fender | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/green-grass-and-high-tides--the-outlaws--solo--distorted--guitar/
Born on the Bayou — Creedence Clearwater Revival | Rickenbacker (John Fogerty); Kustom / Fender | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/born-on-the-bayou--creedence-clearwater-revival--riff--distorted--guitar/
Hallelujah — Jeff Buckley | electric (clean, Telecaster); acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/hallelujah--jeff-buckley--riff--clean--guitar/
Blackbird — The Beatles | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/blackbird--the-beatles--riff--clean--guitar/
Dust in the Wind — Kansas | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/dust-in-the-wind--kansas--riff--clean--guitar/
Tears in Heaven — Eric Clapton | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/tears-in-heaven--eric-clapton--riff--clean--guitar/
Fast Car — Tracy Chapman | acoustic (capo); acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/fast-car--tracy-chapman--riff--clean--guitar/
Hey There Delilah — Plain White Ts | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/hey-there-delilah--plain-white-ts--riff--clean--guitar/
Landslide — Fleetwood Mac | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/landslide--fleetwood-mac--riff--clean--guitar/
The Sound of Silence — Simon and Garfunkel | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/the-sound-of-silence--simon-and-garfunkel--riff--clean--guitar/
Free Fallin — Tom Petty | 12-string acoustic (capo); acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/free-fallin--tom-petty--riff--clean--guitar/
Yellow — Coldplay | acoustic + clean electric (capo); acoustic / clean | clean | gain 2 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/yellow--coldplay--riff--clean--guitar/
The Scientist — Coldplay | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/the-scientist--coldplay--riff--clean--guitar/
A Horse with No Name — America | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/a-horse-with-no-name--america--riff--clean--guitar/
Gravity — John Mayer | Fender Stratocaster; Two-Rock / Dumble-style (clean-to-breakup) | distorted | gain 3 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/gravity--john-mayer--riff--distorted--guitar/
Neon — John Mayer | acoustic / electric; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/neon--john-mayer--riff--clean--guitar/
Shape of You — Ed Sheeran | acoustic (loop pedal); acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/shape-of-you--ed-sheeran--riff--clean--guitar/
Perfect — Ed Sheeran | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/perfect--ed-sheeran--riff--clean--guitar/
Thinking Out Loud — Ed Sheeran | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/thinking-out-loud--ed-sheeran--riff--clean--guitar/
Love Story — Taylor Swift | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/love-story--taylor-swift--riff--clean--guitar/
Riptide — Vance Joy | acoustic / ukulele; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/riptide--vance-joy--riff--clean--guitar/
Ho Hey — The Lumineers | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/ho-hey--the-lumineers--riff--clean--guitar/
I m Yours — Jason Mraz | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/i-m-yours--jason-mraz--riff--clean--guitar/
Banana Pancakes — Jack Johnson | acoustic guitar; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/banana-pancakes--jack-johnson--riff--clean--guitar/
Karma Police — Radiohead | acoustic + clean electric; acoustic / clean | clean | gain 2 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/karma-police--radiohead--riff--clean--guitar/
Skinny Love — Bon Iver | acoustic (open/alt tuning); acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/skinny-love--bon-iver--riff--clean--guitar/
Welcome to the Black Parade — My Chemical Romance | Gibson / Fender; Marshall / Mesa | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/welcome-to-the-black-parade--my-chemical-romance--riff--distorted--guitar/
Helena — My Chemical Romance | Gibson / Fender; Marshall / Mesa | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/helena--my-chemical-romance--riff--distorted--guitar/
Teenagers — My Chemical Romance | Gibson / Fender; Marshall / Mesa | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/teenagers--my-chemical-romance--riff--distorted--guitar/
I Write Sins Not Tragedies — Panic at the Disco | Gibson / Fender; Marshall / Mesa | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/i-write-sins-not-tragedies--panic-at-the-disco--riff--distorted--guitar/
High Hopes — Panic at the Disco | Gibson / Fender; Marshall / Mesa | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/high-hopes--panic-at-the-disco--riff--distorted--guitar/
Thnks fr th Mmrs — Fall Out Boy | Gibson / Fender; Marshall / Mesa | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/thnks-fr-th-mmrs--fall-out-boy--riff--distorted--guitar/
Centuries — Fall Out Boy | Gibson / Fender; Marshall / Mesa | distorted | gain 6 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/centuries--fall-out-boy--riff--distorted--guitar/
The Only Exception — Paramore | clean electric; Marshall / Mesa | clean | gain 2 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/the-only-exception--paramore--riff--clean--guitar/
Lovesong — The Cure | Fender (chorused clean); Marshall / Mesa | clean | gain 3 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/lovesong--the-cure--riff--clean--guitar/
Bring Me to Life — Evanescence | 7-string / down-tuned; Marshall / Mesa | distorted | gain 7 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/bring-me-to-life--evanescence--riff--distorted--guitar/
My Immortal — Evanescence | clean-to-driven; Marshall / Mesa | distorted | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/my-immortal--evanescence--riff--distorted--guitar/
Learn to Fly — Foo Fighters | Gibson (Dave Grohl); Marshall / Mesa | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/learn-to-fly--foo-fighters--riff--distorted--guitar/
My Hero — Foo Fighters | Gibson / Fender; Marshall / Mesa | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/my-hero--foo-fighters--riff--distorted--guitar/
Best of You — Foo Fighters | Gibson / Fender; Marshall / Mesa | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/best-of-you--foo-fighters--riff--distorted--guitar/
Icky Thump — The White Stripes | various (Jack White); Marshall / Mesa | distorted | gain 6 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/icky-thump--the-white-stripes--riff--distorted--guitar/
Figure It Out — Royal Blood | bass + octave/fuzz (Mike Kerr); Marshall / Mesa | distorted | gain 7 · bass 7 · mid 5 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/figure-it-out--royal-blood--riff--distorted--guitar/
Little Monster — Royal Blood | bass + octave/fuzz (Mike Kerr); Marshall / Mesa | distorted | gain 7 · bass 7 · mid 5 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/little-monster--royal-blood--riff--distorted--guitar/
Woman — Wolfmother | Gibson / Fender; Marshall / Mesa | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/woman--wolfmother--riff--distorted--guitar/
Joker and the Thief — Wolfmother | Gibson / Fender; Marshall / Mesa | distorted | gain 7 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/joker-and-the-thief--wolfmother--riff--distorted--guitar/
Supermassive Black Hole — Muse | Manson (Matt Bellamy); Marshall / Mesa | distorted | gain 6 · bass 5 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/supermassive-black-hole--muse--riff--distorted--guitar/
Time Is Running Out — Muse | Manson (Matt Bellamy); Marshall / Mesa | distorted | gain 6 · bass 6 · mid 5 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/time-is-running-out--muse--riff--distorted--guitar/
Loser — Beck | slide + acoustic; Marshall / Mesa | distorted | gain 3 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/loser--beck--riff--distorted--guitar/
My Own Worst Enemy — Lit | Gibson / Fender; Marshall / Mesa | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/my-own-worst-enemy--lit--riff--distorted--guitar/
When Doves Cry — Prince | Hohner Tele-style (Prince) | distorted | gain 5 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/when-doves-cry--prince--riff--distorted--guitar/
Lets Go Crazy — Prince | Hohner Tele-style (Prince) | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/lets-go-crazy--prince--solo--distorted--guitar/
Superstition — Stevie Wonder | clean funk guitar; clean amp | clean | gain 3 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/superstition--stevie-wonder--riff--clean--guitar/
Sir Duke — Stevie Wonder | clean funk guitar; clean amp | clean | gain 2 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/sir-duke--stevie-wonder--riff--clean--guitar/
I Wish — Stevie Wonder | clean funk guitar; clean amp | clean | gain 2 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/i-wish--stevie-wonder--riff--clean--guitar/
Give Up the Funk — Parliament | clean funk guitar; clean amp | clean | gain 3 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/give-up-the-funk--parliament--riff--clean--guitar/
Owner of a Lonely Heart — Yes | Fender / custom (Trevor Rabin); Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/owner-of-a-lonely-heart--yes--riff--distorted--guitar/
Firth of Fifth — Genesis | Les Paul (Steve Hackett); Hiwatt / Marshall | distorted | gain 6 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/firth-of-fifth--genesis--solo--distorted--guitar/
21st Century Schizoid Man — King Crimson | Les Paul (Robert Fripp); Hiwatt / Vox | distorted | gain 7 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/21st-century-schizoid-man--king-crimson--riff--distorted--guitar/
All Day and All of the Night — The Kinks | Harmony / Fender (Dave Davies); small cranked amp (slashed cone) | distorted | gain 6 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/all-day-and-all-of-the-night--the-kinks--riff--distorted--guitar/
Metropolis Pt 1 — Dream Theater | Ibanez (John Petrucci); Mesa Boogie | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/metropolis-pt-1--dream-theater--riff--distorted--guitar/
Play That Funky Music — Wild Cherry | funk guitar; clean-to-edge amp | clean | gain 3 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/play-that-funky-music--wild-cherry--riff--clean--guitar/
At Dooms Gate — DOOM (Mick Gordon) | 9-string (down-tuned, Mick Gordon); high-gain profiler | distorted | gain 9 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/at-dooms-gate--doom-mick-gordon--riff--distorted--guitar/
BFG Division — DOOM (Mick Gordon) | 9-string (down-tuned, Mick Gordon); high-gain profiler | distorted | gain 9 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/bfg-division--doom-mick-gordon--riff--distorted--guitar/
Rip and Tear — DOOM (Mick Gordon) | 9-string (down-tuned, Mick Gordon); high-gain profiler | distorted | gain 9 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/rip-and-tear--doom-mick-gordon--riff--distorted--guitar/
Megalovania — Undertale (Toby Fox) | 6/7-string; high-gain profiler | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/megalovania--undertale-toby-fox--riff--distorted--guitar/
One Winged Angel — Final Fantasy VII | 7-string; high-gain profiler | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/one-winged-angel--final-fantasy-vii--riff--distorted--guitar/
Open Your Heart — Crush 40 | humbucker-loaded; high-gain profiler | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/open-your-heart--crush-40--riff--distorted--guitar/
The Only Thing I Know for Real — Metal Gear Rising | 7-string (down-tuned); high-gain profiler | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/the-only-thing-i-know-for-real--metal-gear-rising--riff--distorted--guitar/
Cruel Angels Thesis — Neon Genesis Evangelion | humbucker/superstrat; high-gain profiler | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/cruel-angels-thesis--neon-genesis-evangelion--riff--distorted--guitar/
Guren no Yumiya — Linked Horizon | humbucker-loaded; high-gain profiler | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/guren-no-yumiya--linked-horizon--riff--distorted--guitar/
Unravel — TK from Ling tosite sigure | Fender / superstrat; high-gain profiler | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/unravel--tk-from-ling-tosite-sigure--riff--distorted--guitar/
Guiles Theme — Street Fighter II | humbucker-loaded; high-gain profiler | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/guiles-theme--street-fighter-ii--riff--distorted--guitar/
Tamacun — Rodrigo y Gabriela | steel-string acoustic (Yamaha); acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/tamacun--rodrigo-y-gabriela--riff--clean--guitar/
Diablo Rojo — Rodrigo y Gabriela | steel-string acoustic; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/diablo-rojo--rodrigo-y-gabriela--riff--clean--guitar/
Oye Como Va — Santana | Gibson SG / PRS; Mesa/Boogie | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/oye-como-va--santana--riff--distorted--guitar/
Samba Pa Ti — Santana | Gibson / PRS; Mesa/Boogie | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/samba-pa-ti--santana--riff--distorted--guitar/
Smooth — Santana | PRS Santana; Mesa/Boogie | distorted | gain 5 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/smooth--santana--riff--distorted--guitar/
Bamboleo — Gipsy Kings | nylon-string acoustic; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/bamboleo--gipsy-kings--riff--clean--guitar/
Classical Gas — Mason Williams | steel-string acoustic; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/classical-gas--mason-williams--riff--clean--guitar/
Angelina — Tommy Emmanuel | steel-string acoustic (Maton); acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/angelina--tommy-emmanuel--riff--clean--guitar/
Drifting — Andy McKee | steel-string acoustic; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/drifting--andy-mckee--riff--clean--guitar/
Asturias (Leyenda) — Isaac Albeniz | nylon-string classical; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/asturias-leyenda--isaac-albeniz--riff--clean--guitar/
La Bamba — Ritchie Valens | Fender / acoustic; Fender | clean | gain 2 · bass 5 · mid 6 · treble 7 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/la-bamba--ritchie-valens--riff--clean--guitar/
The Girl from Ipanema — Antonio Carlos Jobim | nylon-string acoustic; acoustic / clean | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 4 · reverb 2 | https://guitartoneadapt.com/tone/the-girl-from-ipanema--antonio-carlos-jobim--riff--clean--guitar/
Beautiful Lie — Evanescence | down-tuned; high-gain profiler / Marshall | distorted | gain 7 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/beautiful-lie--evanescence--riff--distorted--guitar/
R.I.P. — Motionless In White | 7-string (down-tuned); high-gain profiler / Marshall | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/r-i-p--motionless-in-white--riff--distorted--guitar/
Satanized — Ghost | Gibson / Fender; high-gain profiler / Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/satanized--ghost--riff--distorted--guitar/
Spirit Helper — Enslaved | various; high-gain profiler | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/spirit-helper--enslaved--riff--distorted--guitar/
The Great Wolf In The Sky — Moonspell | various; high-gain profiler | distorted | gain 7 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/the-great-wolf-in-the-sky--moonspell--riff--distorted--guitar/
Delirium — Haken | 7-string; high-gain profiler | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/delirium--haken--riff--distorted--guitar/
All Will Be (N)One — Distant | 8-string (down-tuned); high-gain profiler | distorted | gain 9 · bass 6 · mid 4 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/all-will-be-n-one--distant--riff--distorted--guitar/
De Oppresso Liber — Five Finger Death Punch | down-tuned (drop tuning); high-gain amp / profiler | distorted | gain 9 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/de-oppresso-liber--five-finger-death-punch--riff--distorted--guitar/
Smoke on the Water — Deep Purple | Fender Stratocaster; Marshall Major (cranked) | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/smoke-on-the-water--deep-purple--riff--distorted--guitar/
Voodoo Child (Slight Return) — The Jimi Hendrix Experience | Fender Stratocaster; Marshall Super Lead (cranked) | distorted | gain 7 · bass 5 · mid 6 · treble 6 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/voodoo-child-slight-return--the-jimi-hendrix-experience--riff--distorted--guitar/
Holy Wars... The Punishment Due — Megadeth | Jackson / Dean (bridge humbucker); Marshall (high-gain) | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/holy-wars-the-punishment-due--megadeth--riff--distorted--guitar/
Ace of Spades — Motorhead | Rickenbacker / Marshall; Marshall (cranked, dirty) | distorted | gain 7 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/ace-of-spades--motorhead--riff--distorted--guitar/
Baba O Riley — The Who | Gibson SG / Les Paul; Hiwatt (cranked) | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/baba-o-riley--the-who--riff--distorted--guitar/
Wont Get Fooled Again — The Who | Gibson Les Paul; Hiwatt (cranked) | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/wont-get-fooled-again--the-who--riff--distorted--guitar/
Rock and Roll — Led Zeppelin | Gibson Les Paul; Marshall / Supro (cranked) | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/rock-and-roll--led-zeppelin--riff--distorted--guitar/
Tom Sawyer — Rush | Gibson / Fender; Marshall (with effects) | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/tom-sawyer--rush--riff--distorted--guitar/
Here I Go Again — Whitesnake | Fender / Jackson; Marshall (high-gain) | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/here-i-go-again--whitesnake--riff--distorted--guitar/
Psychosocial — Slipknot | 7-string (down-tuned); Mesa / high-gain | distorted | gain 9 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/psychosocial--slipknot--riff--distorted--guitar/
Rebel Rebel — David Bowie | Fender / Hagstrom; Marshall (edge of breakup) | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/rebel-rebel--david-bowie--riff--distorted--guitar/
Rebel Yell — Billy Idol | Hamer / with effects; Marshall (high-gain) | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 7 · reverb 2 | https://guitartoneadapt.com/tone/rebel-yell--billy-idol--riff--distorted--guitar/
Once Bitten Twice Shy — Great White | Gibson Les Paul; Marshall (cranked) | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/once-bitten-twice-shy--great-white--riff--distorted--guitar/
Youth Gone Wild — Skid Row | Gibson / Jackson; Marshall (high-gain) | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/youth-gone-wild--skid-row--riff--distorted--guitar/
18 and Life — Skid Row | Gibson Les Paul; Marshall (high-gain) | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/18-and-life--skid-row--riff--distorted--guitar/
Every Rose Has Its Thorn — Poison | acoustic + Fender; Fender (clean) / acoustic | clean | gain 2 · bass 5 · mid 6 · treble 6 · presence 4 · reverb 3 | https://guitartoneadapt.com/tone/every-rose-has-its-thorn--poison--riff--clean--guitar/
Children of the Grave — Black Sabbath | Gibson SG; Laney (cranked) | distorted | gain 6 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/children-of-the-grave--black-sabbath--riff--distorted--guitar/
Sweet Leaf — Black Sabbath | Gibson SG; Laney (cranked) | distorted | gain 6 · bass 6 · mid 6 · treble 5 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/sweet-leaf--black-sabbath--riff--distorted--guitar/
Fairies Wear Boots — Black Sabbath | Gibson SG; Laney (cranked) | distorted | gain 6 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/fairies-wear-boots--black-sabbath--riff--distorted--guitar/
The Rock Show — Blink-182 | Fender Stratocaster; Mesa / Marshall | distorted | gain 7 · bass 5 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/the-rock-show--blink-182--riff--distorted--guitar/
Stricken — Disturbed | Ibanez / down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/stricken--disturbed--riff--distorted--guitar/
Bodies — Drowning Pool | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/bodies--drowning-pool--riff--distorted--guitar/
No Excuses — Alice in Chains | Gibson / G&L; Bogner / Mesa | overdriven | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/no-excuses--alice-in-chains--riff--overdriven--guitar/
R U Mine — Arctic Monkeys | Fender / Gibson; Fuzz into a loud amp | distorted | gain 7 · bass 6 · mid 6 · treble 6 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/r-u-mine--arctic-monkeys--riff--distorted--guitar/
Unsainted — Slipknot | 7-string (down-tuned); high-gain / Mesa | distorted | gain 9 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/unsainted--slipknot--riff--distorted--guitar/
Walk Dont Run — The Ventures | Fender Stratocaster; Fender (spring reverb) | clean | gain 1 · bass 5 · mid 5 · treble 7 · presence 6 · reverb 5 | https://guitartoneadapt.com/tone/walk-dont-run--the-ventures--riff--clean--guitar/
Rumble — Link Wray | Danelectro / hollowbody; small amp (cranked/torn speaker) | distorted | gain 5 · bass 6 · mid 6 · treble 5 · presence 4 · reverb 4 | https://guitartoneadapt.com/tone/rumble--link-wray--riff--distorted--guitar/
Super Freak — Rick James | Fender Stratocaster; Fender (clean) | clean | gain 2 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/super-freak--rick-james--riff--clean--guitar/
Brick House — Commodores | Fender / semi-hollow; Fender (clean) | clean | gain 2 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/brick-house--commodores--riff--clean--guitar/
Autumn Leaves — Chet Atkins | Gretsch / archtop; Fender / jazz amp (clean) | clean | gain 1 · bass 6 · mid 6 · treble 5 · presence 4 · reverb 3 | https://guitartoneadapt.com/tone/autumn-leaves--chet-atkins--riff--clean--guitar/
This Aint a Scene Its an Arms Race — Fall Out Boy | Gibson / Fender; Mesa / Marshall | distorted | gain 7 · bass 5 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/this-aint-a-scene-its-an-arms-race--fall-out-boy--riff--distorted--guitar/
Cross Road Blues — Robert Johnson | acoustic / resonator; acoustic / resonator | clean | gain 1 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 1 | https://guitartoneadapt.com/tone/cross-road-blues--robert-johnson--riff--clean--guitar/
Start Me Up — The Rolling Stones | Fender Telecaster (open G, 5-string); Fender / Ampeg (edge of breakup) | overdriven | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/start-me-up--the-rolling-stones--riff--overdriven--guitar/
Brown Sugar — The Rolling Stones | Fender Telecaster (open G, 5-string); Fender / Ampeg (edge of breakup) | overdriven | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/brown-sugar--the-rolling-stones--riff--overdriven--guitar/
Something — The Beatles | Gibson Les Paul; Fender / Leslie (clean) | clean | gain 2 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/something--the-beatles--riff--clean--guitar/
Runnin Down a Dream — Tom Petty | Fender / Rickenbacker; Marshall / Vox | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/runnin-down-a-dream--tom-petty--riff--distorted--guitar/
Yağmurlar — Şebnem Ferah | Gibson; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 6 · presence 6 · reverb 3 | https://guitartoneadapt.com/tone/yagmurlar--sebnem-ferah--riff--distorted--guitar/
Cemalim — Erkin Koray | elektro saz / Strat; cranked amp (fuzz) | distorted | gain 6 · bass 6 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/cemalim--erkin-koray--riff--distorted--guitar/
Şaşkın — Erkin Koray | elektro saz / Strat; cranked amp | overdriven | gain 4 · bass 6 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/saskin--erkin-koray--riff--overdriven--guitar/
Dağlar Dağlar — Barış Manço | Strat / archtop; clean/edge amp | overdriven | gain 3 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/daglar-daglar--baris-manco--riff--overdriven--guitar/
Holigan — Athena | Fender / Gibson; Marshall / Mesa | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/holigan--athena--riff--distorted--guitar/
Yağmur — Yavuz Çetin | Fender Stratocaster; Fender / Dumble-vari | overdriven | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/yagmur--yavuz-cetin--riff--overdriven--guitar/
Dear God — The Pretty Reckless | Gibson Les Paul; Marshall / high-gain | distorted | gain 7 · bass 5 · mid 6 · treble 6 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/dear-god--the-pretty-reckless--riff--distorted--guitar/
Heaven Knows — The Pretty Reckless | Gibson Les Paul; Marshall / high-gain | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/heaven-knows--the-pretty-reckless--riff--distorted--guitar/
Sound of Madness — Shinedown | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/sound-of-madness--shinedown--riff--distorted--guitar/
Second Chance — Shinedown | Gibson Les Paul; Marshall | distorted | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/second-chance--shinedown--riff--distorted--guitar/
I Stand Alone — Godsmack | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/i-stand-alone--godsmack--riff--distorted--guitar/
Awake — Godsmack | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/awake--godsmack--riff--distorted--guitar/
The Diary of Jane — Breaking Benjamin | down-tuned; high-gain amp | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/the-diary-of-jane--breaking-benjamin--riff--distorted--guitar/
So Cold — Breaking Benjamin | down-tuned; high-gain amp | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/so-cold--breaking-benjamin--riff--distorted--guitar/
Fake It — Seether | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/fake-it--seether--riff--distorted--guitar/
Remedy — Seether | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/remedy--seether--riff--distorted--guitar/
How You Remind Me — Nickelback | down-tuned; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/how-you-remind-me--nickelback--riff--distorted--guitar/
Burn It to the Ground — Nickelback | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/burn-it-to-the-ground--nickelback--riff--distorted--guitar/
Still Counting — Volbeat | Gibson Les Paul; Marshall | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/still-counting--volbeat--riff--distorted--guitar/
Last Resort — Papa Roach | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/last-resort--papa-roach--riff--distorted--guitar/
The Red — Chevelle | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/the-red--chevelle--riff--distorted--guitar/
I Miss the Misery — Halestorm | Gibson Les Paul; high-gain amp | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/i-miss-the-misery--halestorm--riff--distorted--guitar/
Love Bites (So Do I) — Halestorm | Gibson Les Paul; high-gain amp | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/love-bites-so-do-i--halestorm--riff--distorted--guitar/
Bright Lights — Gary Clark Jr | Epiphone Casino; cranked amp / fuzz | distorted | gain 6 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/bright-lights--gary-clark-jr--riff--distorted--guitar/
Just Got Paid — Joe Bonamassa | Gibson Les Paul; Marshall / Dumble-style | overdriven | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/just-got-paid--joe-bonamassa--riff--overdriven--guitar/
I Believe in a Thing Called Love — The Darkness | Gibson Les Paul; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/i-believe-in-a-thing-called-love--the-darkness--riff--distorted--guitar/
Savior — Rise Against | Gibson / Fender; Marshall / Mesa | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/savior--rise-against--riff--distorted--guitar/
Monster — Skillet | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/monster--skillet--riff--distorted--guitar/
Writing on the Walls — Underoath | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/writing-on-the-walls--underoath--riff--distorted--guitar/
Welcome Home — Coheed and Cambria | Gibson Les Paul; Marshall | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/welcome-home--coheed-and-cambria--riff--distorted--guitar/
Take My Bones Away — Baroness | down-tuned; Orange / high-gain | distorted | gain 7 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/take-my-bones-away--baroness--riff--distorted--guitar/
In Between — Beartooth | down-tuned; high-gain amp | distorted | gain 9 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/in-between--beartooth--riff--distorted--guitar/
In the End — Black Veil Brides | Gibson Les Paul; high-gain amp | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/in-the-end--black-veil-brides--riff--distorted--guitar/
Electric Man — Rival Sons | Gibson Les Paul; Marshall (cranked) | overdriven | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/electric-man--rival-sons--riff--overdriven--guitar/
Blame It on the Boom Boom — Black Stone Cherry | Gibson Les Paul; Marshall | distorted | gain 6 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/blame-it-on-the-boom-boom--black-stone-cherry--riff--distorted--guitar/
The Artist in the Ambulance — Thrice | down-tuned; high-gain amp | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/the-artist-in-the-ambulance--thrice--riff--distorted--guitar/
Trenches — Pop Evil | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/trenches--pop-evil--riff--distorted--guitar/
Could Have Been Me — The Struts | Gibson Les Paul; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/could-have-been-me--the-struts--riff--distorted--guitar/
Stitch — Wage War | 8-string / down-tuned; high-gain amp | distorted | gain 9 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/stitch--wage-war--riff--distorted--guitar/
My Heroine — Silverstein | down-tuned; high-gain amp | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/my-heroine--silverstein--riff--distorted--guitar/
Shes a Self Made Man — Larkin Poe | Gibson / lap steel; cranked amp | distorted | gain 6 · bass 6 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/shes-a-self-made-man--larkin-poe--riff--distorted--guitar/
Cause Weve Ended as Lovers — Jeff Beck | Fender Stratocaster; Marshall / Fender | overdriven | gain 4 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/cause-weve-ended-as-lovers--jeff-beck--solo--overdriven--guitar/
Jordan — Buckethead | Gibson Les Paul; high-gain amp | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 7 · reverb 2 | https://guitartoneadapt.com/tone/jordan--buckethead--solo--distorted--guitar/
Get the Funk Out — Extreme | Washburn N4 (Nuno); Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/get-the-funk-out--extreme--solo--distorted--guitar/
Technical Difficulties — Racer X | Ibanez; high-gain amp | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 7 · reverb 2 | https://guitartoneadapt.com/tone/technical-difficulties--racer-x--solo--distorted--guitar/
Mud on the Tires — Brad Paisley | Fender Telecaster; Fender / Dr. Z | overdriven | gain 4 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/mud-on-the-tires--brad-paisley--riff--overdriven--guitar/
Somebody Like You — Keith Urban | Fender Telecaster; Fender / Vox | overdriven | gain 4 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/somebody-like-you--keith-urban--riff--overdriven--guitar/
Tennessee Whiskey — Chris Stapleton | Fender / Gibson; Fender (edge of breakup) | overdriven | gain 4 · bass 6 · mid 6 · treble 5 · presence 4 · reverb 3 | https://guitartoneadapt.com/tone/tennessee-whiskey--chris-stapleton--riff--overdriven--guitar/
Kickstart My Heart — Motley Crue | Gibson / Charvel; Marshall (high-gain) | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/kickstart-my-heart--motley-crue--riff--distorted--guitar/
Dr. Feelgood — Motley Crue | Gibson Les Paul; Marshall (high-gain) | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/dr-feelgood--motley-crue--riff--distorted--guitar/
Were Not Gonna Take It — Twisted Sister | Gibson SG; Marshall | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/were-not-gonna-take-it--twisted-sister--riff--distorted--guitar/
The Drapery Falls — Opeth | PRS / down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/the-drapery-falls--opeth--riff--distorted--guitar/
Balls to the Wall — Accept | Flying V; Marshall | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/balls-to-the-wall--accept--riff--distorted--guitar/
Hammer Smashed Face — Cannibal Corpse | down-tuned; high-gain amp | distorted | gain 9 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/hammer-smashed-face--cannibal-corpse--riff--distorted--guitar/
Wheels of Steel — Saxon | Gibson Les Paul; Marshall | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/wheels-of-steel--saxon--riff--distorted--guitar/
The Middle — Jimmy Eat World | Gibson / Fender; Marshall / Mesa | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/the-middle--jimmy-eat-world--riff--distorted--guitar/
Ocean Avenue — Yellowcard | Fender / Gibson; Mesa / Marshall | distorted | gain 7 · bass 5 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/ocean-avenue--yellowcard--riff--distorted--guitar/
The Taste of Ink — The Used | Gibson / down-tuned; high-gain amp | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/the-taste-of-ink--the-used--riff--distorted--guitar/
MakeDamnSure — Taking Back Sunday | Gibson / Fender; Marshall / Mesa | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/makedamnsure--taking-back-sunday--riff--distorted--guitar/
My Friends Over You — New Found Glory | Gibson Les Paul; Mesa | distorted | gain 7 · bass 5 · mid 5 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/my-friends-over-you--new-found-glory--riff--distorted--guitar/
Just What I Needed — The Cars | Fender / Gibson; Marshall / Vox | overdriven | gain 4 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/just-what-i-needed--the-cars--riff--overdriven--guitar/
Brass in Pocket — The Pretenders | Fender Telecaster; Fender / Vox | clean | gain 2 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 3 | https://guitartoneadapt.com/tone/brass-in-pocket--the-pretenders--riff--clean--guitar/
Whip It — Devo | Fender; solid-state / Vox | overdriven | gain 4 · bass 5 · mid 7 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/whip-it--devo--riff--overdriven--guitar/
Mama Tried — Merle Haggard | Fender Telecaster; Fender (clean/edge) | overdriven | gain 3 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/mama-tried--merle-haggard--riff--overdriven--guitar/
Guitars, Cadillacs — Dwight Yoakam | Fender Telecaster; Fender | overdriven | gain 3 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/guitars-cadillacs--dwight-yoakam--riff--overdriven--guitar/
Through the Fire and Flames — DragonForce | Ibanez; high-gain amp | distorted | gain 8 · bass 5 · mid 6 · treble 8 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/through-the-fire-and-flames--dragonforce--riff--distorted--guitar/
Nemo — Nightwish | ESP / down-tuned; high-gain amp | distorted | gain 7 · bass 6 · mid 5 · treble 7 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/nemo--nightwish--riff--distorted--guitar/
Twilight of the Thunder God — Amon Amarth | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/twilight-of-the-thunder-god--amon-amarth--riff--distorted--guitar/
Only for the Weak — In Flames | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/only-for-the-weak--in-flames--riff--distorted--guitar/
Blinded by Fear — At the Gates | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/blinded-by-fear--at-the-gates--riff--distorted--guitar/
Nemesis — Arch Enemy | down-tuned; high-gain amp | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/nemesis--arch-enemy--riff--distorted--guitar/
I Want Out — Helloween | Gibson / ESP; high-gain amp | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/i-want-out--helloween--riff--distorted--guitar/
Nightfall — Blind Guardian | ESP; high-gain amp | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/nightfall--blind-guardian--riff--distorted--guitar/
Primo Victoria — Sabaton | ESP; high-gain amp | distorted | gain 8 · bass 6 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/primo-victoria--sabaton--riff--distorted--guitar/
Ice Queen — Within Temptation | down-tuned; high-gain amp | distorted | gain 7 · bass 6 · mid 5 · treble 6 · presence 6 · reverb 2 | https://guitartoneadapt.com/tone/ice-queen--within-temptation--riff--distorted--guitar/
Nothing Left — As I Lay Dying | down-tuned; high-gain amp | distorted | gain 9 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/nothing-left--as-i-lay-dying--riff--distorted--guitar/
Composure — August Burns Red | down-tuned; high-gain amp | distorted | gain 9 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/composure--august-burns-red--riff--distorted--guitar/
Fullmoon — Sonata Arctica | ESP; high-gain amp | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/fullmoon--sonata-arctica--riff--distorted--guitar/
This Is Exile — Whitechapel | 7-string / down-tuned; high-gain amp | distorted | gain 9 · bass 6 · mid 5 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/this-is-exile--whitechapel--riff--distorted--guitar/
Truckin — Grateful Dead | Fender Stratocaster; Fender (clean/edge) | overdriven | gain 3 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/truckin--grateful-dead--riff--overdriven--guitar/
Damn Right Ive Got the Blues — Buddy Guy | Fender Stratocaster; Fender Bassman | overdriven | gain 5 · bass 5 · mid 6 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/damn-right-ive-got-the-blues--buddy-guy--riff--overdriven--guitar/
Stormy Monday — T-Bone Walker | hollowbody / archtop; tube amp (edge) | overdriven | gain 3 · bass 6 · mid 6 · treble 5 · presence 4 · reverb 2 | https://guitartoneadapt.com/tone/stormy-monday--t-bone-walker--riff--overdriven--guitar/
Bo Diddley — Bo Diddley | Gretsch (rectangular); tremolo amp | overdriven | gain 4 · bass 6 · mid 6 · treble 5 · presence 4 · reverb 4 | https://guitartoneadapt.com/tone/bo-diddley--bo-diddley--riff--overdriven--guitar/
Rock This Town — Stray Cats | Gretsch 6120; Fender / tweed | overdriven | gain 4 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 4 | https://guitartoneadapt.com/tone/rock-this-town--stray-cats--riff--overdriven--guitar/
Just a Girl — No Doubt | Fender / Gibson; Marshall / Mesa | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/just-a-girl--no-doubt--riff--distorted--guitar/
American Jesus — Bad Religion | Gibson Les Paul; Marshall | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/american-jesus--bad-religion--riff--distorted--guitar/
Linoleum — NOFX | Fender; Marshall | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/linoleum--nofx--riff--distorted--guitar/
Last Caress — Misfits | Gibson Les Paul; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/last-caress--misfits--riff--distorted--guitar/
Bro Hymn — Pennywise | Gibson; Marshall | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/bro-hymn--pennywise--riff--distorted--guitar/
Legalize It — Peter Tosh | Fender Stratocaster; Fender (clean) | clean | gain 2 · bass 6 · mid 6 · treble 5 · presence 4 · reverb 2 | https://guitartoneadapt.com/tone/legalize-it--peter-tosh--riff--clean--guitar/
Sell Out — Reel Big Fish | Fender; Marshall | distorted | gain 6 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/sell-out--reel-big-fish--riff--distorted--guitar/
Cissy Strut — The Meters | Fender Telecaster; Fender (clean) | clean | gain 2 · bass 5 · mid 7 · treble 6 · presence 5 · reverb 2 | https://guitartoneadapt.com/tone/cissy-strut--the-meters--riff--clean--guitar/
Suffer — Descendents | Fender; Marshall | distorted | gain 7 · bass 5 · mid 6 · treble 7 · presence 6 · reverb 1 | https://guitartoneadapt.com/tone/suffer--descendents--riff--distorted--guitar/
Sailin On — Bad Brains | Gibson SG; Marshall | distorted | gain 8 · bass 5 · mid 6 · treble 7 · presence 7 · reverb 1 | https://guitartoneadapt.com/tone/sailin-on--bad-brains--riff--distorted--guitar/

# Guitar pedal comparisons
analog vs digital delay | https://guitartoneadapt.com/pedal-vs/analog-vs-digital-delay/
big muff vs fuzz face | https://guitartoneadapt.com/pedal-vs/big-muff-vs-fuzz-face/
big muff vs proco rat | https://guitartoneadapt.com/pedal-vs/big-muff-vs-proco-rat/
boss blues driver vs tube screamer | https://guitartoneadapt.com/pedal-vs/boss-blues-driver-vs-tube-screamer/
boss ds1 vs boss sd1 | https://guitartoneadapt.com/pedal-vs/boss-ds1-vs-boss-sd1/
boss ds1 vs tube screamer | https://guitartoneadapt.com/pedal-vs/boss-ds1-vs-tube-screamer/
boss metal zone vs hm2 | https://guitartoneadapt.com/pedal-vs/boss-metal-zone-vs-hm2/
chorus vs flanger | https://guitartoneadapt.com/pedal-vs/chorus-vs-flanger/
cry baby vs vox wah | https://guitartoneadapt.com/pedal-vs/cry-baby-vs-vox-wah/
distortion vs fuzz | https://guitartoneadapt.com/pedal-vs/distortion-vs-fuzz/
fuzz face vs tone bender | https://guitartoneadapt.com/pedal-vs/fuzz-face-vs-tone-bender/
klon vs ocd | https://guitartoneadapt.com/pedal-vs/klon-vs-ocd/
klon vs timmy | https://guitartoneadapt.com/pedal-vs/klon-vs-timmy/
ocd vs blues driver | https://guitartoneadapt.com/pedal-vs/ocd-vs-blues-driver/
ocd vs tube screamer | https://guitartoneadapt.com/pedal-vs/ocd-vs-tube-screamer/
overdrive vs distortion | https://guitartoneadapt.com/pedal-vs/overdrive-vs-distortion/
overdrive vs fuzz | https://guitartoneadapt.com/pedal-vs/overdrive-vs-fuzz/
phaser vs flanger | https://guitartoneadapt.com/pedal-vs/phaser-vs-flanger/
proco rat vs boss ds1 | https://guitartoneadapt.com/pedal-vs/proco-rat-vs-boss-ds1/
rat vs tube screamer | https://guitartoneadapt.com/pedal-vs/rat-vs-tube-screamer/
reverb vs delay | https://guitartoneadapt.com/pedal-vs/reverb-vs-delay/
ts9 vs ts808 | https://guitartoneadapt.com/pedal-vs/ts9-vs-ts808/
tube screamer vs boss sd1 | https://guitartoneadapt.com/pedal-vs/tube-screamer-vs-boss-sd1/
tube screamer vs klon | https://guitartoneadapt.com/pedal-vs/tube-screamer-vs-klon/

# Pedal settings guides (knob-by-knob starting points per overdrive/distortion/fuzz pedal)
big muff | https://guitartoneadapt.com/pedal-settings/big-muff/
boss blues driver | https://guitartoneadapt.com/pedal-settings/boss-blues-driver/
boss ds1 | https://guitartoneadapt.com/pedal-settings/boss-ds1/
boss hm2 | https://guitartoneadapt.com/pedal-settings/boss-hm2/
boss metal zone | https://guitartoneadapt.com/pedal-settings/boss-metal-zone/
boss sd1 | https://guitartoneadapt.com/pedal-settings/boss-sd1/
klon centaur | https://guitartoneadapt.com/pedal-settings/klon-centaur/
ocd | https://guitartoneadapt.com/pedal-settings/ocd/
proco rat | https://guitartoneadapt.com/pedal-settings/proco-rat/
tube screamer | https://guitartoneadapt.com/pedal-settings/tube-screamer/

# Amp comparisons (side-by-side settings & which to pick)
bogner vs diezel | https://guitartoneadapt.com/amp-vs/bogner-vs-diezel/
bogner vs mesa dual rectifier | https://guitartoneadapt.com/amp-vs/bogner-vs-mesa-dual-rectifier/
diezel vs engl | https://guitartoneadapt.com/amp-vs/diezel-vs-engl/
diezel vs mesa dual rectifier | https://guitartoneadapt.com/amp-vs/diezel-vs-mesa-dual-rectifier/
diezel vs peavey 5150 | https://guitartoneadapt.com/amp-vs/diezel-vs-peavey-5150/
engl vs peavey 5150 | https://guitartoneadapt.com/amp-vs/engl-vs-peavey-5150/
fender bassman vs fender deluxe reverb | https://guitartoneadapt.com/amp-vs/fender-bassman-vs-fender-deluxe-reverb/
fender bassman vs vox ac30 | https://guitartoneadapt.com/amp-vs/fender-bassman-vs-vox-ac30/
fender deluxe reverb vs vox ac30 | https://guitartoneadapt.com/amp-vs/fender-deluxe-reverb-vs-vox-ac30/
fender hot rod vs fender deluxe reverb | https://guitartoneadapt.com/amp-vs/fender-hot-rod-vs-fender-deluxe-reverb/
fender hot rod vs fender twin reverb | https://guitartoneadapt.com/amp-vs/fender-hot-rod-vs-fender-twin-reverb/
fender twin reverb vs fender deluxe reverb | https://guitartoneadapt.com/amp-vs/fender-twin-reverb-vs-fender-deluxe-reverb/
fender twin reverb vs marshall jcm800 | https://guitartoneadapt.com/amp-vs/fender-twin-reverb-vs-marshall-jcm800/
fender twin reverb vs vox ac30 | https://guitartoneadapt.com/amp-vs/fender-twin-reverb-vs-vox-ac30/
marshall dsl vs marshall jcm800 | https://guitartoneadapt.com/amp-vs/marshall-dsl-vs-marshall-jcm800/
marshall dsl vs peavey 5150 | https://guitartoneadapt.com/amp-vs/marshall-dsl-vs-peavey-5150/
marshall jcm800 vs marshall jcm900 | https://guitartoneadapt.com/amp-vs/marshall-jcm800-vs-marshall-jcm900/
marshall jcm800 vs marshall plexi | https://guitartoneadapt.com/amp-vs/marshall-jcm800-vs-marshall-plexi/
marshall jcm800 vs mesa dual rectifier | https://guitartoneadapt.com/amp-vs/marshall-jcm800-vs-mesa-dual-rectifier/
marshall jcm800 vs mesa mark | https://guitartoneadapt.com/amp-vs/marshall-jcm800-vs-mesa-mark/
marshall jcm800 vs peavey 5150 | https://guitartoneadapt.com/amp-vs/marshall-jcm800-vs-peavey-5150/
marshall jcm800 vs vox ac30 | https://guitartoneadapt.com/amp-vs/marshall-jcm800-vs-vox-ac30/
marshall jcm900 vs mesa dual rectifier | https://guitartoneadapt.com/amp-vs/marshall-jcm900-vs-mesa-dual-rectifier/
marshall jcm900 vs peavey 5150 | https://guitartoneadapt.com/amp-vs/marshall-jcm900-vs-peavey-5150/
marshall plexi vs fender bassman | https://guitartoneadapt.com/amp-vs/marshall-plexi-vs-fender-bassman/
marshall plexi vs fender twin reverb | https://guitartoneadapt.com/amp-vs/marshall-plexi-vs-fender-twin-reverb/
marshall plexi vs peavey 5150 | https://guitartoneadapt.com/amp-vs/marshall-plexi-vs-peavey-5150/
marshall plexi vs vox ac30 | https://guitartoneadapt.com/amp-vs/marshall-plexi-vs-vox-ac30/
mesa dual rectifier vs marshall plexi | https://guitartoneadapt.com/amp-vs/mesa-dual-rectifier-vs-marshall-plexi/
mesa mark vs mesa dual rectifier | https://guitartoneadapt.com/amp-vs/mesa-mark-vs-mesa-dual-rectifier/
mesa mark vs peavey 5150 | https://guitartoneadapt.com/amp-vs/mesa-mark-vs-peavey-5150/
orange rockerverb vs marshall jcm800 | https://guitartoneadapt.com/amp-vs/orange-rockerverb-vs-marshall-jcm800/
orange rockerverb vs mesa dual rectifier | https://guitartoneadapt.com/amp-vs/orange-rockerverb-vs-mesa-dual-rectifier/
orange rockerverb vs soldano slo | https://guitartoneadapt.com/amp-vs/orange-rockerverb-vs-soldano-slo/
peavey 5150 vs mesa dual rectifier | https://guitartoneadapt.com/amp-vs/peavey-5150-vs-mesa-dual-rectifier/
peavey 6505 vs mesa dual rectifier | https://guitartoneadapt.com/amp-vs/peavey-6505-vs-mesa-dual-rectifier/
peavey 6505 vs peavey 5150 | https://guitartoneadapt.com/amp-vs/peavey-6505-vs-peavey-5150/
roland jc 120 vs fender deluxe reverb | https://guitartoneadapt.com/amp-vs/roland-jc-120-vs-fender-deluxe-reverb/
roland jc 120 vs fender twin reverb | https://guitartoneadapt.com/amp-vs/roland-jc-120-vs-fender-twin-reverb/
soldano slo vs marshall jcm800 | https://guitartoneadapt.com/amp-vs/soldano-slo-vs-marshall-jcm800/
soldano slo vs mesa dual rectifier | https://guitartoneadapt.com/amp-vs/soldano-slo-vs-mesa-dual-rectifier/

# Guitar comparisons
active vs passive | https://guitartoneadapt.com/guitar-vs/active-vs-passive/
fender jaguar vs fender jazzmaster | https://guitartoneadapt.com/guitar-vs/fender-jaguar-vs-fender-jazzmaster/
fender jaguar vs fender stratocaster | https://guitartoneadapt.com/guitar-vs/fender-jaguar-vs-fender-stratocaster/
fender jazzmaster vs fender stratocaster | https://guitartoneadapt.com/guitar-vs/fender-jazzmaster-vs-fender-stratocaster/
fender mustang vs fender jaguar | https://guitartoneadapt.com/guitar-vs/fender-mustang-vs-fender-jaguar/
fender mustang vs fender jazzmaster | https://guitartoneadapt.com/guitar-vs/fender-mustang-vs-fender-jazzmaster/
fender mustang vs fender stratocaster | https://guitartoneadapt.com/guitar-vs/fender-mustang-vs-fender-stratocaster/
fender stratocaster vs fender telecaster | https://guitartoneadapt.com/guitar-vs/fender-stratocaster-vs-fender-telecaster/
fender stratocaster vs gibson les paul | https://guitartoneadapt.com/guitar-vs/fender-stratocaster-vs-gibson-les-paul/
fender stratocaster vs ibanez rg | https://guitartoneadapt.com/guitar-vs/fender-stratocaster-vs-ibanez-rg/
fender stratocaster vs prs custom 24 | https://guitartoneadapt.com/guitar-vs/fender-stratocaster-vs-prs-custom-24/
fender telecaster vs gibson les paul | https://guitartoneadapt.com/guitar-vs/fender-telecaster-vs-gibson-les-paul/
gibson es 335 vs fender stratocaster | https://guitartoneadapt.com/guitar-vs/gibson-es-335-vs-fender-stratocaster/
gibson es 335 vs fender telecaster | https://guitartoneadapt.com/guitar-vs/gibson-es-335-vs-fender-telecaster/
gibson es 335 vs gibson les paul | https://guitartoneadapt.com/guitar-vs/gibson-es-335-vs-gibson-les-paul/
gibson flying v vs gibson explorer | https://guitartoneadapt.com/guitar-vs/gibson-flying-v-vs-gibson-explorer/
gibson flying v vs gibson les paul | https://guitartoneadapt.com/guitar-vs/gibson-flying-v-vs-gibson-les-paul/
gibson les paul vs gibson explorer | https://guitartoneadapt.com/guitar-vs/gibson-les-paul-vs-gibson-explorer/
gibson les paul vs gibson sg | https://guitartoneadapt.com/guitar-vs/gibson-les-paul-vs-gibson-sg/
gibson les paul vs ibanez rg | https://guitartoneadapt.com/guitar-vs/gibson-les-paul-vs-ibanez-rg/
gibson les paul vs prs custom 24 | https://guitartoneadapt.com/guitar-vs/gibson-les-paul-vs-prs-custom-24/
gibson sg vs fender stratocaster | https://guitartoneadapt.com/guitar-vs/gibson-sg-vs-fender-stratocaster/
gibson sg vs fender telecaster | https://guitartoneadapt.com/guitar-vs/gibson-sg-vs-fender-telecaster/
gretsch hollowbody vs fender telecaster | https://guitartoneadapt.com/guitar-vs/gretsch-hollowbody-vs-fender-telecaster/
gretsch hollowbody vs gibson les paul | https://guitartoneadapt.com/guitar-vs/gretsch-hollowbody-vs-gibson-les-paul/
p90 pickups vs humbucker | https://guitartoneadapt.com/guitar-vs/p90-pickups-vs-humbucker/
p90 pickups vs single coil | https://guitartoneadapt.com/guitar-vs/p90-pickups-vs-single-coil/
prs custom 24 vs ibanez rg | https://guitartoneadapt.com/guitar-vs/prs-custom-24-vs-ibanez-rg/
rickenbacker vs fender stratocaster | https://guitartoneadapt.com/guitar-vs/rickenbacker-vs-fender-stratocaster/
rickenbacker vs fender telecaster | https://guitartoneadapt.com/guitar-vs/rickenbacker-vs-fender-telecaster/
single coil vs humbucker | https://guitartoneadapt.com/guitar-vs/single-coil-vs-humbucker/

# Gear & pickup guides
axe fx | https://guitartoneadapt.com/gear/axe-fx/
big muff | https://guitartoneadapt.com/gear/big-muff/
bogner | https://guitartoneadapt.com/gear/bogner/
boss blues driver | https://guitartoneadapt.com/gear/boss-blues-driver/
boss ds1 | https://guitartoneadapt.com/gear/boss-ds1/
boss metal zone | https://guitartoneadapt.com/gear/boss-metal-zone/
boss sd1 | https://guitartoneadapt.com/gear/boss-sd1/
diezel | https://guitartoneadapt.com/gear/diezel/
digitech whammy | https://guitartoneadapt.com/gear/digitech-whammy/
dumble | https://guitartoneadapt.com/gear/dumble/
echoplex | https://guitartoneadapt.com/gear/echoplex/
emg pickups | https://guitartoneadapt.com/gear/emg-pickups/
engl | https://guitartoneadapt.com/gear/engl/
esp guitars | https://guitartoneadapt.com/gear/esp-guitars/
evh 5150 iii | https://guitartoneadapt.com/gear/evh-5150-iii/
fender amp | https://guitartoneadapt.com/gear/fender-amp/
fender bassman | https://guitartoneadapt.com/gear/fender-bassman/
fender deluxe reverb | https://guitartoneadapt.com/gear/fender-deluxe-reverb/
fender hot rod | https://guitartoneadapt.com/gear/fender-hot-rod/
fender jaguar | https://guitartoneadapt.com/gear/fender-jaguar/
fender jazzmaster | https://guitartoneadapt.com/gear/fender-jazzmaster/
fender mustang | https://guitartoneadapt.com/gear/fender-mustang/
fender stratocaster | https://guitartoneadapt.com/gear/fender-stratocaster/
fender telecaster | https://guitartoneadapt.com/gear/fender-telecaster/
fender twin reverb | https://guitartoneadapt.com/gear/fender-twin-reverb/
friedman | https://guitartoneadapt.com/gear/friedman/
fulltone ocd | https://guitartoneadapt.com/gear/fulltone-ocd/
fuzz face | https://guitartoneadapt.com/gear/fuzz-face/
gibson es 335 | https://guitartoneadapt.com/gear/gibson-es-335/
gibson explorer | https://guitartoneadapt.com/gear/gibson-explorer/
gibson flying v | https://guitartoneadapt.com/gear/gibson-flying-v/
gibson les paul | https://guitartoneadapt.com/gear/gibson-les-paul/
gibson sg | https://guitartoneadapt.com/gear/gibson-sg/
gretsch hollowbody | https://guitartoneadapt.com/gear/gretsch-hollowbody/
hiwatt | https://guitartoneadapt.com/gear/hiwatt/
humbucker guitars | https://guitartoneadapt.com/gear/humbucker-guitars/
ibanez rg | https://guitartoneadapt.com/gear/ibanez-rg/
kemper | https://guitartoneadapt.com/gear/kemper/
klon centaur | https://guitartoneadapt.com/gear/klon-centaur/
leslie speaker | https://guitartoneadapt.com/gear/leslie-speaker/
line 6 | https://guitartoneadapt.com/gear/line-6/
marshall amp | https://guitartoneadapt.com/gear/marshall-amp/
marshall jcm800 | https://guitartoneadapt.com/gear/marshall-jcm800/
marshall plexi | https://guitartoneadapt.com/gear/marshall-plexi/
marshall silver jubilee | https://guitartoneadapt.com/gear/marshall-silver-jubilee/
mesa boogie | https://guitartoneadapt.com/gear/mesa-boogie/
mesa dual rectifier | https://guitartoneadapt.com/gear/mesa-dual-rectifier/
mesa mark | https://guitartoneadapt.com/gear/mesa-mark/
mxr phase 90 | https://guitartoneadapt.com/gear/mxr-phase-90/
orange amp | https://guitartoneadapt.com/gear/orange-amp/
p90 pickups | https://guitartoneadapt.com/gear/p90-pickups/
peavey 5150 | https://guitartoneadapt.com/gear/peavey-5150/
proco rat | https://guitartoneadapt.com/gear/proco-rat/
prs custom 24 | https://guitartoneadapt.com/gear/prs-custom-24/
randall | https://guitartoneadapt.com/gear/randall/
rickenbacker | https://guitartoneadapt.com/gear/rickenbacker/
roland jc120 | https://guitartoneadapt.com/gear/roland-jc120/
schecter | https://guitartoneadapt.com/gear/schecter/
seymour duncan | https://guitartoneadapt.com/gear/seymour-duncan/
single coil guitars | https://guitartoneadapt.com/gear/single-coil-guitars/
soldano | https://guitartoneadapt.com/gear/soldano/
strymon | https://guitartoneadapt.com/gear/strymon/
supro | https://guitartoneadapt.com/gear/supro/
tube screamer | https://guitartoneadapt.com/gear/tube-screamer/
univibe | https://guitartoneadapt.com/gear/univibe/
vox ac30 | https://guitartoneadapt.com/gear/vox-ac30/
wah pedal | https://guitartoneadapt.com/gear/wah-pedal/

# Best amp settings by genre
acoustic | https://guitartoneadapt.com/genre/acoustic/
alternative | https://guitartoneadapt.com/genre/alternative/
alternative metal | https://guitartoneadapt.com/genre/alternative-metal/
alternative rock | https://guitartoneadapt.com/genre/alternative-rock/
alternative rock heavy metal | https://guitartoneadapt.com/genre/alternative-rock-heavy-metal/
anatolian rock | https://guitartoneadapt.com/genre/anatolian-rock/
anime rock | https://guitartoneadapt.com/genre/anime-rock/
arena rock | https://guitartoneadapt.com/genre/arena-rock/
blackgaze | https://guitartoneadapt.com/genre/blackgaze/
blues | https://guitartoneadapt.com/genre/blues/
blues pop | https://guitartoneadapt.com/genre/blues-pop/
blues rock | https://guitartoneadapt.com/genre/blues-rock/
bossa nova | https://guitartoneadapt.com/genre/bossa-nova/
britpop | https://guitartoneadapt.com/genre/britpop/
classic rock | https://guitartoneadapt.com/genre/classic-rock/
classical | https://guitartoneadapt.com/genre/classical/
country | https://guitartoneadapt.com/genre/country/
country pop | https://guitartoneadapt.com/genre/country-pop/
country rock | https://guitartoneadapt.com/genre/country-rock/
country rock country | https://guitartoneadapt.com/genre/country-rock-country/
country soul | https://guitartoneadapt.com/genre/country-soul/
death metal | https://guitartoneadapt.com/genre/death-metal/
deathcore | https://guitartoneadapt.com/genre/deathcore/
delta blues | https://guitartoneadapt.com/genre/delta-blues/
desert rock | https://guitartoneadapt.com/genre/desert-rock/
disco funk | https://guitartoneadapt.com/genre/disco-funk/
distorted | https://guitartoneadapt.com/genre/distorted/
djent | https://guitartoneadapt.com/genre/djent/
emo | https://guitartoneadapt.com/genre/emo/
fingerstyle | https://guitartoneadapt.com/genre/fingerstyle/
flamenco | https://guitartoneadapt.com/genre/flamenco/
folk | https://guitartoneadapt.com/genre/folk/
folk pop | https://guitartoneadapt.com/genre/folk-pop/
folk rock | https://guitartoneadapt.com/genre/folk-rock/
funk | https://guitartoneadapt.com/genre/funk/
funk metal | https://guitartoneadapt.com/genre/funk-metal/
funk rock | https://guitartoneadapt.com/genre/funk-rock/
garage rock | https://guitartoneadapt.com/genre/garage-rock/
glam metal | https://guitartoneadapt.com/genre/glam-metal/
glam rock | https://guitartoneadapt.com/genre/glam-rock/
gothic metal | https://guitartoneadapt.com/genre/gothic-metal/
gothic metalcore | https://guitartoneadapt.com/genre/gothic-metalcore/
gothic rock | https://guitartoneadapt.com/genre/gothic-rock/
groove metal | https://guitartoneadapt.com/genre/groove-metal/
grunge | https://guitartoneadapt.com/genre/grunge/
grunge funk metal | https://guitartoneadapt.com/genre/grunge-funk-metal/
gypsy jazz | https://guitartoneadapt.com/genre/gypsy-jazz/
hard rock | https://guitartoneadapt.com/genre/hard-rock/
hardcore | https://guitartoneadapt.com/genre/hardcore/
hardcore punk | https://guitartoneadapt.com/genre/hardcore-punk/
heavy metal | https://guitartoneadapt.com/genre/heavy-metal/
heavy metal nu metal | https://guitartoneadapt.com/genre/heavy-metal-nu-metal/
horror punk | https://guitartoneadapt.com/genre/horror-punk/
indie folk | https://guitartoneadapt.com/genre/indie-folk/
indie pop | https://guitartoneadapt.com/genre/indie-pop/
indie rock | https://guitartoneadapt.com/genre/indie-rock/
industrial metal | https://guitartoneadapt.com/genre/industrial-metal/
instrumental | https://guitartoneadapt.com/genre/instrumental/
instrumental rock | https://guitartoneadapt.com/genre/instrumental-rock/
jam rock | https://guitartoneadapt.com/genre/jam-rock/
jazz | https://guitartoneadapt.com/genre/jazz/
jazz blues | https://guitartoneadapt.com/genre/jazz-blues/
jazz fusion | https://guitartoneadapt.com/genre/jazz-fusion/
jazz rock | https://guitartoneadapt.com/genre/jazz-rock/
latin rock | https://guitartoneadapt.com/genre/latin-rock/
math rock | https://guitartoneadapt.com/genre/math-rock/
melodic death metal | https://guitartoneadapt.com/genre/melodic-death-metal/
melodic punk | https://guitartoneadapt.com/genre/melodic-punk/
metal | https://guitartoneadapt.com/genre/metal/
metalcore | https://guitartoneadapt.com/genre/metalcore/
neoclassical metal | https://guitartoneadapt.com/genre/neoclassical-metal/
new wave | https://guitartoneadapt.com/genre/new-wave/
nu metal | https://guitartoneadapt.com/genre/nu-metal/
other | https://guitartoneadapt.com/genre/other/
pop | https://guitartoneadapt.com/genre/pop/
pop punk | https://guitartoneadapt.com/genre/pop-punk/
pop rock | https://guitartoneadapt.com/genre/pop-rock/
pop rock alternative rock power pop | https://guitartoneadapt.com/genre/pop-rock-alternative-rock-power-pop/
post bop jazz fusion | https://guitartoneadapt.com/genre/post-bop-jazz-fusion/
post grunge | https://guitartoneadapt.com/genre/post-grunge/
post hardcore | https://guitartoneadapt.com/genre/post-hardcore/
post hardcore hard rock heavy metal | https://guitartoneadapt.com/genre/post-hardcore-hard-rock-heavy-metal/
post metal | https://guitartoneadapt.com/genre/post-metal/
post punk | https://guitartoneadapt.com/genre/post-punk/
post rock | https://guitartoneadapt.com/genre/post-rock/
power metal | https://guitartoneadapt.com/genre/power-metal/
progressive | https://guitartoneadapt.com/genre/progressive/
progressive black metal | https://guitartoneadapt.com/genre/progressive-black-metal/
progressive death metal | https://guitartoneadapt.com/genre/progressive-death-metal/
progressive metal | https://guitartoneadapt.com/genre/progressive-metal/
progressive metalcore | https://guitartoneadapt.com/genre/progressive-metalcore/
progressive rock | https://guitartoneadapt.com/genre/progressive-rock/
progressive rock blues rock hard rock | https://guitartoneadapt.com/genre/progressive-rock-blues-rock-hard-rock/
psychedelic rock | https://guitartoneadapt.com/genre/psychedelic-rock/
punk | https://guitartoneadapt.com/genre/punk/
punk rock | https://guitartoneadapt.com/genre/punk-rock/
rap metal | https://guitartoneadapt.com/genre/rap-metal/
reggae | https://guitartoneadapt.com/genre/reggae/
reggae rock | https://guitartoneadapt.com/genre/reggae-rock/
rock | https://guitartoneadapt.com/genre/rock/
rock alternative rock | https://guitartoneadapt.com/genre/rock-alternative-rock/
rock and roll | https://guitartoneadapt.com/genre/rock-and-roll/
rockabilly | https://guitartoneadapt.com/genre/rockabilly/
shoegaze | https://guitartoneadapt.com/genre/shoegaze/
shred | https://guitartoneadapt.com/genre/shred/
shred metal | https://guitartoneadapt.com/genre/shred-metal/
ska punk | https://guitartoneadapt.com/genre/ska-punk/
sludge metal | https://guitartoneadapt.com/genre/sludge-metal/
smooth jazz | https://guitartoneadapt.com/genre/smooth-jazz/
soul | https://guitartoneadapt.com/genre/soul/
southern rock | https://guitartoneadapt.com/genre/southern-rock/
speed metal | https://guitartoneadapt.com/genre/speed-metal/
surf rock | https://guitartoneadapt.com/genre/surf-rock/
swamp rock | https://guitartoneadapt.com/genre/swamp-rock/
symphonic metal | https://guitartoneadapt.com/genre/symphonic-metal/
thrash metal | https://guitartoneadapt.com/genre/thrash-metal/
thrash metal heavy metal | https://guitartoneadapt.com/genre/thrash-metal-heavy-metal/
turkish rock | https://guitartoneadapt.com/genre/turkish-rock/

# Amp settings cheat sheets (starting EQ per amp & per genre)
ampeg | https://guitartoneadapt.com/amp-settings/ampeg/
bogner | https://guitartoneadapt.com/amp-settings/bogner/
diezel | https://guitartoneadapt.com/amp-settings/diezel/
dumble | https://guitartoneadapt.com/amp-settings/dumble/
engl | https://guitartoneadapt.com/amp-settings/engl/
fender bassman | https://guitartoneadapt.com/amp-settings/fender-bassman/
fender champ | https://guitartoneadapt.com/amp-settings/fender-champ/
fender deluxe reverb | https://guitartoneadapt.com/amp-settings/fender-deluxe-reverb/
fender hot rod deluxe | https://guitartoneadapt.com/amp-settings/fender-hot-rod-deluxe/
fender princeton | https://guitartoneadapt.com/amp-settings/fender-princeton/
fender twin reverb | https://guitartoneadapt.com/amp-settings/fender-twin-reverb/
fender vibrolux | https://guitartoneadapt.com/amp-settings/fender-vibrolux/
for bass | https://guitartoneadapt.com/amp-settings/for-bass/
for blues | https://guitartoneadapt.com/amp-settings/for-blues/
for clean | https://guitartoneadapt.com/amp-settings/for-clean/
for country | https://guitartoneadapt.com/amp-settings/for-country/
for djent | https://guitartoneadapt.com/amp-settings/for-djent/
for funk | https://guitartoneadapt.com/amp-settings/for-funk/
for grunge | https://guitartoneadapt.com/amp-settings/for-grunge/
for hard rock | https://guitartoneadapt.com/amp-settings/for-hard-rock/
for indie | https://guitartoneadapt.com/amp-settings/for-indie/
for jazz | https://guitartoneadapt.com/amp-settings/for-jazz/
for metal | https://guitartoneadapt.com/amp-settings/for-metal/
for metalcore | https://guitartoneadapt.com/amp-settings/for-metalcore/
for nu metal | https://guitartoneadapt.com/amp-settings/for-nu-metal/
for pop punk | https://guitartoneadapt.com/amp-settings/for-pop-punk/
for post rock | https://guitartoneadapt.com/amp-settings/for-post-rock/
for power metal | https://guitartoneadapt.com/amp-settings/for-power-metal/
for punk | https://guitartoneadapt.com/amp-settings/for-punk/
for reggae | https://guitartoneadapt.com/amp-settings/for-reggae/
for rock | https://guitartoneadapt.com/amp-settings/for-rock/
for thrash metal | https://guitartoneadapt.com/amp-settings/for-thrash-metal/
guide | https://guitartoneadapt.com/amp-settings/guide/
hiwatt | https://guitartoneadapt.com/amp-settings/hiwatt/
laney | https://guitartoneadapt.com/amp-settings/laney/
marshall dsl | https://guitartoneadapt.com/amp-settings/marshall-dsl/
marshall jcm800 | https://guitartoneadapt.com/amp-settings/marshall-jcm800/
marshall jcm900 | https://guitartoneadapt.com/amp-settings/marshall-jcm900/
marshall jtm45 | https://guitartoneadapt.com/amp-settings/marshall-jtm45/
marshall plexi | https://guitartoneadapt.com/amp-settings/marshall-plexi/
marshall silver jubilee | https://guitartoneadapt.com/amp-settings/marshall-silver-jubilee/
matchless | https://guitartoneadapt.com/amp-settings/matchless/
mesa dual rectifier | https://guitartoneadapt.com/amp-settings/mesa-dual-rectifier/
mesa mark | https://guitartoneadapt.com/amp-settings/mesa-mark/
orange rockerverb | https://guitartoneadapt.com/amp-settings/orange-rockerverb/
peavey 5150 | https://guitartoneadapt.com/amp-settings/peavey-5150/
peavey 6505 | https://guitartoneadapt.com/amp-settings/peavey-6505/
randall rg100 | https://guitartoneadapt.com/amp-settings/randall-rg100/
roland jc 120 | https://guitartoneadapt.com/amp-settings/roland-jc-120/
silvertone | https://guitartoneadapt.com/amp-settings/silvertone/
soldano slo | https://guitartoneadapt.com/amp-settings/soldano-slo/
supro | https://guitartoneadapt.com/amp-settings/supro/
vox ac30 | https://guitartoneadapt.com/amp-settings/vox-ac30/

# How-to tone guides (step-by-step amp settings)
active vs passive pickups | https://guitartoneadapt.com/how-to/active-vs-passive-pickups/
ambient worship tone | https://guitartoneadapt.com/how-to/ambient-worship-tone/
amp knobs explained | https://guitartoneadapt.com/how-to/amp-knobs-explained/
bedroom guitar tone | https://guitartoneadapt.com/how-to/bedroom-guitar-tone/
blackstar settings | https://guitartoneadapt.com/how-to/blackstar-settings/
blues tone | https://guitartoneadapt.com/how-to/blues-tone/
boss gt 1000 settings | https://guitartoneadapt.com/how-to/boss-gt-1000-settings/
boss katana settings | https://guitartoneadapt.com/how-to/boss-katana-settings/
clean tone | https://guitartoneadapt.com/how-to/clean-tone/
country tone | https://guitartoneadapt.com/how-to/country-tone/
crunch tone | https://guitartoneadapt.com/how-to/crunch-tone/
djent tone | https://guitartoneadapt.com/how-to/djent-tone/
eq in a mix | https://guitartoneadapt.com/how-to/eq-in-a-mix/
fender champion settings | https://guitartoneadapt.com/how-to/fender-champion-settings/
fender frontman settings | https://guitartoneadapt.com/how-to/fender-frontman-settings/
fender mustang settings | https://guitartoneadapt.com/how-to/fender-mustang-settings/
fix fizzy distortion | https://guitartoneadapt.com/how-to/fix-fizzy-distortion/
fix muddy tone | https://guitartoneadapt.com/how-to/fix-muddy-tone/
fix thin tone | https://guitartoneadapt.com/how-to/fix-thin-tone/
fractal axe fx settings | https://guitartoneadapt.com/how-to/fractal-axe-fx-settings/
funk tone | https://guitartoneadapt.com/how-to/funk-tone/
grunge tone | https://guitartoneadapt.com/how-to/grunge-tone/
headrush settings | https://guitartoneadapt.com/how-to/headrush-settings/
high gain tone | https://guitartoneadapt.com/how-to/high-gain-tone/
humbucker vs single coil | https://guitartoneadapt.com/how-to/humbucker-vs-single-coil/
ik multimedia tonex settings | https://guitartoneadapt.com/how-to/ik-multimedia-tonex-settings/
jazz tone | https://guitartoneadapt.com/how-to/jazz-tone/
kemper profiler settings | https://guitartoneadapt.com/how-to/kemper-profiler-settings/
line 6 helix settings | https://guitartoneadapt.com/how-to/line-6-helix-settings/
line 6 pod go settings | https://guitartoneadapt.com/how-to/line-6-pod-go-settings/
line 6 spider settings | https://guitartoneadapt.com/how-to/line-6-spider-settings/
marshall code settings | https://guitartoneadapt.com/how-to/marshall-code-settings/
marshall mg settings | https://guitartoneadapt.com/how-to/marshall-mg-settings/
metal tone | https://guitartoneadapt.com/how-to/metal-tone/
more sustain | https://guitartoneadapt.com/how-to/more-sustain/
neural dsp quad cortex settings | https://guitartoneadapt.com/how-to/neural-dsp-quad-cortex-settings/
orange crush settings | https://guitartoneadapt.com/how-to/orange-crush-settings/
overdrive vs distortion vs fuzz | https://guitartoneadapt.com/how-to/overdrive-vs-distortion-vs-fuzz/
pedal order | https://guitartoneadapt.com/how-to/pedal-order/
pop punk tone | https://guitartoneadapt.com/how-to/pop-punk-tone/
positive grid spark settings | https://guitartoneadapt.com/how-to/positive-grid-spark-settings/
reduce amp noise | https://guitartoneadapt.com/how-to/reduce-amp-noise/
reggae tone | https://guitartoneadapt.com/how-to/reggae-tone/
shoegaze tone | https://guitartoneadapt.com/how-to/shoegaze-tone/
tube vs solid state amp | https://guitartoneadapt.com/how-to/tube-vs-solid-state-amp/
vox valvetronix settings | https://guitartoneadapt.com/how-to/vox-valvetronix-settings/
yamaha thr settings | https://guitartoneadapt.com/how-to/yamaha-thr-settings/

# Amp settings by sonic character (scooped, high-gain, warm, tight...)
aggressive | https://guitartoneadapt.com/tone-character/aggressive/
articulate | https://guitartoneadapt.com/tone-character/articulate/
bright | https://guitartoneadapt.com/tone-character/bright/
clean | https://guitartoneadapt.com/tone-character/clean/
compressed | https://guitartoneadapt.com/tone-character/compressed/
dynamic touch sensitive | https://guitartoneadapt.com/tone-character/dynamic-touch-sensitive/
heavy low end | https://guitartoneadapt.com/tone-character/heavy-low-end/
high gain | https://guitartoneadapt.com/tone-character/high-gain/
mid forward | https://guitartoneadapt.com/tone-character/mid-forward/
percussive | https://guitartoneadapt.com/tone-character/percussive/
punchy | https://guitartoneadapt.com/tone-character/punchy/
scooped mids | https://guitartoneadapt.com/tone-character/scooped-mids/
singing sustain | https://guitartoneadapt.com/tone-character/singing-sustain/
tight | https://guitartoneadapt.com/tone-character/tight/
warm | https://guitartoneadapt.com/tone-character/warm/

# Guitar effect guides (fuzz, wah, delay, chorus, overdrive...)
boost | https://guitartoneadapt.com/effects/boost/
chorus | https://guitartoneadapt.com/effects/chorus/
delay | https://guitartoneadapt.com/effects/delay/
distortion | https://guitartoneadapt.com/effects/distortion/
flanger | https://guitartoneadapt.com/effects/flanger/
fuzz | https://guitartoneadapt.com/effects/fuzz/
octave | https://guitartoneadapt.com/effects/octave/
overdrive | https://guitartoneadapt.com/effects/overdrive/
phaser | https://guitartoneadapt.com/effects/phaser/
reverb | https://guitartoneadapt.com/effects/reverb/
tremolo | https://guitartoneadapt.com/effects/tremolo/
wah | https://guitartoneadapt.com/effects/wah/

# Song tone hubs (all researched tones for a song in one place)
africa  toto | https://guitartoneadapt.com/song/africa--toto/
and justice for all  metallica | https://guitartoneadapt.com/song/and-justice-for-all--metallica/
back in black  ac dc | https://guitartoneadapt.com/song/back-in-black--ac-dc/
barracuda  heart | https://guitartoneadapt.com/song/barracuda--heart/
bckyrd  hot mulligan | https://guitartoneadapt.com/song/bckyrd--hot-mulligan/
blackest eyes live  porcupine tree | https://guitartoneadapt.com/song/blackest-eyes-live--porcupine-tree/
cambaz  mor ve otesi | https://guitartoneadapt.com/song/cambaz--mor-ve-otesi/
carry on wayward son  kansas | https://guitartoneadapt.com/song/carry-on-wayward-son--kansas/
cemetery gates  pantera | https://guitartoneadapt.com/song/cemetery-gates--pantera/
cocaine  eric clapton | https://guitartoneadapt.com/song/cocaine--eric-clapton/
come as you are  nirvana | https://guitartoneadapt.com/song/come-as-you-are--nirvana/
come together  the beatles | https://guitartoneadapt.com/song/come-together--the-beatles/
comfortably numb  pink floyd | https://guitartoneadapt.com/song/comfortably-numb--pink-floyd/
crazy train  ozzy osbourne | https://guitartoneadapt.com/song/crazy-train--ozzy-osbourne/
daglar daglar  baris manco | https://guitartoneadapt.com/song/daglar-daglar--baris-manco/
dream on  aerosmith | https://guitartoneadapt.com/song/dream-on--aerosmith/
drown edit  the smashing pumpkins | https://guitartoneadapt.com/song/drown-edit--the-smashing-pumpkins/
duality  slipknot | https://guitartoneadapt.com/song/duality--slipknot/
end of beginning  djo | https://guitartoneadapt.com/song/end-of-beginning--djo/
enter sandman  metallica | https://guitartoneadapt.com/song/enter-sandman--metallica/
entre dos tierras  h roes del silencio | https://guitartoneadapt.com/song/entre-dos-tierras--h-roes-del-silencio/
floods  pantera | https://guitartoneadapt.com/song/floods--pantera/
for whom the bell tolls  metallica | https://guitartoneadapt.com/song/for-whom-the-bell-tolls--metallica/
free bird  lynyrd skynyrd | https://guitartoneadapt.com/song/free-bird--lynyrd-skynyrd/
g o a t  polyphia | https://guitartoneadapt.com/song/g-o-a-t--polyphia/
hallowed be thy name  iron maiden | https://guitartoneadapt.com/song/hallowed-be-thy-name--iron-maiden/
hangar 18  megadeth | https://guitartoneadapt.com/song/hangar-18--megadeth/
head in the ceiling fan  title fight | https://guitartoneadapt.com/song/head-in-the-ceiling-fan--title-fight/
heartbreaker  led zeppelin | https://guitartoneadapt.com/song/heartbreaker--led-zeppelin/
hey you  pink floyd | https://guitartoneadapt.com/song/hey-you--pink-floyd/
highway star  deep purple | https://guitartoneadapt.com/song/highway-star--deep-purple/
hysteria  muse | https://guitartoneadapt.com/song/hysteria--muse/
i stay away  alice in chains | https://guitartoneadapt.com/song/i-stay-away--alice-in-chains/
ichizu  king gnu | https://guitartoneadapt.com/song/ichizu--king-gnu/
in my dreams  dokken | https://guitartoneadapt.com/song/in-my-dreams--dokken/
johnny b goode  chuck berry | https://guitartoneadapt.com/song/johnny-b-goode--chuck-berry/
la grange  zz top | https://guitartoneadapt.com/song/la-grange--zz-top/
livin on a prayer  bon jovi | https://guitartoneadapt.com/song/livin-on-a-prayer--bon-jovi/
master of puppets  metallica | https://guitartoneadapt.com/song/master-of-puppets--metallica/
money  pink floyd | https://guitartoneadapt.com/song/money--pink-floyd/
money for nothing  dire straits | https://guitartoneadapt.com/song/money-for-nothing--dire-straits/
more than a feeling  boston | https://guitartoneadapt.com/song/more-than-a-feeling--boston/
mr crowley  ozzy osbourne | https://guitartoneadapt.com/song/mr-crowley--ozzy-osbourne/
my curse  killswitch engage | https://guitartoneadapt.com/song/my-curse--killswitch-engage/
no more tears  ozzy osbourne | https://guitartoneadapt.com/song/no-more-tears--ozzy-osbourne/
november rain  guns n roses | https://guitartoneadapt.com/song/november-rain--guns-n-roses/
nutshell  alice in chains | https://guitartoneadapt.com/song/nutshell--alice-in-chains/
one  metallica | https://guitartoneadapt.com/song/one--metallica/
orion  metallica | https://guitartoneadapt.com/song/orion--metallica/
paradise city  guns n roses | https://guitartoneadapt.com/song/paradise-city--guns-n-roses/
peace sells  megadeth | https://guitartoneadapt.com/song/peace-sells--megadeth/
santa monica  everclear | https://guitartoneadapt.com/song/santa-monica--everclear/
say it ain t so 2024 remaster  weezer | https://guitartoneadapt.com/song/say-it-ain-t-so-2024-remaster--weezer/
schism  tool | https://guitartoneadapt.com/song/schism--tool/
sharp dressed man  zz top | https://guitartoneadapt.com/song/sharp-dressed-man--zz-top/
six minutes  stoopi | https://guitartoneadapt.com/song/six-minutes--stoopi/
smells like teen spirit  nirvana | https://guitartoneadapt.com/song/smells-like-teen-spirit--nirvana/
sobs quietly  mom jeans | https://guitartoneadapt.com/song/sobs-quietly--mom-jeans/
spokoynaya noch  kino | https://guitartoneadapt.com/song/spokoynaya-noch--kino/
stay together for the kids  blink 182 | https://guitartoneadapt.com/song/stay-together-for-the-kids--blink-182/
sweet child o mine  guns n roses | https://guitartoneadapt.com/song/sweet-child-o-mine--guns-n-roses/
sweet home alabama  lynyrd skynyrd | https://guitartoneadapt.com/song/sweet-home-alabama--lynyrd-skynyrd/
teenage dirtbag  wheatus | https://guitartoneadapt.com/song/teenage-dirtbag--wheatus/
the emptiness machine instrumental  linkin park | https://guitartoneadapt.com/song/the-emptiness-machine-instrumental--linkin-park/
thunderstruck  ac dc | https://guitartoneadapt.com/song/thunderstruck--ac-dc/
today  the smashing pumpkins | https://guitartoneadapt.com/song/today--the-smashing-pumpkins/
voodoo child slight return  jimi hendrix | https://guitartoneadapt.com/song/voodoo-child-slight-return--jimi-hendrix/
walk this way  aerosmith | https://guitartoneadapt.com/song/walk-this-way--aerosmith/
wanted dead or alive  bon jovi | https://guitartoneadapt.com/song/wanted-dead-or-alive--bon-jovi/
welcome to the jungle  guns n roses | https://guitartoneadapt.com/song/welcome-to-the-jungle--guns-n-roses/
whole lotta love  led zeppelin | https://guitartoneadapt.com/song/whole-lotta-love--led-zeppelin/
wish you were here  pink floyd | https://guitartoneadapt.com/song/wish-you-were-here--pink-floyd/

# Free in-browser tools (tuner, metronome, chord transposer, tuning chart)
circle of fifths | https://guitartoneadapt.com/tools/circle-of-fifths/
delay time | https://guitartoneadapt.com/tools/delay-time/
fretboard | https://guitartoneadapt.com/tools/fretboard/
metronome | https://guitartoneadapt.com/tools/metronome/
progressions | https://guitartoneadapt.com/tools/progressions/
scales | https://guitartoneadapt.com/tools/scales/
transpose | https://guitartoneadapt.com/tools/transpose/
tuner | https://guitartoneadapt.com/tools/tuner/
tuning | https://guitartoneadapt.com/tools/tuning/

# Artist tone guides
ac dc | https://guitartoneadapt.com/artist/ac-dc/
acid bath | https://guitartoneadapt.com/artist/acid-bath/
aerosmith | https://guitartoneadapt.com/artist/aerosmith/
albert king | https://guitartoneadapt.com/artist/albert-king/
alice in chains | https://guitartoneadapt.com/artist/alice-in-chains/
alter bridge | https://guitartoneadapt.com/artist/alter-bridge/
arctic monkeys | https://guitartoneadapt.com/artist/arctic-monkeys/
aria | https://guitartoneadapt.com/artist/aria/
athena | https://guitartoneadapt.com/artist/athena/
audioslave | https://guitartoneadapt.com/artist/audioslave/
avenged sevenfold | https://guitartoneadapt.com/artist/avenged-sevenfold/
averly morillo | https://guitartoneadapt.com/artist/averly-morillo/
bad omens | https://guitartoneadapt.com/artist/bad-omens/
bar man o | https://guitartoneadapt.com/artist/bar-man-o/
black label society | https://guitartoneadapt.com/artist/black-label-society/
black sabbath | https://guitartoneadapt.com/artist/black-sabbath/
blink 182 | https://guitartoneadapt.com/artist/blink-182/
bob marley | https://guitartoneadapt.com/artist/bob-marley/
bon jovi | https://guitartoneadapt.com/artist/bon-jovi/
boston | https://guitartoneadapt.com/artist/boston/
breaking benjamin | https://guitartoneadapt.com/artist/breaking-benjamin/
bring me the horizon | https://guitartoneadapt.com/artist/bring-me-the-horizon/
bruno mars | https://guitartoneadapt.com/artist/bruno-mars/
bullet for my valentine | https://guitartoneadapt.com/artist/bullet-for-my-valentine/
bush | https://guitartoneadapt.com/artist/bush/
charlie brown jr | https://guitartoneadapt.com/artist/charlie-brown-jr/
chic | https://guitartoneadapt.com/artist/chic/
chuck berry | https://guitartoneadapt.com/artist/chuck-berry/
coldplay | https://guitartoneadapt.com/artist/coldplay/
collective soul | https://guitartoneadapt.com/artist/collective-soul/
cream | https://guitartoneadapt.com/artist/cream/
creedence clearwater revival | https://guitartoneadapt.com/artist/creedence-clearwater-revival/
crush 40 | https://guitartoneadapt.com/artist/crush-40/
david bowie | https://guitartoneadapt.com/artist/david-bowie/
day6 | https://guitartoneadapt.com/artist/day6/
deadman | https://guitartoneadapt.com/artist/deadman/
december avenue | https://guitartoneadapt.com/artist/december-avenue/
deep purple | https://guitartoneadapt.com/artist/deep-purple/
def leppard | https://guitartoneadapt.com/artist/def-leppard/
deftones | https://guitartoneadapt.com/artist/deftones/
dewa 19 | https://guitartoneadapt.com/artist/dewa-19/
die arzte | https://guitartoneadapt.com/artist/die-arzte/
die toten hosen | https://guitartoneadapt.com/artist/die-toten-hosen/
dire straits | https://guitartoneadapt.com/artist/dire-straits/
disturbed | https://guitartoneadapt.com/artist/disturbed/
django reinhardt | https://guitartoneadapt.com/artist/django-reinhardt/
djo | https://guitartoneadapt.com/artist/djo/
dokken | https://guitartoneadapt.com/artist/dokken/
doom mick gordon | https://guitartoneadapt.com/artist/doom-mick-gordon/
dream theater | https://guitartoneadapt.com/artist/dream-theater/
duman | https://guitartoneadapt.com/artist/duman/
dying fetus | https://guitartoneadapt.com/artist/dying-fetus/
eagles | https://guitartoneadapt.com/artist/eagles/
ebnem ferah | https://guitartoneadapt.com/artist/ebnem-ferah/
ed sheeran | https://guitartoneadapt.com/artist/ed-sheeran/
eraserheads | https://guitartoneadapt.com/artist/eraserheads/
eric clapton | https://guitartoneadapt.com/artist/eric-clapton/
eric johnson | https://guitartoneadapt.com/artist/eric-johnson/
erkin koray | https://guitartoneadapt.com/artist/erkin-koray/
evanescence | https://guitartoneadapt.com/artist/evanescence/
everclear | https://guitartoneadapt.com/artist/everclear/
extreme | https://guitartoneadapt.com/artist/extreme/
fall out boy | https://guitartoneadapt.com/artist/fall-out-boy/
falling in reverse | https://guitartoneadapt.com/artist/falling-in-reverse/
five finger death punch | https://guitartoneadapt.com/artist/five-finger-death-punch/
fleetwood mac | https://guitartoneadapt.com/artist/fleetwood-mac/
foo fighters | https://guitartoneadapt.com/artist/foo-fighters/
freddie king | https://guitartoneadapt.com/artist/freddie-king/
gary moore | https://guitartoneadapt.com/artist/gary-moore/
ghost | https://guitartoneadapt.com/artist/ghost/
godsmack | https://guitartoneadapt.com/artist/godsmack/
gojira | https://guitartoneadapt.com/artist/gojira/
green day | https://guitartoneadapt.com/artist/green-day/
greta van fleet | https://guitartoneadapt.com/artist/greta-van-fleet/
guns n roses | https://guitartoneadapt.com/artist/guns-n-roses/
h roes del silencio | https://guitartoneadapt.com/artist/h-roes-del-silencio/
halestorm | https://guitartoneadapt.com/artist/halestorm/
heart | https://guitartoneadapt.com/artist/heart/
hillsong worship | https://guitartoneadapt.com/artist/hillsong-worship/
hole | https://guitartoneadapt.com/artist/hole/
hot mulligan | https://guitartoneadapt.com/artist/hot-mulligan/
hozier | https://guitartoneadapt.com/artist/hozier/
indochine | https://guitartoneadapt.com/artist/indochine/
infant annihilator | https://guitartoneadapt.com/artist/infant-annihilator/
iron maiden | https://guitartoneadapt.com/artist/iron-maiden/
jeff buckley | https://guitartoneadapt.com/artist/jeff-buckley/
jimi hendrix | https://guitartoneadapt.com/artist/jimi-hendrix/
john mayer | https://guitartoneadapt.com/artist/john-mayer/
johnny cash | https://guitartoneadapt.com/artist/johnny-cash/
journey | https://guitartoneadapt.com/artist/journey/
judas priest | https://guitartoneadapt.com/artist/judas-priest/
kansas | https://guitartoneadapt.com/artist/kansas/
kessoku band | https://guitartoneadapt.com/artist/kessoku-band/
killswitch engage | https://guitartoneadapt.com/artist/killswitch-engage/
king gnu | https://guitartoneadapt.com/artist/king-gnu/
kings of leon | https://guitartoneadapt.com/artist/kings-of-leon/
kino | https://guitartoneadapt.com/artist/kino/
korn | https://guitartoneadapt.com/artist/korn/
lamb of god | https://guitartoneadapt.com/artist/lamb-of-god/
led zeppelin | https://guitartoneadapt.com/artist/led-zeppelin/
linkin park | https://guitartoneadapt.com/artist/linkin-park/
lynyrd skynyrd | https://guitartoneadapt.com/artist/lynyrd-skynyrd/
m neskin | https://guitartoneadapt.com/artist/m-neskin/
m tley cr e | https://guitartoneadapt.com/artist/m-tley-cr-e/
mac demarco | https://guitartoneadapt.com/artist/mac-demarco/
manga | https://guitartoneadapt.com/artist/manga/
megadeth | https://guitartoneadapt.com/artist/megadeth/
metal gear rising | https://guitartoneadapt.com/artist/metal-gear-rising/
metallica | https://guitartoneadapt.com/artist/metallica/
michael jackson | https://guitartoneadapt.com/artist/michael-jackson/
mom jeans | https://guitartoneadapt.com/artist/mom-jeans/
mor ve tesi | https://guitartoneadapt.com/artist/mor-ve-tesi/
mother mother | https://guitartoneadapt.com/artist/mother-mother/
motionless in white | https://guitartoneadapt.com/artist/motionless-in-white/
motley crue | https://guitartoneadapt.com/artist/motley-crue/
muse | https://guitartoneadapt.com/artist/muse/
my chemical romance | https://guitartoneadapt.com/artist/my-chemical-romance/
n flying | https://guitartoneadapt.com/artist/n-flying/
nickelback | https://guitartoneadapt.com/artist/nickelback/
nirvana | https://guitartoneadapt.com/artist/nirvana/
oasis | https://guitartoneadapt.com/artist/oasis/
olivia rodrigo | https://guitartoneadapt.com/artist/olivia-rodrigo/
ozzy osbourne | https://guitartoneadapt.com/artist/ozzy-osbourne/
padi | https://guitartoneadapt.com/artist/padi/
panic at the disco | https://guitartoneadapt.com/artist/panic-at-the-disco/
pantera | https://guitartoneadapt.com/artist/pantera/
paramore | https://guitartoneadapt.com/artist/paramore/
parokya ni edgar | https://guitartoneadapt.com/artist/parokya-ni-edgar/
pearl jam | https://guitartoneadapt.com/artist/pearl-jam/
pentagram | https://guitartoneadapt.com/artist/pentagram/
periphery | https://guitartoneadapt.com/artist/periphery/
peterpan | https://guitartoneadapt.com/artist/peterpan/
pink floyd | https://guitartoneadapt.com/artist/pink-floyd/
poison | https://guitartoneadapt.com/artist/poison/
polyphia | https://guitartoneadapt.com/artist/polyphia/
porcupine tree | https://guitartoneadapt.com/artist/porcupine-tree/
prince | https://guitartoneadapt.com/artist/prince/
queen | https://guitartoneadapt.com/artist/queen/
queens of the stone age | https://guitartoneadapt.com/artist/queens-of-the-stone-age/
r e m | https://guitartoneadapt.com/artist/r-e-m/
racer x | https://guitartoneadapt.com/artist/racer-x/
radiohead | https://guitartoneadapt.com/artist/radiohead/
rage against the machine | https://guitartoneadapt.com/artist/rage-against-the-machine/
rammstein | https://guitartoneadapt.com/artist/rammstein/
ratt | https://guitartoneadapt.com/artist/ratt/
red hot chili peppers | https://guitartoneadapt.com/artist/red-hot-chili-peppers/
rivermaya | https://guitartoneadapt.com/artist/rivermaya/
robert johnson | https://guitartoneadapt.com/artist/robert-johnson/
rodrigo y gabriela | https://guitartoneadapt.com/artist/rodrigo-y-gabriela/
royal blood | https://guitartoneadapt.com/artist/royal-blood/
rush | https://guitartoneadapt.com/artist/rush/
santana | https://guitartoneadapt.com/artist/santana/
scorpions | https://guitartoneadapt.com/artist/scorpions/
seether | https://guitartoneadapt.com/artist/seether/
sheila on 7 | https://guitartoneadapt.com/artist/sheila-on-7/
shinedown | https://guitartoneadapt.com/artist/shinedown/
sim | https://guitartoneadapt.com/artist/sim/
skid row | https://guitartoneadapt.com/artist/skid-row/
slayer | https://guitartoneadapt.com/artist/slayer/
sleep token | https://guitartoneadapt.com/artist/sleep-token/
slipknot | https://guitartoneadapt.com/artist/slipknot/
soda stereo | https://guitartoneadapt.com/artist/soda-stereo/
sonic youth | https://guitartoneadapt.com/artist/sonic-youth/
soundgarden | https://guitartoneadapt.com/artist/soundgarden/
spiritbox | https://guitartoneadapt.com/artist/spiritbox/
steely dan | https://guitartoneadapt.com/artist/steely-dan/
steppenwolf | https://guitartoneadapt.com/artist/steppenwolf/
stevie ray vaughan | https://guitartoneadapt.com/artist/stevie-ray-vaughan/
stevie ray vaughan double trouble | https://guitartoneadapt.com/artist/stevie-ray-vaughan-double-trouble/
stevie wonder | https://guitartoneadapt.com/artist/stevie-wonder/
stone temple pilots | https://guitartoneadapt.com/artist/stone-temple-pilots/
stoopi | https://guitartoneadapt.com/artist/stoopi/
sublime | https://guitartoneadapt.com/artist/sublime/
sum 41 | https://guitartoneadapt.com/artist/sum-41/
system of a down | https://guitartoneadapt.com/artist/system-of-a-down/
tame impala | https://guitartoneadapt.com/artist/tame-impala/
taylor swift | https://guitartoneadapt.com/artist/taylor-swift/
telephone | https://guitartoneadapt.com/artist/telephone/
the allman brothers band | https://guitartoneadapt.com/artist/the-allman-brothers-band/
the beatles | https://guitartoneadapt.com/artist/the-beatles/
the black keys | https://guitartoneadapt.com/artist/the-black-keys/
the cranberries | https://guitartoneadapt.com/artist/the-cranberries/
the cure | https://guitartoneadapt.com/artist/the-cure/
the jimi hendrix experience | https://guitartoneadapt.com/artist/the-jimi-hendrix-experience/
the killers | https://guitartoneadapt.com/artist/the-killers/
the kinks | https://guitartoneadapt.com/artist/the-kinks/
the offspring | https://guitartoneadapt.com/artist/the-offspring/
the police | https://guitartoneadapt.com/artist/the-police/
the pretty reckless | https://guitartoneadapt.com/artist/the-pretty-reckless/
the rolling stones | https://guitartoneadapt.com/artist/the-rolling-stones/
the smashing pumpkins | https://guitartoneadapt.com/artist/the-smashing-pumpkins/
the smiths | https://guitartoneadapt.com/artist/the-smiths/
the strokes | https://guitartoneadapt.com/artist/the-strokes/
the white stripes | https://guitartoneadapt.com/artist/the-white-stripes/
the who | https://guitartoneadapt.com/artist/the-who/
three days grace | https://guitartoneadapt.com/artist/three-days-grace/
title fight | https://guitartoneadapt.com/artist/title-fight/
tom petty | https://guitartoneadapt.com/artist/tom-petty/
tool | https://guitartoneadapt.com/artist/tool/
toto | https://guitartoneadapt.com/artist/toto/
trivium | https://guitartoneadapt.com/artist/trivium/
turnstile | https://guitartoneadapt.com/artist/turnstile/
type o negative | https://guitartoneadapt.com/artist/type-o-negative/
u2 | https://guitartoneadapt.com/artist/u2/
unknown artist | https://guitartoneadapt.com/artist/unknown-artist/
van halen | https://guitartoneadapt.com/artist/van-halen/
weezer | https://guitartoneadapt.com/artist/weezer/
wes montgomery | https://guitartoneadapt.com/artist/wes-montgomery/
wheatus | https://guitartoneadapt.com/artist/wheatus/
whitesnake | https://guitartoneadapt.com/artist/whitesnake/
wolfmother | https://guitartoneadapt.com/artist/wolfmother/
yes | https://guitartoneadapt.com/artist/yes/
zz top | https://guitartoneadapt.com/artist/zz-top/

# Chord reference (shapes, finger positions & songs that use each chord)
a major | https://guitartoneadapt.com/guitar-chords/a-major/
a major 7 | https://guitartoneadapt.com/guitar-chords/a-major-7/
a minor | https://guitartoneadapt.com/guitar-chords/a-minor/
a minor 7 | https://guitartoneadapt.com/guitar-chords/a-minor-7/
a suspended 4 | https://guitartoneadapt.com/guitar-chords/a-suspended-4/
a7 | https://guitartoneadapt.com/guitar-chords/a7/
asus2 | https://guitartoneadapt.com/guitar-chords/asus2/
b flat major | https://guitartoneadapt.com/guitar-chords/b-flat-major/
b major | https://guitartoneadapt.com/guitar-chords/b-major/
b minor | https://guitartoneadapt.com/guitar-chords/b-minor/
b7 | https://guitartoneadapt.com/guitar-chords/b7/
c major | https://guitartoneadapt.com/guitar-chords/c-major/
c major 7 | https://guitartoneadapt.com/guitar-chords/c-major-7/
c sharp minor | https://guitartoneadapt.com/guitar-chords/c-sharp-minor/
c7 | https://guitartoneadapt.com/guitar-chords/c7/
cadd9 | https://guitartoneadapt.com/guitar-chords/cadd9/
d major | https://guitartoneadapt.com/guitar-chords/d-major/
d minor | https://guitartoneadapt.com/guitar-chords/d-minor/
d minor 7 | https://guitartoneadapt.com/guitar-chords/d-minor-7/
d7 | https://guitartoneadapt.com/guitar-chords/d7/
dsus4 | https://guitartoneadapt.com/guitar-chords/dsus4/
e major | https://guitartoneadapt.com/guitar-chords/e-major/
e minor | https://guitartoneadapt.com/guitar-chords/e-minor/
e minor 7 | https://guitartoneadapt.com/guitar-chords/e-minor-7/
e suspended 4 | https://guitartoneadapt.com/guitar-chords/e-suspended-4/
e7 | https://guitartoneadapt.com/guitar-chords/e7/
f major | https://guitartoneadapt.com/guitar-chords/f-major/
f major 7 | https://guitartoneadapt.com/guitar-chords/f-major-7/
f sharp minor | https://guitartoneadapt.com/guitar-chords/f-sharp-minor/
g major | https://guitartoneadapt.com/guitar-chords/g-major/
g major 7 | https://guitartoneadapt.com/guitar-chords/g-major-7/
g7 | https://guitartoneadapt.com/guitar-chords/g7/

# Song chord sheets (chords & progressions for popular songs)
achy breaky heart  billy ray cyrus | https://guitartoneadapt.com/chords/achy-breaky-heart--billy-ray-cyrus/
all along the watchtower  the jimi hendrix experience  riff  distorted  guitar | https://guitartoneadapt.com/chords/all-along-the-watchtower--the-jimi-hendrix-experience--riff--distorted--guitar/
bad moon rising  creedence clearwater revival | https://guitartoneadapt.com/chords/bad-moon-rising--creedence-clearwater-revival/
boulevard of broken dreams  green day | https://guitartoneadapt.com/chords/boulevard-of-broken-dreams--green-day/
brown eyed girl  van morrison | https://guitartoneadapt.com/chords/brown-eyed-girl--van-morrison/
comfortably numb  pink floyd  solo  distorted  guitar | https://guitartoneadapt.com/chords/comfortably-numb--pink-floyd--solo--distorted--guitar/
country roads  john denver | https://guitartoneadapt.com/chords/country-roads--john-denver/
creep  radiohead  riff  distorted  guitar | https://guitartoneadapt.com/chords/creep--radiohead--riff--distorted--guitar/
easy guitar songs | https://guitartoneadapt.com/chords/easy-guitar-songs/
every breath you take remastered 2003  the police  riff  clean  guitar | https://guitartoneadapt.com/chords/every-breath-you-take-remastered-2003--the-police--riff--clean--guitar/
fast car  tracy chapman | https://guitartoneadapt.com/chords/fast-car--tracy-chapman/
free bird  lynyrd skynyrd  solo  distorted  guitar | https://guitartoneadapt.com/chords/free-bird--lynyrd-skynyrd--solo--distorted--guitar/
free fallin  tom petty | https://guitartoneadapt.com/chords/free-fallin--tom-petty/
good riddance time of your life  green day | https://guitartoneadapt.com/chords/good-riddance-time-of-your-life--green-day/
hallelujah  leonard cohen | https://guitartoneadapt.com/chords/hallelujah--leonard-cohen/
hey jude  the beatles | https://guitartoneadapt.com/chords/hey-jude--the-beatles/
hey there delilah  plain white ts | https://guitartoneadapt.com/chords/hey-there-delilah--plain-white-ts/
ho hey  the lumineers | https://guitartoneadapt.com/chords/ho-hey--the-lumineers/
horse with no name  america | https://guitartoneadapt.com/chords/horse-with-no-name--america/
hotel california  eagles  solo  distorted  guitar | https://guitartoneadapt.com/chords/hotel-california--eagles--solo--distorted--guitar/
house of the rising sun  the animals | https://guitartoneadapt.com/chords/house-of-the-rising-sun--the-animals/
im yours  jason mraz | https://guitartoneadapt.com/chords/im-yours--jason-mraz/
imagine  john lennon | https://guitartoneadapt.com/chords/imagine--john-lennon/
knockin on heaven s door  bob dylan  riff  clean  guitar | https://guitartoneadapt.com/chords/knockin-on-heaven-s-door--bob-dylan--riff--clean--guitar/
knockin on heaven s door  guns n roses  riff  distorted  guitar | https://guitartoneadapt.com/chords/knockin-on-heaven-s-door--guns-n-roses--riff--distorted--guitar/
last kiss  pearl jam | https://guitartoneadapt.com/chords/last-kiss--pearl-jam/
let it be  the beatles  solo  distorted  guitar | https://guitartoneadapt.com/chords/let-it-be--the-beatles--solo--distorted--guitar/
library | https://guitartoneadapt.com/chords/library/
mad world  gary jules | https://guitartoneadapt.com/chords/mad-world--gary-jules/
no woman no cry  bob marley | https://guitartoneadapt.com/chords/no-woman-no-cry--bob-marley/
nothing else matters  metallica  solo  distorted  guitar | https://guitartoneadapt.com/chords/nothing-else-matters--metallica--solo--distorted--guitar/
paranoid  black sabbath  riff  distorted  guitar | https://guitartoneadapt.com/chords/paranoid--black-sabbath--riff--distorted--guitar/
perfect  ed sheeran | https://guitartoneadapt.com/chords/perfect--ed-sheeran/
purple rain  prince the revolution  solo  distorted  guitar | https://guitartoneadapt.com/chords/purple-rain--prince-the-revolution--solo--distorted--guitar/
ring of fire  johnny cash | https://guitartoneadapt.com/chords/ring-of-fire--johnny-cash/
riptide  vance joy | https://guitartoneadapt.com/chords/riptide--vance-joy/
santeria  sublime  riff  clean  guitar | https://guitartoneadapt.com/chords/santeria--sublime--riff--clean--guitar/
save tonight  eagle eye cherry | https://guitartoneadapt.com/chords/save-tonight--eagle-eye-cherry/
smells like teen spirit  nirvana  riff  distorted  guitar | https://guitartoneadapt.com/chords/smells-like-teen-spirit--nirvana--riff--distorted--guitar/
someone like you  adele | https://guitartoneadapt.com/chords/someone-like-you--adele/
stairway to heaven  led zeppelin  solo  distorted  guitar | https://guitartoneadapt.com/chords/stairway-to-heaven--led-zeppelin--solo--distorted--guitar/
stand by me  ben e king | https://guitartoneadapt.com/chords/stand-by-me--ben-e-king/
sultans of swing  dire straits  solo  clean  guitar | https://guitartoneadapt.com/chords/sultans-of-swing--dire-straits--solo--clean--guitar/
sweet caroline  neil diamond | https://guitartoneadapt.com/chords/sweet-caroline--neil-diamond/
sweet child o mine  guns n roses  riff  distorted  guitar | https://guitartoneadapt.com/chords/sweet-child-o-mine--guns-n-roses--riff--distorted--guitar/
sweet home alabama  lynyrd skynyrd | https://guitartoneadapt.com/chords/sweet-home-alabama--lynyrd-skynyrd/
three little birds  bob marley | https://guitartoneadapt.com/chords/three-little-birds--bob-marley/
twist and shout  the beatles | https://guitartoneadapt.com/chords/twist-and-shout--the-beatles/
wagon wheel  old crow medicine show | https://guitartoneadapt.com/chords/wagon-wheel--old-crow-medicine-show/
when i come around  green day  riff  distorted  guitar | https://guitartoneadapt.com/chords/when-i-come-around--green-day--riff--distorted--guitar/
wish you were here  pink floyd  riff  clean  guitar | https://guitartoneadapt.com/chords/wish-you-were-here--pink-floyd--riff--clean--guitar/
with or without you  u2  riff  clean  guitar | https://guitartoneadapt.com/chords/with-or-without-you--u2--riff--clean--guitar/
wonderful tonight  eric clapton | https://guitartoneadapt.com/chords/wonderful-tonight--eric-clapton/
wonderwall  oasis | https://guitartoneadapt.com/chords/wonderwall--oasis/
yellow ledbetter  pearl jam  solo  distorted  guitar | https://guitartoneadapt.com/chords/yellow-ledbetter--pearl-jam--solo--distorted--guitar/
zombie  the cranberries | https://guitartoneadapt.com/chords/zombie--the-cranberries/

# Tuning guides (Drop D, DADGAD, Eb, Drop C, Open G/D/E — notes & famous songs)
b standard | https://guitartoneadapt.com/guitar-tunings/b-standard/
c standard | https://guitartoneadapt.com/guitar-tunings/c-standard/
d standard | https://guitartoneadapt.com/guitar-tunings/d-standard/
dadgad | https://guitartoneadapt.com/guitar-tunings/dadgad/
double drop d | https://guitartoneadapt.com/guitar-tunings/double-drop-d/
drop a | https://guitartoneadapt.com/guitar-tunings/drop-a/
drop b | https://guitartoneadapt.com/guitar-tunings/drop-b/
drop c | https://guitartoneadapt.com/guitar-tunings/drop-c/
drop c sharp | https://guitartoneadapt.com/guitar-tunings/drop-c-sharp/
drop d | https://guitartoneadapt.com/guitar-tunings/drop-d/
drop g | https://guitartoneadapt.com/guitar-tunings/drop-g/
eb standard half step down | https://guitartoneadapt.com/guitar-tunings/eb-standard-half-step-down/
nashville tuning | https://guitartoneadapt.com/guitar-tunings/nashville-tuning/
open a | https://guitartoneadapt.com/guitar-tunings/open-a/
open c | https://guitartoneadapt.com/guitar-tunings/open-c/
open d | https://guitartoneadapt.com/guitar-tunings/open-d/
open e | https://guitartoneadapt.com/guitar-tunings/open-e/
open g | https://guitartoneadapt.com/guitar-tunings/open-g/

# Scale references (pentatonic, blues, modes — formulas, notes & positions)
blues scale | https://guitartoneadapt.com/guitar-scales/blues-scale/
dorian mode | https://guitartoneadapt.com/guitar-scales/dorian-mode/
harmonic minor scale | https://guitartoneadapt.com/guitar-scales/harmonic-minor-scale/
locrian mode | https://guitartoneadapt.com/guitar-scales/locrian-mode/
lydian mode | https://guitartoneadapt.com/guitar-scales/lydian-mode/
major pentatonic | https://guitartoneadapt.com/guitar-scales/major-pentatonic/
major scale | https://guitartoneadapt.com/guitar-scales/major-scale/
melodic minor scale | https://guitartoneadapt.com/guitar-scales/melodic-minor-scale/
minor pentatonic | https://guitartoneadapt.com/guitar-scales/minor-pentatonic/
mixolydian mode | https://guitartoneadapt.com/guitar-scales/mixolydian-mode/
natural minor scale | https://guitartoneadapt.com/guitar-scales/natural-minor-scale/
phrygian dominant scale | https://guitartoneadapt.com/guitar-scales/phrygian-dominant-scale/
phrygian mode | https://guitartoneadapt.com/guitar-scales/phrygian-mode/

# Curated collections & data reports
The most famous guitar tones of all time (40 iconic tones + amp settings) | https://guitartoneadapt.com/famous-guitar-tones/
Guitar tone collections hub (curated tones by scene/genre/language) | https://guitartoneadapt.com/guitar-tone-collections/
How guitar tone changed over 60 years (averaged settings by decade) | https://guitartoneadapt.com/guitar-tone-by-decade/
Guitar tone data report (average settings, genre EQ, most-used gear) | https://guitartoneadapt.com/guitar-tone-stats/
Guitar tone FAQ (why tone sounds bad, what matters, starting settings) | https://guitartoneadapt.com/guitar-tone-faq/
Best guitar solos (settings, gear & pickups behind iconic solos) | https://guitartoneadapt.com/guitar-solos/
Best guitar riffs (settings behind the most iconic riffs) | https://guitartoneadapt.com/guitar-riffs/
Bass guitar tones (amp settings & gear behind famous basslines) | https://guitartoneadapt.com/bass-guitar-tones/
Gear comparison hub (guitars, amps & pedals head-to-head — links every guitar-vs / amp-vs / pedal-vs face-off) | https://guitartoneadapt.com/versus/
Worship / ambient guitar tones (dotted-eighth delay, modulated reverb, swells) | https://guitartoneadapt.com/worship-guitar-tones/
Anime, J-rock & game guitar tones (Kessoku Band, AKG, ONE OK ROCK, game music) | https://guitartoneadapt.com/anime-jrock-game-guitar-tones/
Album anniversaries (guitar tones from milestone-anniversary albums) | https://guitartoneadapt.com/guitar-tone-anniversaries/
Summer 2026 rock tour tones (amp settings behind current touring setlists) | https://guitartoneadapt.com/summer-2026-tour-tones/
Rock brasileiro / Brazilian rock hub (Legião Urbana, Paralamas, Skank, Titãs) | https://guitartoneadapt.com/rock-brasileiro-guitar-tones/
Rock italiano / Italian rock hub (Vasco Rossi, Litfiba, Ligabue, Måneskin) | https://guitartoneadapt.com/rock-italiano-guitar-tones/
Deutscher Rock / German rock hub (Rammstein, Die Toten Hosen, Die Ärzte) | https://guitartoneadapt.com/rock-deutsch-guitar-tones/
Rock français / French rock hub (Téléphone, Indochine, Noir Désir, Trust) | https://guitartoneadapt.com/rock-francais-guitar-tones/
Rock en español / Latin rock hub (Soda Stereo, Héroes del Silencio) | https://guitartoneadapt.com/rock-en-espanol-guitar-tones/
K-rock / Korean rock hub (DAY6, N.Flying, The Rose) | https://guitartoneadapt.com/k-rock-guitar-tones/
Russian rock hub (Kino, Aria, DDT, Nautilus Pompilius) | https://guitartoneadapt.com/russian-rock-guitar-tones/
Türkçe rock / Turkish rock hub (Duman, maNga, Şebnem Ferah, Pentagram) | https://guitartoneadapt.com/turkce-rock-gitar-tonlari/
Rock Indonesia hub (Sheila on 7, Dewa 19, Peterpan/Noah, Slank) | https://guitartoneadapt.com/rock-indonesia-guitar-tones/
OPM / Pinoy rock hub (Eraserheads, Rivermaya, Parokya ni Edgar, Bamboo) | https://guitartoneadapt.com/opm-rock-guitar-tones/

# Interactive quizzes (free, shareable)
Which Guitar Tone Legend Are You? — a 60-second personality quiz that matches your playing style to Gilmour, Hendrix, SRV, Hetfield, Van Halen or Knopfler, with a shareable result card and each legend’s signature tone | https://guitartoneadapt.com/tone-twin/
Guess the Tone — a quick game that shows you amp dial settings and asks which famous song they belong to | https://guitartoneadapt.com/quiz/